The Frank Sinatra Collection

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Nice 'n' Easy
recording of:
Nice ’n’ Easy
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
publisher:
Spirit Two Music (beendet), Threesome Music Company (beendet), Warner Bros. Music Corp. (beendet), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music und Spirit Two Music Crescendo
2:48
2Cheek to Cheek
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1958-12-22)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
13:06
3I'm Gonna Sit Right Down and Write Myself a Letter
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
2:29
4As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
3:17
5Witchcraft
Produzent(in):
Dave Cavanaugh
Bass:
Joe Comfort (am 1957-05-20)
Bassposaune:
George Roberts (american bass trombone) (am 1957-05-20)
Bratsche / Viola:
Maxine Johnson (am 1957-05-20) und Barbara Simons (am 1957-05-20)
Cello:
Cy Bernard (am 1957-05-20), Edgar Lustgarten (am 1957-05-20) und Eleanor Slatkin (US cellist, b. Aller) (am 1957-05-20)
Geige / Violine:
Alex Beller (am 1957-05-20), Harry Bluestone (am 1957-05-20), Robert Cross (violinist) (am 1957-05-20), Walter Edelstein (am 1957-05-20), Ben Gill (am 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1957-05-20), Mischa Russell (violinist) (am 1957-05-20), Marshall Sosson (am 1957-05-20) und Gerald Vinci (American violinist and strings conductor) (am 1957-05-20)
Gitarre:
Nick Bonney (guitarist) (am 1957-05-20)
Harfe:
Kathryn Julye (am 1957-05-20)
Klavier:
Bill Miller (pianist) (am 1957-05-20)
Posaune:
Jim Priddy (am 1957-05-20), Dick Noel (trombone) (am 1957-05-20) und Juan Tizol (am 1957-05-20)
Rohrblattinstrumente:
Buddy Collette (am 1957-05-20), Harry Klee (am 1957-05-20), Joe Koch (am 1957-05-20), Wilbur Schwartz (am 1957-05-20) und Warren Webbe (am 1957-05-20)
Schlagzeug:
Frank DeVito (american jazz drummer) (am 1957-05-20)
Trompete:
Clarence "Shorty" Sherock (am 1957-05-20), Harry “Sweets” Edison (am 1957-05-20), Conrad Gozzo (am 1957-05-20) und Vito "Mickey" Mangano (am 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-05-20)
Orchester:
The Nelson Riddle Orchestra (am 1957-05-20)
conductor:
Nelson Riddle (am 1957-05-20)
arranger:
Nelson Riddle
Herausgeber:
Morley Music Corp. und Notable Music Co., Inc.
recording of:
Witchcraft (am 1957-05-20)
Texter:
Carolyn Leigh
Komponist(in):
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
12:54
6I've Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:43
7You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
3.752:57
8I Can't Get Started
recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:03
9I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:55
10Chicago
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Produzent(in):
Dave Cavanaugh, Voyle Gilmore und Bill Miller (US producer at Capitol Records)
Bratsche / Viola:
Maxine Johnson und Barbara Simons
Cello:
Cy Bernard, Armand Kaproff und Edgar Lustgarten
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Jacques Gasselin, Dan Lube, Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld, Mischa Russell (violinist) und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Skeets Herfurt, Harry Klee, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Russell Brown (Swing trombonist), Pullman “Tommy” Pederson und Jimmy Priddy
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Harry “Sweets” Edison, Conrad Gozzo und George Seaberg
Ventilposaune:
Juan Tizol
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
recording of:
Chicago (That Toddlin’ Town) (am 1957-08-13)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
32:13
11Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:20
12The Lady Is a Tramp
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-26)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-26)
conductor:
Nelson Riddle (am 1956-11-26)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-11-26)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
43:17
13(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-13)
Rohrblattinstrumente:
Plas Johnson (am 1955-09-13)
Trompete:
Harry “Sweets” Edison (am 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-09-13)
Orchester:
The Nelson Riddle Orchestra (am 1955-09-13)
conductor:
Nelson Riddle (am 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (am 1955-09-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
22:59
14My Funny Valentine
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1953-11-05)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
32:32
15Night and Day
Trompete:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-04, in 1956-11)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
4:01
16You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:05
17Dancing in the Dark
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Dancing in the Dark (am 1958-12-22)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
recording of:
Dancing in the Dark
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
2.52:27
18Let's Get Away From It All
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
Tuba:
J.H. Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-01)
Orchester:
The Billy May Orchestra (am 1957-10-01)
conductor:
Billy May (am 1957-10-01)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-01)
cover recording of:
Let’s Get Away From It All (am 1957-10-01)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
recording of:
Let’s Get Away From It All
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
2.52:12
19Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:23
20One for My Baby
Klavier:
Bill Miller (pianist)
recording of:
One for My Baby (and One More for the Road) (in 1958)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
4:23

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
phonographisches Urheberrecht (℗) von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (von 1986 bis 1987)
ASIN:UK: B0000246NO [Info]