Platinum: A Life in Music

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▼CD
#TitoloValutazioneDurata
1I’ll Never Stand in Your Way
registrazione cover di:
I’ll Never Stand in Your Way (nel 1954)
autore:
Hy Heath e Fred Rose (songwriter)
editore:
Milene Music. Inc (ASCAP)
12:04
2That’s All Right (alternate take)
registrazione cover di:
That’s All Right (il 1954-07-06)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
12:08
3Blue Moon (alternate take)
registrazione cover di:
Blue Moon (il 1954-08-19)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
13:15
4Good Rockin’ Tonight
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e BMG Entertainment (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1954, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Good Rockin’ Tonight (il 1954-09-10)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
52:12
5Mystery Train
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 77)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
32:25
6I Got a Woman (alternate take)
registrazione cover di:
I Got a Woman (il 1956-01-10)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
12:26
7Heartbreak Hotel (alternate take)
registrazione di:
Heartbreak Hotel (il 1956-01-10)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
2:16
8I’m Counting on You (alternate take)
registrazione di:
I’m Counting on You (il 1956-01-11)
paroliere e compositore:
Don Robertson (“Happy Whistler” songwriter)
editore:
Carlin Music Corporation, Don Robertson Music Corp. e Ross Jungnickel, Inc.
2:31
9Shake, Rattle and Roll / Flip, Flop and Fly
medley che comprende una registrazione cover di:
Flip, Flop & Fly (il 1956-01-28)
autore:
Charles Calhoun e Lou Willie Turner
editore:
Unichappell Music, Inc.
medley che comprende una registrazione cover di:
Shake, Rattle and Roll (il 1956-01-28)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
12:11
10Lawdy, Miss Clawdy (alternate take)
registrazione cover di:
Lawdy Miss Clawdy (il 1956-02-03)
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
2:22
11I Want You, I Need You, I Love You (alternate take)
registrazione di:
I Want You, I Need You, I Love You (il 1956-04-14)
autore:
Ira Kosloff e Maurice Mysels
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music e Williamson Music Company
2:47
12Hound Dog
registrazione cover di:
Hound Dog (il 1956-06-05)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
12:37
13Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. e Williamson Music Company
3.82:03
14Rip It Up (alternate take)
registrazione cover di:
Rip It Up (il 1956-09-03)
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC e Venice Music
2:12
15Love Me Tender
registrazione di:
Love Me Tender (il 1956-09-09)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
13:19
16When the Saints Go Marching In
registrazione di:
When the Saints Go Marching In (nel 1956-12)
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 13983)
versione di:
When the Saints Go Marching In
11:23
17All Shook Up
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-12 al 1957-01-13)
batteria :
D.J. Fontana (dal 1957-01-12 al 1957-01-13)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-12 al 1957-01-13) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-12 al 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1957-01-12 al 1957-01-13)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-12 al 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
remixer:
Dennis Ferrante
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-01-12 al 1957-01-13) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 353)
registrazione cover di:
All Shook Up (il 1957-01-12)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
3.651:58
18(There’ll Be) Peace in the Valley (for Me) (alternate take)
registrazione cover di:
There’ll Be Peace in the Valley for Me (il 1957-01-13)
editore:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (il 1939-01-25)
paroliere e compositore:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
editore:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:24
19Blueberry Hill
registrazione cover di:
Blueberry Hill (nel 1957-01)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
13:22
20(Let Me Be Your) Teddy Bear
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-15 al 1957-01-18)
esecutore aggiunto:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Paramount Pictures Scoring Stage M in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 26)
registrazione di:
(Let Me Be Your) Teddy Bear (dal 1957-01-15 al 1957-01-18)
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
registrazione cover di:
(Let Me Be Your) Teddy Bear
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
2.751:46
21Jailhouse Rock
basso elettrico :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-04-30)
batteria :
D.J. Fontana (il 1957-04-30)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1957-04-30)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1957-04-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957) e BMG Music (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 67) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 216)
registrazione di:
Jailhouse Rock (il 1957-04-30)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
3.42:28
22New Orleans
tecnico:
Thorne Nogar (dal 1958-01 al 1958-02) e Phil Wisdom (dal 1958-01 al 1958-02)
registrazione cover di:
New Orleans (il 1958-01-15)
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Gladys Music Elvis Presley Enterprises LLC e Williamson Music Company
2.52:00
23I Need Your Love Tonight (alternate take)
registrazione cover di:
I Need Your Love Tonight (il 1958-06-10)
autore:
Bickley Reichner e Sid Wayne
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
2:01
24A Big Hunk o’ Love (alternate take)
registrazione cover di:
A Big Hunk o’ Love (il 1958-06-10)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Sid Wyche
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) e Williamson Music Company
2:15
25Bad Nauheim (medley)
medley che comprende una registrazione cover di:
Apron Strings (nel 1959)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e George David Weiss
medley che comprende una registrazione di:
I Will Be True (nel 1959)
paroliere e compositore:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
editore:
Hill and Range Songs, Inc. (publisher)
medley che comprende una registrazione cover di:
I’ll Take You Home Again, Kathleen (nel 1959)
paroliere e compositore:
Thomas P. Westendorf (nel 1875)
parte di:
Roud Folk Song Index (numero: 12907)
medley che comprende una registrazione cover di:
It’s Been So Long Darlin’ (nel 1959)
paroliere e compositore:
Ernest Tubb
medley che comprende una registrazione cover di:
There’s No Tomorrow (nel 1959)
compositore:
Leon Carr, Leo Corday e Al Hoffman
si basa su:
’O sole mio
14:06
2▶CD
3▶CD
4▶CD

Accreditamenti

Pubblicazione

stampata a:Stati Uniti
direzione artistica e produttore:Ernst Mikael Jorgensen
Roger Semon
tecnico di missaggio:Dennis Ferrante
tecnico aggiunto:Paul Brizzi
Vince Caro (engineer, music editor, producer)
Marian Conaty
Dennis Ferrante
James Nichols
Tom MacCluskey (engineer)
tecnico di mastering:Paul Brizzi
Vince Caro (engineer, music editor, producer)
Marian Conaty
Dennis Ferrante
James Nichols
Tom MacCluskey (engineer)
fabbricata da e distribuito da:BMG Distribution (distributor, do not use as a label!)
mastering effettuato presso:BMG Studios in Theater District, New York, New York, Stati Uniti
lavorazione tecnica effettuata in aggiunta presso:BMG Studios in Theater District, New York, New York, Stati Uniti
Discogs:https://www.discogs.com/release/6803686 [info]
ASIN:US: B000002X3D [info]