Hot Shot

~ Veröffentlichung von Shaggy (alle Versionen dieser Veröffentlichung ansehen, 14 vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Hot Shot
recording engineer:
Christopher Birch und Claude "Weak Hand" Reynolds
Koproduzent(in):
Shaun Pizzonia
Produzent(in):
Christopher Birch
Mix:
Shaun Pizzonia
Keyboard [keys] und Perkussion:
Christopher Birch
Solo-Orgel:
Shaun Pizzonia
Hintergrundgesang:
Kimberly Miller (vocals)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group und Langmann Productions
aufgenommen bei:
One Room Studio in Jamaika und Ranch Recording Studio in New York, Vereinigte Staaten
mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
recording of:
Hot Shot
Verfasser(in):
Christopher Birch, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Dorrette Wisdom
publisher:
Livingsting Music
33:47
2Lonely Lover
recording engineer:
Shane Brown (engineer at Penthouse Records & owner of Juke Boxx Productions)
Techniker(in) und Mix:
Steve Hodge (engineer and producer)
Produzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Instrumente:
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Gast vocals:
T-Lo of Next (hip-hop artist Terrance Brown)
Hintergrundgesang:
prof t.
vocals:
Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) und MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Flyte Tyme Productions, Inc.
aufgenommen bei:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
mixed at und engineered at:
Flyte Tyme Studios in Edina, Minnesota, Vereinigte Staaten
Samples:
Just Don’t Want to Be Lonely von The Main Ingredient
recording of:
Lonely Lover
Verfasser(in):
Vinnie Barrett, Bobby Eli, John Freeman (co writer of Just Don't Want To Be Lonely), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) und Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2.53:47
3Dance & Shout
Techniker(in) und Mix:
Steve Hodge (engineer and producer)
Produzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Instrumente:
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Hintergrundgesang:
Eddie Smith III a.k.a. "Mello", Jamaica Bennett, Joseph Gaspard a.k.a. "Solo", Marquis Scott-Muhammad a.k.a. "Riff Raff" und Rasan Scott-Muhammad a.k.a. "Pee Wee"
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Flyte Tyme Productions Inc.
mixed at und engineered at:
Flyte Tyme Studios in Edina, Minnesota, Vereinigte Staaten
Samples:
Shake Your Body (Down to the Ground) von The Jacksons (formerly “The Jackson 5”)
Musikvideos:
Dance & Shout von Shaggy (Orville Richard Burrell, dancehall and reggae singer)
recording of:
Dance & Shout
Verfasser(in):
Michael Jackson (“King of Pop”), Randy Jackson (brother of Michael and Janet), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) und Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
EMI April Music Inc., Flyte Tyme Tunes, Livingsting Music und Peacock Music Publishing Co.
23:48
4Leave It to Me
recording engineer und Mix:
Gordon Dukes und Robert Livingston (Jamaican reggae and dancehall producer)
Produzent(in):
Robert Livingston (Jamaican reggae and dancehall producer)
Instrumente:
Christopher Birch, Gordon Dukes, Robert Livingston (Jamaican reggae and dancehall producer) und Robert Zapata
Hintergrundgesang:
Bryan & Tony Gold und Gordon Dukes
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei:
Big Yard Studios in Kingston (Kingston Parish), Jamaika und The Boxx in Jamaika
mixed at:
Big Yard Studios in Kingston (Kingston Parish), Jamaika
recording of:
Leave It to Me
Verfasser(in):
Brian Thompson, Gordon Dukes, Robert Livingston (Jamaican reggae and dancehall producer) und Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Livingsting Music
2.53:38
5Angel
recording engineer, Produzent(in) und Mix:
Shaun Pizzonia
Gitarre:
P. Henry und R. Zapata
Keyboard [keyboards]:
C. Sanchez
Schlagzeug [drums]:
Shaun Pizzonia
Hintergrundgesang:
Gordon Dukes
Interpret(in):
Rayvon
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei:
Big Yard Studios in Kingston (Kingston Parish), Jamaika, HC&F Studio (defunct) in Freeport, Hempstead, New York, Vereinigte Staaten und Ranch Recording Studios in New York, Vereinigte Staaten
mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
Samples:
Angel of the Morning von Chip Taylor (US singer/songwriter) und The Joker von Steve Miller Band (American rock band)
Musikvideos:
Angel von Shaggy (Orville Richard Burrell, dancehall and reggae singer) feat. Rayvon
recording of:
Angel
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer), Steve Miller (leader of Steve Miller Band) und Chip Taylor (US singer/songwriter)
publisher:
Cotillion Music Inc. (BMI) und EMI Blackwood Music Inc.
4.23:55
6Hope
recording engineer und Mix:
Gordon Dukes und Robert Livingston (Jamaican reggae and dancehall producer)
Produzent(in):
Robert Livingston (Jamaican reggae and dancehall producer)
Instrumente:
Gordon Dukes, Chris Jisi, Dave Lavender, Robert Livingston (Jamaican reggae and dancehall producer) und R. Zapata
Hintergrundgesang:
Brian & Tony Gold und Mister Mydas (Anthony Hawthorne) (Anthony Hawthorne, aka Mister Mydas)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Big Yard Studios in Kingston (Kingston Parish), Jamaika
recording of:
Hope
Verfasser(in):
Brian Thompson, Robert Livingston (Jamaican reggae and dancehall producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer) und Ricardo Ducent
publisher:
Livingsting Music
33:48
7Keep’n It Real
recording engineer:
Gordon Dukes
Produzent(in):
Gordon Dukes und Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
zusätzliche(r) Produzent(in):
Shaun Pizzonia
Mix:
Shaun Pizzonia
Instrumente:
Gordon Dukes und Shaun Pizzonia
Hintergrundgesang:
Gordon Dukes
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei:
Big Yard Studios in Kingston (Kingston Parish), Jamaika
mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
recording of:
Keep’n It Real
Verfasser(in):
Gordon Dukes, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Ricardo Ducent
publisher:
Livingsting Music
2.653:54
8Luv Me, Luv Me
Produzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Flyte Tyme Production Inc.
Samples:
Impeach the President von The Honey Drippers (70s US funk band, backing band for Roy C. Hammond)
recording of:
Luv Me, Luv Me
Verfasser(in):
Roy C. Hammond (US southern soul singer & songwriter), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Alex Richbourg und Norman Whitfield
publisher:
EMI April Music, Livingsting Music und TCF Music Publishing (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
basiert auf:
Ooh Boy
33:36
9Freaky Girl
recording engineer, Produzent(in) und Mix:
Shaun Pizzonia
Instrumente:
Shaun Pizzonia und Robert Zapata
Hintergrundgesang:
The Kraft (featured artist on "Freaky Girl" by Shaggy)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
Samples:
Get Down Do the Latin Hustle von Eddie Drennon & B.B.S. Unlimited
recording of:
Freaky Girl
Verfasser(in):
Eddie Drennon, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Patrick Morrison, Shaun Pizzonia, Ricardo Ducent und Nigel Staff
publisher:
Damit Music und Livingsting Music
2.53:45
10It Wasn’t Me
recording engineer und Mix:
Shaun Pizzonia
Produzent(in):
Shaun Pizzonia und Sting International
Blechblasinstrumente:
Kevin Bachelor und Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
Geige / Violine:
Gwen Laster
Gitarre:
R. Zapata
Keyboard:
Nigel Staff
membranophone und Perkussion [drums]:
Shaun Pizzonia
Hintergrundgesang:
Brian & Tony Gold und Shaun Pizzonia
Sologesang:
Ricardo Ducent und Shaggy (Orville Richard Burrell, dancehall and reggae singer)
vocals und Interpret(in):
Ricardo “Rik Rok” Ducent
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
Musikvideos:
It Wasn't Me von Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 273)
recording of:
It Wasn’t Me
Verfasser(in):
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Ricardo Ducent
publisher:
Livingsting Music
basiert auf:
Smile Happy
3.553:48
11Not Fair
Assistent recording engineer:
Baddable
recording engineer und Produzent(in):
Dave Kelly (reggae producer)
Mix:
Shaun "Sting" Pizzonia
Bass:
Michael Fletcher
Keyboard [keys] und Schlagzeug [drums]:
Dave Kelly (reggae producer)
Hintergrundgesang:
Toni Seawright (a.k.a. "RUDE"; featured artist on "Not Fair" by Shaggy)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
aufgenommen bei:
The Boxx in Jamaika
mixed at:
Ranch Recording Studios in New York, Vereinigte Staaten
recording of:
Not Fair
Verfasser(in):
Brian Thompson, Dave Kelly (reggae producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Ricardo Ducent und Nigel Staff
publisher:
EMI Music Publishing (do not use as a release label!) und Livingsting Music
23:48
12Hey Love
recording engineer und Produzent(in):
Shaun "Sting" Pizzonia
Mix:
Shaun "String" Pizzonia
Bass:
Michael Fletcher und Shaun "Sting" Pizzonia
Instrumente:
Shaun "Sting" Pizzonia
Hintergrundgesang:
Brian & Tony Gold und Ricardo Ducent
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
HC&F Studio (defunct) in Freeport, Hempstead, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
The Boxx in Jamaika
recording of:
Hey Love
Verfasser(in):
Brian Thompson, Dave Kelly (reggae producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Ricardo Ducent
publisher:
Livingsting Music
24:02
13Why Me Lord?
recording engineer:
Claude "Weak Hand" Reynolds und Tony Kelly (reggae producer)
Produzent(in):
Tony "CD" Kelly (reggae producer)
assistierende(r) Mix:
Gordon Dukes und Shaggy (Orville Richard Burrell, dancehall and reggae singer)
Mix:
Robert Livingston (Jamaican reggae and dancehall producer)
Instrumente:
Tony Kelly (reggae producer)
Hintergrundgesang:
ARP (dancehall/reggae group) und Brian & Tony Gold
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
mixed at:
Big Yard Studios in Kingston (Kingston Parish), Jamaika
recording of:
Why Me Lord?
Verfasser(in):
Tony Kelly (reggae producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer) und Ricardo Ducent
publisher:
Livingsting Music, Tony Kelly Music und Universal Songs of Polygram
2.53:36
14Chica bonita
recording engineer:
Shaun "String" Pizzonia
Produzent(in) und Mix:
Shaun "Sting" Pizzonia
Blechblasinstrumente:
K. Bachelor
Gitarre:
P. Henry (reggae) und R. Zapata
Keyboard [keys]:
P. Henry (reggae)
Perkussion [drums]:
Shaun "Sting" Pizzonia
Hintergrundgesang:
Sting Pizzonia
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
recording of:
Chica bonita
Verfasser(in):
Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia, Ricardo Ducent und Nigel Staff
publisher:
Livingsting Music
24:02

Nennungen

Veröffentlichung

kostenlos streamen:https://open.spotify.com/album/210xxpSUNwaVdWEKIjO52n [Info]

Veröffentlichungsgruppe

ausgekoppelte Singles/EPs:Angel von Shaggy (Orville Richard Burrell, dancehall and reggae singer) feat. Rayvon
Dance & Shout
Dance & Shout / Hope
It Wasn’t Me
Discogs:https://www.discogs.com/master/83498 [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/shaggy/hot_shot/ [Info]
Wikidata:Q1402479 [Info]