Anthology: The Colpix Years

~ Release by Nina Simone (see all versions of this release, 1 available)

Annotation

Label: Rhino/WEA - Cat#: 72567 - ASIN: B0000033WH

Label: Rhino/WEA - Cat#: 72567 - ASIN: B0000033WH

Annotation last modified on 2012-03-04 12:00 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
43:22
2That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
That’s Him Over There (in 1959)
lyricist:
Marilyn Bergman
composer:
Lew Spence
4.252:33
3Theme From “Middle of the Night”
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
writer:
George Bassman and Paddy Chayefsky
32:31
4Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.253:14
5Solitaire
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Solitaire (in 1959)
writer:
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) and Carl Nutter
53:26
6Black Is the Color of My True Love’s Hair
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall")
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (on 1959-09-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
43:37
7Exactly Like You
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Exactly Like You (on 1959-09-12)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
33:19
8The Other Woman
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.653:01
9You Can Have Him
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano and lead vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
You Can Have Him (on 1959-09-12)
lyricist and composer:
Irving Berlin (in 1949)
5:56
10Cotton‐Eyed Joe
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
22:59
11Fine and Mellow
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano and lead vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Fine and Mellow (on 1959-09-12)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:30
12Nobody Knows You When You’re Down and Out
conductor:
Stu Phillips (US TV/film composer, conductor & producer)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (in 1960)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
2:41
13Trouble in Mind
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (jazz bassist) (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
instruments:
Bobby Hamilton (percussionist, keyboards, vocals) (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
edit of:
Trouble in Mind (live, 1960‐06‐30: Newport, Rhode Island, USA) by Nina Simone
live cover recording of:
Trouble in Mind (on 1960-06-30)
lyricist and composer:
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
45:31
14Porgy
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (jazz bassist) (on 1960-06-30)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live recording of:
Blues for Porgy (on 1960-06-30)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
1.55:07
15Little Liza Jane
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (jazz bassist) (on 1960-06-30)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
Little Liza Jane (on 1960-06-30)
lyricist and composer:
[traditional] (special purpose artist)
4:34
16Rags and Old Iron
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
remixer:
Layo & Bushwacka! (DJs Layo Paskin & Matthew Benjamin)
cover recording of:
Rags and Old Iron (in 1961)
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
4.654:12
17No Good Man
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
No Good Man (in 1961)
lyricist:
Sammy Gallop
composer:
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) and Irene Higginbotham
43:42
18Gin House Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Gin House Blues (in 1961)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:06
19Work Song
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
vocals:
Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
4.652:36
20Forbidden Fruit
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
recording of:
Forbidden Fruit (in 1961)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
33:48
21Come on Back, Jack
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
Come on Back, Jack
lyricist:
Earl S. Shuman (composer / lyricist)
composer:
Leon Carr
2:15
2▼CD
#TitleRatingLength
1He Was Too Good to Me
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1961-04)
live cover recording of:
He Was Too Good to Me (in 1961-04)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Simple Simon
4:57
2House of the Rising Sun
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
lead vocals:
Nina Simone (in 1961)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1961-04)
live cover recording of:
House of the Rising Sun (in 1961-04)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
54:35
3Brown Baby
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1961-04)
live cover recording of:
Brown Baby (in 1961-04)
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMHA, Knock Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
25:48
4Children Go Where I Send You
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1961-04)
live cover recording of:
Children Go Where I Send Thee (in 1961-04)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 133)
7:46
5Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3.652:48
6I Got It Bad
lead vocals:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
2.54:04
7Hey, Buddy Bolden
lead vocals:
Nina Simone
recording of:
Hey, Buddy Bolden
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
32:28
8Solitude
choir vocals:
The Malcom Dodds Singers (in 1962)
lead vocals:
Nina Simone (in 1962)
conductor:
Ralph Burns (in 1962)
arranger:
Ralph Burns
cover recording of:
(In My) Solitude (in 1962)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
53:42
9The Gal From Joe’s
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
4.652:11
10Blackbird
producer:
Jack Lewis (jazz producer)
arranger:
Nina Simone
recording of:
Blackbird
writer:
Herbert Sacker and Nina Simone
3:54
11If You Knew
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
If You Knew (on 1963-04-12)
lyricist and composer:
Nina Simone
3:20
12The Twelfth of Never
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
lead vocals:
Nina Simone (on 1963-04-12)
vocals:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live cover recording of:
The Twelfth of Never (on 1963-04-12)
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
3.53:30
13When I Was a Young Girl
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live cover recording of:
When I Was a Young Girl (on 1963-04-12)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and Delabel Éditions (publisher; do NOT use as release label)
55:59
14Erets Zavat Chalav
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
edit of:
Eretz Zavat Chalav (live, 1963‐04‐12: Carnegie Hall, New York City, NY, USA, with Nina Simone speaking at the beginning) by Nina Simone
live recording of:
Eretz zavat chalav u’dvash (on 1963-04-12)
44:17
15The Young Knight
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
The Young Knight (on 1963-04-12)
3.655:29
16Spring Is Here
edit of:
Spring Is Here ('Nina Simone with Strings' unedited version, without strings and horns) by Nina Simone
cover recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
52:38
17Falling in Love Again (Can’t Help It)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Falling in Love Again (Can’t Help It)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
42:36
18That’s All
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
cover recording of:
That’s All
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
42:23
19Porgy, I Is Your Woman (Bess You Is My Woman)
cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
43:20

Credits

Release

ASIN:US: B0000033WH [info]