Step Back & Boogie

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1September
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975, nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 16) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 65)
registrazione di:
September
autore:
Al McKay, Maurice White (Earth, Wind & Fire) e Allee Willis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:36
2I Love Music
edit di:
I Love Music di The O’Jays
registrazione di:
I Love Music
autore:
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays53:36
3Heaven Must Be Missing an Angel
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1976)
edit di:
Heaven Must Be Missing an Angel di Tavares (US R&B, funk and soul music)
registrazione di:
Heaven Must Be Missing an Angel
autore:
Freddie Perren e Keni St. Lewis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:33
4Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton3:52
5The Love I Lost
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973)
edit di:
The Love I Lost di Harold Melvin & The Blue Notes
registrazione di:
The Love I Lost
autore:
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.653:33
6I’m Every Woman
tecnico:
James Douglass (engineer)
produttore:
Arif Mardin
voce di accompagnamento:
Will Lee (US jazz/rock bassist) (nel 1978) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (nel 1978)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1978)
arrangiatore archi , arrangiatore legni e arrangiatore ottoni :
Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 4)
registrazione di:
I’m Every Woman (nel 1978)
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:06
7Got to Be Real
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
edit di:
Got to Be Real (LP / 12" version) di Cheryl Lynn (1970s disco singer)
registrazione di:
Got to Be Real
autore:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) e David Paich
editore:
Butterfly Gong Music, Hudmar Publishing Co. Inc. e On Board Music (publisher)
Cheryl Lynn4.53:47
8Do It Anyway You Wanna
produttore:
Gamble-Huff
arrangiatore:
Frank Brunson e Leon Huff (Philly soul producer, of Gamble & Huff)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1974)
registrazione di:
Do It Any Way You Wanna (nel 1974)
paroliere e compositore:
Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), MDW (publisher) (nel 1988) e Mighty Three Music (nel 1988)
People's Choice3:14
9So You Win Again
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e RAK (nel 1977)
registrazione di:
So You Win Again
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) e Universal Music–MGB Songs
Hot Chocolate4.254:28
10He’s the Greatest Dancer
registrazione di:
He’s the Greatest Dancer
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:35
11Is It Love You’re After
registrazione cover di:
Is It Love You’re After
paroliere, autore e compositore:
Miles Gregory
editore:
Sony/ATV Ballad, Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce3:46
12Second Time Around
registrazione di:
The Second Time Around
autore:
William Shelby e Leon Sylvers
editore:
Rondor Music (Ldn) Ltd., Rosy Music (ASCAP-affiliated) e Spectrum VII
Shalamar3:42
13Rockin’ Chair
registrazione di:
Rockin’ Chair
autore:
Clarence Henry Reid e Willie Clarke
editore:
EMI Longitude Music
Gwen McCrae3:17
14Show You the Way to Go
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
Show You the Way to Go
autore:
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Jacksons33:29
15I’ll Be Around
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
I’ll Be Around (nel 1973)
compositore:
Thom Bell (keyboards, songwriter, producer) e Phil Hurtt
editore:
Mighty Three Music Ld. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
16Mind Blowing Decisions
assistente tecnico:
Mike Hedges (UK producer/recording engineer) e Andy Jackson (UK recording engineer/prog musician)
tecnico e tecnico di missaggio:
James Guthrie
produttore:
Barry Blue (singer, producer, and songwriter)
assistente tecnico di missaggio:
Andy Jackson (UK recording engineer/prog musician)
direttore d'orchestra:
John Cameron (British composer, arranger and conductor)
orchestratore:
John Cameron (British composer, arranger and conductor)
primo violino:
Pat Halling
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1977, nel 1978)
registrazione di:
Mind Blowing Decisions (nel 1977)
paroliere e compositore:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
editore:
Johnnie Wilder Music, Skratch Music Publishing Ltd. e 大洋音楽 (Taiyō Music)
Heatwave54:15
2▼CD
#TitoloArtistaValutazioneDurata
1Can You Feel the Force
registrazione di:
Can You Feel the Force
autore:
Chris Amoo e Eddie Amoo
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing4:07
2We Got the Funk
registrazione di:
We Got the Funk
autore:
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds e Albert Williams
editore:
Sugar Hill Music Publishing Ltd. (conclusa), B.I.B. Music e Songs of Universal, Inc. (BMI)
Positive Force3:21
3(Shake Shake Shake) Your Booty
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
T.K. Records (Miami‐based disco label) (dal 1976 a oggi) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1976)
registrazione di:
(Shake, Shake, Shake) Shake Your Booty
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) e Longitude Music Co.
KC and the Sunshine Band4.63:06
4Boogie Wonderland
produttore:
Al McKay e Maurice White (Earth, Wind & Fire)
voce:
The Emotions (Chicago soul, disco and R&B female vocal group) (nel 1979)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
Boogie Wonderland (nel 1979)
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:48
5Boogie Fever
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrazione di:
Boogie Fever
autore:
Freddie Perren e Keni St. Lewis
editore:
PolyGram Music Publishing e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:28
6T.S.O.P. (The Sound of Philadelphia)
registrazione di:
TSOP (The Sound of Philadelphia)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mighty Three Music, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB feat. The Three Degrees3:18
7Rapper’s Delight
registrazione di:
Rapper’s Delight (il 1979-08-02)
autore:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson e Nile Rodgers
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Good Times
The Sugarhill Gang3.63:59
8Good Times
basso :
Bernard Edwards (American bassist and record producer) (nel 1979)
batteria :
Tony Thompson (drummer, best known for his work in CHIC) (nel 1979)
chitarra :
Nile Rodgers (nel 1979)
pianoforte :
Rob Sabino (nel 1979)
pianoforte elettrico :
Raymond Jones (nel 1979)
voce principale:
Alfa Anderson (nel 1979) e Luci Martin (nel 1979)
esecutore:
Chic (US disco group) (nel 1979)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 68) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 224)
registrazione di:
Good Times (nel 1979)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic53:37
9We Are Family
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:26
10Boogie Nights
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1976)
registrazione di:
Boogie Nights
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave44:39
11It’s a Disco Night (Rock Don’t Stop)
edit di:
It’s a Disco Night (Rock Don’t Stop), Parts 1 & 2 di The Isley Brothers
registrazione di:
It’s a Disco Night (Rock Don’t Stop)
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
The Isley Brothers44:13
12Funky Nassau
registrazione di:
Funky Nassau
paroliere e compositore:
Tyrone Patrick Fitzgerald e Ray Munnings
editore:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Beginning of the End3:11
13Fly, Robin Fly
registrazione di:
Fly, Robin, Fly
autore:
Sylvester Levay e Stephan Prager (songwriter, aka Michael Kunze)
editore:
Sounds of Jupiter Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Silver Convention7:46
14Take That to the Bank
registrazione di:
Take That to the Bank
autore:
Kevin Spencer (US keyboardist/vocalist for Dynasty) e Leon Sylvers
editore:
ATV Music
Shalamar3:24
15Keep It Up
registrazione di:
Keep It Up
autore:
Milton Wright (soul singer-songwriter & producer, active in the 1970s Miami soul scene)
editore:
EMI Longitude Music
Milton Wright3:20
16Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:09
3▼CD
#TitoloArtistaValutazioneDurata
1Knock on Wood
diritti fonografici (℗) detenuti da:
Ariola America, Inc. (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 6)
registrazione cover di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Amii Stewart53:45
2Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:52
3Dazz
assistente tecnico:
Phil Benton
tecnico:
Johnny Duncan (producer)
produttore:
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy e Robert E. Lee
archi :
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings), Willard Shull e Frank Walton (classical violinist / strings)
orchestra:
Atlanta Symphony Players
arrangiatore archi :
Skip Lane
è stato produttore per:
Brickhouse Productions (music production company in the mid 1970s)
registrata presso:
The Sound Pit in Atlanta, Georgia, Stati Uniti, Trolley Tracks in College Park, Georgia, Stati Uniti e Webb IV Recording Studio in Atlanta, Georgia, Stati Uniti
registrazione di:
Dazz
autore:
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons e Ray Ransom
editore:
BMG Gold Songs, H&R Lastrada Music e Silver Cloud Music LLC
parte di:
10 Things I Hate About You
Brick4.53:25
4Now Is the Time
Jimmy James & the Vagabonds3:35
5Kung Fu Fighting
arrangiatore:
Gerry Shury
registrazione di:
Kung Fu Fighting
paroliere e compositore:
Carl Douglas
editore:
Carren Music (publisher) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
si basa su:
[Oriental Riff]
Carl Douglas4.23:11
6Movin’
produttore:
Jeff Lane (soul funk singer, songwriter, arranger, producer)
archi :
Irving Spice (violinist, concertmaster and strings)
chitarra :
Joseph Arthur Wong (guitarist)
chitarra basso :
Wade Williamston (bassist)
congas :
Sandy Billups (percussionist)
flauto , tastiera e timbales :
Randy Muller
membranofono :
Larry Payton (drummer)
percussione :
Randy Muller e Morris Price (trumpeter)
sassofono :
Michael Grudge (saxophonist) e Jesse Ward, Jr. (saxophonist)
tromba :
Wayne Parris (trumpeter) e Morris Price (trumpeter)
voce:
Sandy Billups (percussionist), Michael Grudge (saxophonist), Randy Muller, Wayne Parris (trumpeter), Larry Payton (drummer), Morris Price (trumpeter) e Jesse Ward, Jr. (saxophonist)
arrangiatore:
Randy Muller
registrazione di:
Movin’
paroliere e compositore:
Randy Muller e Wade Williamston (bassist)
editore:
Bravo and Encore Music, Music in Three e State Music Ltd. (publisher) (dal 1985 a oggi)
Brass Construction8:38
7Sunshine Day
registrazione di:
Sunshine Day
autore:
Sol Amarfio, Teddy Osei e Mac Tontoh
editore:
Sparta Florida Music Group Ltd.
Osibisa45:01
8Uptown Festival
Shalamar8:45
9Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:14
10I Love to Love
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Biddu (composer, songwriter, producer and musician)
arrangiatore:
Biddu (composer, songwriter, producer and musician)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976) e Arista Records Ltd. (not for release label use!) (nel 1986)
registrazione cover di:
I Love to Love
paroliere:
Philo Jack Robinson (disco songwriter, producer, composer)
compositore:
James Bolden (French singer and songwriter)
editore:
Mautoglade Music, Robin Song Music (affiliated to SACEM) e Rolf Baierle Music
Tina Charles4.653:03
11Ring My Bell
registrazione di:
Ring My Bell (Anita Ward song)
paroliere e compositore:
Frederick Knight
editore:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. e Universal Music Publishers MGB Australia Pty Ltd
Anita Ward53:16
12Shame Shame Shame
registrazione di:
Shame, Shame, Shame
paroliere e compositore:
Sylvia Robinson
editore:
IQ Music Ltd.
Shirley & Company34:50
13Family Affair
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 138)
registrazione di:
Family Affair
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music
Sly & the Family Stone4.353:04
14Boogie Oogie Oogie
produttore:
Fonce Mizell e Larry Mizell
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2002)
registrazione di:
Boogie Oogie Oogie
autore:
Janice Marie Johnson (Member of "A Taste of Honey") e Perry L. Kibble
editore:
Conducive Music, Inc. e On Time Music, Inc.
A Taste of Honey2.653:35
15Give Me Just a Little More Time
diritti fonografici (℗) detenuti da:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (nel 1970)
registrazione di:
Give Me Just a Little More Time (Dunbar/Wayne)
autore:
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Holland Group Productions Inc. e Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:35
16Girls
produttore:
Al Goodman (US 70s R&B singer/producer) e Harry Ray
registrazione di:
Girls
autore:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) e Harry Ray
Moments and Whatnauts23:09
4▼CD
#TitoloArtistaValutazioneDurata
1Instant Replay
registrazione di:
Instant Replay
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc.
Dan Hartman4.53:28
2Haven’t Stopped Dancing Yet
registrazione di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez4:11
3Le Freak
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak (nel 1978)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:33
4Best of My Love
produttore:
Al McKay
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 334)
registrazione di:
Best of My Love
autore:
Al McKay e Maurice White (Earth, Wind & Fire)
editore:
EMI Songs Ltd.
The Emotions4.153:41
5Blame It on the Boogie
tecnico:
Don Murray (producer / engineer)
produttore esecutivo:
Mike Atkinson e Bobby Colomby
tecnico di missaggio:
John Luongo
basso :
Gary King (jazz bassist, arranger and songwriter) (nel 1978) e Nathan Watts (nel 1978)
batteria e percussione :
Rick Morotta (US drummer/percussionist) (nel 1978)
chitarra :
Roland Bautista (nel 1978), Tito Jackson (nel 1978) e Mike Sembello (nel 1978)
congas :
Laudir de Oliveira (nel 1978) e Claudio Slon (nel 1978)
flauto , sassofono e tromba :
Seawind Horns
tastiera :
Greg Phillinganes (nel 1978)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Marlon Jackson e Randy Jackson (brother of Michael and Janet)
voce principale:
Michael Jackson (“King of Pop”) (nel 1978)
arrangiatore corno :
Jerry Hey
arrangiatore:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Dawnbreakers Studios in Los Angeles, California, Stati Uniti, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, Stati Uniti, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti e Total Experience Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione cover di:
Blame It on the Boogie (nel 1978)
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
registrazione di:
Blame It on the Boogie
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
The Jacksons4.153:33
6Pick Up the Pieces
produttore:
Arif Mardin
arrangiatore corno :
Roger Ball
arrangiatore:
AWB
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974, nel 1975)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Pick Up the Pieces
autore:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
editore:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. e Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band3.93:59
7Get Up and Boogie
registrazione di:
Get Up and Boogie
paroliere:
Stephan Prager (songwriter, aka Michael Kunze)
compositore:
Sylvester Levay
Silver Convention7:52
8Play That Funky Music
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
edit di:
Play That Funky Music di Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
registrazione di:
Play That Funky Music (nel 1976)
paroliere e compositore:
Robert W. Parissi (Rob Parissi)
editore:
Bema Music (publisher), RWP Music, Sweet City Records Inc. e Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:10
9Lady Marmalade
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
LaBelle3.33:56
10Disco Inferno
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps4.353:20
11Lost in Music
registrazione di:
Lost in Music
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:41
12Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
13You to Me Are Everything
produttore:
Ken Gold
diritti fonografici (℗) detenuti da:
Pye Records (nel 1976) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1976)
registrazione di:
You to Me Are Everything
autore:
Michael Denne e Ken Gold
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music Ltd.
The Real Thing3.653:28
14Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:15
15I’m Doing Fine Now
registrazione di:
I’m Doin’ Fine Now
autore:
Thom Bell (keyboards, songwriter, producer) e Sherman Marshall
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:50
16Can’t Get by Without You
produttore:
Ken Gold
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1976)
registrazione di:
Can’t Get by Without You
autore:
Michael Denne e Ken Gold
editore:
Screen Gems–EMI Music Ltd.
The Real Thing43:28

Accreditamenti