Platin: The Very Best Of, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Orinoco Flow
Techniker(in):
Ross Cullum und Nicky Ryan
Koproduzent(in):
Ross Cullum und Enya (Irish singer-songwriter)
Produzent(in):
Nicky Ryan
Mix:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Instrumente und vocals:
Enya (Irish singer-songwriter)
arranger:
Enya (Irish singer-songwriter) und Nicky Ryan
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (vom 1988 bis heute) und WEA Records Ltd. (holding company based in the UK) (in 1988)
aufgenommen bei:
Orinoco Studios in Southwark, London (Greater London), England, Vereinigtes Königreich
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Orinoco Flow von Enya (Irish singer-songwriter)
recording of:
Orinoco Flow
Texter:
Roma Ryan
Komponist(in):
Enya (Irish singer-songwriter)
publisher:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Enya4.34:27
2Candle in the Wind
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Musikvideos:
Candle in the Wind von Elton John (English singer, songwriter, pianist, and composer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 7) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 348)
recording of:
Candle in the Wind (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Elton John3.653:49
3These Days
recording of:
These Days
Verfasser(in):
Jon Bon Jovi und Richie Sambora
publisher:
Sony/ATV Tunes LLC (ASCAP), Aggressive Music (in 1995), Bon Jovi Publishing (in 1995) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1995)
Bon Jovi4:56
4What Can I Do
assistierende(r) Techniker(in):
David Boucher und Richard McCullough (Irish engineer)
Techniker(in):
Tim Martin (engineer) und Tim Summerhayes
leitende(r) Produzent(in):
Andy Murray
Produzent(in):
The Corrs und Mitchell Froom
zusätzliche(r) leitende(r) Produzent(in):
Richard Godfrey
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1999)
aufgenommen bei:
Ardmore Studios in Bray, County Wicklow, Leinster, Irland (am 1999-10-05)
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
live recording of:
What Can I Do (am 1999-10-05)
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) und Songs of PolyGram International, Inc. (in 1997)
The Corrs34:36
5Change the World
Techniker(in):
Brad Gilderman
zusätzliche(r) Techniker(in):
Kyle Bess, Bill Kinsley und Thomas Russo
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Gast Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds)
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1996)
cover recording of:
Change the World
Verfasser(in):
Gordon Kennedy (US country/bluegrass songwriter/musician), Wayne Kirkpatrick (American songwriter, musician and producer) und Tommy Sims (r&b, ccm)
publisher:
Magic Beans Music, Universal Music - Brentwood Benson Publishing (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner/Chappell (Warner/Chappell Music, Inc.) und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Eric Clapton3.253:56
6Can’t Stop That Thing We Started
recording of:
Can’t Stop This Thing We Started
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) und Robert John “Mutt” Lange (Robert John Lange)
publisher:
2855 Music, Badams Music Limited, Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises, Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
Bryan Adams4:30
7The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
8Kiss
Produzent(in):
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
Sologesang:
Tom Jones (Welsh pop singer) (in 1988)
Interpret(in):
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
phonographisches Urheberrecht (℗) von:
China Records (UK label founded by Derek Green) (in 1988)
Samples:
Close (to the Edit) von Art of Noise, Dragnet von Art of Noise, Moments in Love von Art of Noise, Paranoimia (7″ mix) von The Art of Noise with Max Headroom (titular character from "Max Headroom") und Peter Gunn von The Art of Noise featuring Duane Eddy
Musikvideos:
Kiss von Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise33:31
9Picture of You
assistierende(r) Techniker(in):
Tim Wills
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
Mix:
Absolute (UK house/garage/production/songwriting team) und Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Sologesang:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham und Shane Lynch
recording of:
Picture of You
Verfasser(in):
Ronan Keating, Eliot Kennedy (songwriter, producer), Andrew Watkins (writer, musician, producer-Flies on you) und Paul Wilson (member of “Absolute”)
publisher:
19, ATV Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), PolyGram Music Publishing Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
Boyzone2.53:25
10We Can Leave the World
Produzent(in):
Michael B. (Grant Michael B. aka Michael Kersting) und Pomez di Lorenzo
Mix:
Michael B. (Grant Michael B. aka Michael Kersting) und Falk Möller
recording of:
We Can Leave the World
Texter:
Stephan Baader, Michael Kersting (producer & composer) und Pete Boyd Smith
Komponist(in):
Stephan Baader und Michael Kersting (producer & composer)
Sasha3:47
11Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:49
12Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:12
13Run Baby Run
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
recording of:
Run, Baby, Run
Verfasser(in):
David Baerwald, Bill Bottrell und Sheryl Crow (American singer-songwriter and musician)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Reservoir One America und Zen of Iniquity
Sheryl Crow3.254:54
141999
recording engineer:
Peggy McCreary (von 1982-07 bis 1982-08)
Produzent(in):
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Becken, cowbell, drum machine [Linn LM-1], E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], Händeklatschen, Synthesizer [ARP Omni-2], Synthesizer [Oberheim OB-Xa] und Tamburin:
Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
Hintergrundgesang:
Jesse Johnson (original guitarist for The Time) (von 1982-07 bis 1982-08)
Sologesang:
Lisa Coleman (US pianist/keyboardist & composer) (von 1982-07 bis 1982-08), Dez Dickerson (von 1982-07 bis 1982-08), Jill Jones (American singer, songwriter, and actress) (von 1982-07 bis 1982-08) und Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Bearbeitung von:
1999 (album version) von Prince (“The Artist Formerly Known as…”)
Musikvideos:
1999 von Prince (“The Artist Formerly Known as…”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 339)
recording of:
1999 (von 1982-07 bis 1982-08)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:39
15Stars
Techniker(in) und Mix:
Daren Klein
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:05
16High
phonographisches Urheberrecht (℗) von:
The Wild Card Label Ltd (in 1997)
Musikvideos:
High von Lighthouse Family
recording of:
High
Texter:
Paul Tucker
Komponist(in):
Tunde Baiyewu und Paul Tucker
publisher:
Polygram Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family3.355:09
17When Julie Says
recording of:
When Julie Says
Verfasser(in) und Komponist(in):
Volkan Baydar, Oliver Fahrenheit und Christian Schönborn (German producer)
publisher:
Edition 20.000 Miles, Peer Music (“Peermusic—the global independent”) und Songs of Peer, Ltd. (ASCAP)
Orange Blue23:47
18Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:58
19I Feel Loved
Perkussion:
Airto Moreira (percussionist)
Sologesang:
Dave Gahan
phonographisches Urheberrecht (℗) von:
Venusnote Limited (not for release label use! a Depeche Mode record company) (in 2001)
recording of:
I Feel Loved
Texter und Komponist(in):
Martin L. Gore
Depeche Mode3.54:17
2▼CD
Nr.TitelKünstlerBewertungLänge
1Super Trouper
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1980-10-03)
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1980-10-03)
Gitarre:
Janne Schaffer (am 1980-10-03)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-10-03)
Perkussion:
Åke Sundqvist (am 1980-10-03)
Schlagzeug:
Per Lindvall (am 1980-10-03)
Hintergrundgesang:
Agnetha Fältskog (in 1980)
Sologesang:
Frida (Swedish singer and member of ABBA) (am 1980-10-03)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-10-03, am 1980-10-14)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1980-10)
recording of:
Super Trouper (in 1980-10)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (vom 1980 bis ????), Countless Songs, Ltd. (vom 1980 bis ????), EMI Waterford Music (vom 1980 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1980 bis heute), Universal/Union Songs Musikförlag AB (vom 1980 bis heute) und Union Songs AB (publisher) (in 1980)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.554:14
2You Win Again
Teil von:
Cachitos Nochevieja 2022 (Nummer: 82)
recording of:
You Win Again
Texter und Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Crompton Songs und Gibb Brothers Music
Bee Gees14:03
3That Don’t Impress Me Much
recording of:
That Don’t Impress Me Much
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
publisher:
Imagem London Ltd.
Shania Twain3:57
4You Can’t Hurry Love
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Paul Gomersall und Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Phil Collins (of Genesis)
Mix:
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Paul Gomersall
Bassgitarre [bass]:
John
Gitarre [guitars]:
Daryl
Glockenspiel [glock], Klavier und Vibraphon:
Peter (Scene) Robinson (English score composer)
Schlagzeug [drums], Tamburin und Sologesang:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
Martyn (Norrie) Ford (conductor)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
cover recording of:
You Can’t Hurry Love
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Phil Collins42:47
5Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:48
6Black Eyed Boy
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald und Texas (Scottish pop rock band)
Sound-Engineering:
Ash Howes (British mixer, writer and musician)
Produzent(in) und Mix:
Texas (Scottish pop rock band)
recording of:
Black Eyed Boy
Texter und Komponist(in):
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Richard Hynd, Johnny McElhone und Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. und BMG 10 Music Ltd.
Texas3:11
7From a Distance
Produzent(in):
Arif Mardin und Bette Midler
Sologesang:
Bette Midler (in 1990)
arranger:
Arif Mardin und Steve Skinner
vocals arranger:
Marc Shaiman (American score composer and lyricist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
cover recording of:
From a Distance (in 1990)
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:38
8Breakfast in America
Sound-Engineering:
Russel Pope
assistierende(r) Techniker(in):
Lenise Bent und Jeff Harris (recording engineer)
Techniker(in):
Peter Henderson (English sound engineer)
Produzent(in):
Peter Henderson (English sound engineer) und Supertramp
Bassgitarre:
Dougie Thomson
Gitarre und Keyboard:
Roger Hodgson
Holzblasinstrumente:
John Helliwell
Keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
Schlagzeug:
Bob Siebenberg
vocals:
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
phonographisches Urheberrecht (℗) von:
A&M Records (in 2010)
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Crystal Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Breakfast in America
Verfasser(in):
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Delicate Music
Supertramp3.952:39
9Sleeping
Produzent(in):
Rick Astley (English singer, songwriter and radio personality) und Chris Braide (British songwriter, record producer and singer)
recording of:
Sleeping (in 2001)
Verfasser(in):
Rick Astley (English singer, songwriter and radio personality) und Chris Braide (British songwriter, record producer and singer)
publisher:
Cruz Music (Rick Astley's label) und Warner/Chappell Music Ltd. (1996–2019)
Rick Astley3:42
10Stop
zusätzliche Programmierung:
Mike Higham (British score composer) (am 1998-06-09)
Techniker(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
assistierende(r) Mix:
Paul "P. Dub"
Mix:
Mark “Spike” Stent (producer, engineer)
Blechblasinstrumente:
Kick Horns (am 1998-06-09)
Gitarre:
Milton McDonald (am 1998-06-09)
Instrumente:
Absolute (UK house/garage/production/songwriting team) (am 1998-06-09)
vocals:
Victoria Beckham (née Adams) (am 1998-06-09), Emma Bunton (am 1998-06-09), Melanie C (am 1998-06-09), Geri Halliwell (am 1998-06-09) und Mel B (Mel B) (am 1998-06-09)
aufgenommen bei:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italien (am 1998-06-09)
live recording of:
Stop (am 1998-06-09)
Verfasser(in):
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) und Victoria Beckham (née Adams)
Spice Girls3.853:25
11Kingston Town
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
Texter und Komponist(in):
Kenrick Patrick
UB404.53:47
12Signed, Sealed, Delivered I’m Yours
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder (in 1970)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 31)
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
Verfasser(in):
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:40
13Daysleeper
recording of:
Daysleeper
Verfasser(in):
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Temporary Music
R.E.M.3:40
14Cornflake Girl
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) und Eric Rosse
Programmierung:
Eric Rosse
Mix:
Kevin Killen
Bass:
George Porter, Jr. (von 1993-02 bis 1993-10)
guitar family und Mandoline:
Steve Caton (von 1993-02 bis 1993-10)
Klavier und Sologesang:
Tori Amos (von 1993-02 bis 1993-10)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (von 1993-02 bis 1993-10)
Schlagzeug:
Carlo Nuccio (von 1993-02 bis 1993-10)
Gast vocals:
Merry Clayton (von 1993-02 bis 1993-10)
Herausgeber:
Sword and Stone
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
The Fishhouse in New Mexico, Vereinigte Staaten (von 1993-02 bis 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cornflake Girl (von 1993-02 bis 1993-10)
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.95:08
15Just the Way You Are
cover recording of:
Just the Way You Are
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Barry White3:59
16Mr. Sandman
recording of:
Mr. Sandman
Texter und Komponist(in):
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
Emmylou Harris2:21
17Baby Jane
Techniker(in):
George Tutko (engineer, producer)
Koproduzent(in):
Jim Cregan (producer & member of Family) und George Tutko (engineer, producer)
Produzent(in):
Tom Dowd und Rod Stewart
Mix:
Jim Cregan (producer & member of Family), Tom Dowd und George Tutko (engineer, producer)
recording of:
Baby Jane
Texter:
Rod Stewart
Komponist(in):
Jay Davis (guitarist)
publisher:
Cardinal Music Ltd. und Carlin Music Corp.
Rod Stewart4:44
18Come Along
recording of:
Come Along
Texter und Komponist(in):
Joakim Berg (Kent frontman) und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Verfasser(in):
Joakim Berg (Kent frontman) und Peter Svenson
Titiyo3:44
19Follow Me
recording of:
Follow Me
Verfasser(in):
Michael Bradford und Matthew Shafer
publisher:
Chunky Style Music, EMI Music Publishing (do not use as a release label!), Gaje Music, Warner Chappell Music (publisher as Warner/Chappell Music) und Warner–Tamerlane (publisher; do NOT use as release label)
Uncle Kracker3:38

Nennungen

Veröffentlichungsgruppe

Teil von:Platin (sometimes with subtitle "Das Album der Megastars") (Nummer: B2) (Reihenfolge: 13)