Countdown: One Hit Wonders 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1I Ran
tecnico di registrazione:
Mike Score
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
tastiera e voce principale:
Mike Score
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982), Zomba Productions Limited (nel 1982) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Ran di A Flock of Seagulls
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 55)
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.35:05
2In a Big Country
produttore:
Steve Lillywhite
editore:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1983)
edit di:
In a Big Country di Big Country
video musicali:
In a Big Country di Big Country
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 14)
registrazione di:
In a Big Country
paroliere:
Stuart Adamson
compositore:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) e Bruce Watson (member of Big Country)
editore:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
Big Country3.953:51
3Born to Be Alive
registrazione di:
Born to Be Alive
paroliere e compositore:
Patrick Hernandez
Patrick Hernandez3:18
4It's Alright
produttore:
The Power Syndicate
registrazione di:
It’s Alright
autore:
A. Mortimer
editore:
Polygram Music e Porky Pub.
East 1734:42
5Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:49
6Toy Soldiers
programmazione degli strumenti:
Michael Jay (producer/engineer)
assistente tecnico:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) e Karen Siegel (engineer)
tecnico e tecnico di missaggio:
Michael McDonald (engineer)
produttore:
Michael Jay (producer/engineer)
chitarra :
Mark Leggett (Guitarist/composer in Los Angeles)
tastiera [keyboards] :
Greg Smith (Producer/Keyboards)
altra voce [The Toy Soldiers]:
Marlen Landin, Kimberly McCullough, Rahsaan Patterson, Rasha Patterson, Devyn Puett, Renee Sands, Stacy Ferguson (American singer) e Alitzah Wiener (American female actress\singer)
remixer:
Humberto Gatica
arrangiatore:
Michael Jay (producer/engineer)
arrangiatore voci:
Michael Jay (producer/engineer) e Martika (American singer‐songwriter and actress)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989)
registrata presso:
Trax Recording Studio in Hollywood, Los Angeles, California, Stati Uniti (dal 1988-04 al 1988-05)
mixata presso:
Garden Rake Studio in Studio City, Los Angeles, California, Stati Uniti
video musicali:
Toy Soldiers di Martika (American singer‐songwriter and actress)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 67)
registrazione di:
Toy Soldiers
autore:
Martika (American singer‐songwriter and actress) e Michael Jay (producer/engineer)
editore:
Sony/ATV Harmony UK, Curley Top Music (nel 1988), Ensign Music Corp. (nel 1988), Famous Chappell (nel 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1988) e Tika Tunes (publisher) (nel 1988)
Martika44:49
7Whip It
produttore:
DEVO (new wave/rock band)
produttore associato:
Robert Margouleff
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 63) e Indie 88: Top 500 Indie Rock Songs (numero: 463)
registrazione di:
Whip It (Devo song)
autore:
Gerald Casale e Mark Mothersbaugh
editore:
DEVO Music, EMI Virgin Music Australia Pty Ltd e Nymph Music
DEVO4.452:41
8Putting on the Ritz
tip-tap :
Taco (Dutch singer)
video musicali:
Puttin’ On the Ritz di Taco (Dutch singer)
registrazione cover di:
Puttin’ On the Ritz
paroliere e compositore:
Irving Berlin (nel 1929)
editore:
Berlin Irving Music Corp e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
Idiot’s Delight (film)
Taco44:38
9Mickey
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 43), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 57) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 497)
registrazione cover di:
Kitty (more well known as "Mickey")
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
versione tradotta di:
Mickey
Toni Basil3.84:13
10Send Me an Angel
registrata a:
Australia
tecnico:
Andrew Scott (Australian producer/engineer)
produttore:
Ross Cockle e Glenn Wheatley
produttore esecutivo:
Mike Curb e Jack Schwartzman
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 1983)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia
mixata presso:
Fast Forward Studios in Warranwood, Melbourne, Victoria, Australia
registrazione di:
Send Me an Angel
paroliere:
David Sterry
compositore:
Richard Zatorski
editore:
Chappell & Co. GmbH (Publisher, do not use as a release label!), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. e Wheatley Music Pty Ltd. (nel 1983)
Real Life4.53:55
11Sunglasses at Night
basso :
Gary Tibbs
batteria e percussione :
Paul Burgess (UK rock drummer)
chitarra [lead guitar] :
Andy Barnett
chitarra [rhythm guitar] :
Andy Mac e Jon Astley
sassofono contralto e sassofono tenore :
Andy Hamilton (British saxophonist, composer and producer)
tastiera :
Phil Chapman (engineer), Ritchie Close (keyboardist, composer) e Corey Hart
video musicali:
Sunglasses at Night di Corey Hart
registrazione di:
Sunglasses at Night (nel 1983)
paroliere e compositore:
Corey Hart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edition Meridian
Corey Hart3:51
12Pressure Sway
registrazione di:
Pressure Sway
autore:
Tim Doyle (Machinations), Fred Loneragan, Tony Starr (Machinations) e Nick Swan (Machinations)
Machinations4:03
13Dancing With Myself
basso :
Tony James (UK bassist/guitarist) (nel 1981)
batteria :
Terry Chimes (nel 1981)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1981) e Steve New (nel 1981)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981)
arrangiatore:
Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 1984, nel 2001) e Chrysalis Records, Inc. (not for release label use!) (nel 1981, nel 1982, nel 2002)
edit di:
Dancing With Myself (“Don’t Stop” remix) di Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
registrazione di:
Dancing With Myself
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Generation X4.353:20
14Big Girls
Electric Pandas3:11
15I'm Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
16If I Was
esecutore ospite:
Mark King (bass guitarist and vocalist)
registrazione di:
If I Was
autore:
Danny Mitchell (Scottish songwriter and member of Messengers) e Midge Ure
Midge Ure34:51
17Keep on Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica :
Kevin Cronin (guitarist, singer and songwriter)
organo Hammond :
Neal Doughty (keyboards)
voce di accompagnamento:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.553:22
18Always Something There to Remind Me
produttore:
Tony Mansfield (producer & songwriter)
registrazione cover di:
(There’s) Always Something There to Remind Me (nel 1982-09)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Naked Eyes4.33:36
19Ship of Fools
registrazione di:
Ship of Fools
paroliere e compositore:
Karl Wallinger
editore:
Polygram Music, PolyGram Music Publishing Ltd. e Welk Music Ltd.
World Party4.354:31
20Sleeping Satellite
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:10
2▼CD
#TitoloArtistaValutazioneDurata
1I Don't Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:18
2The Only Way Is Up
produttore:
Coldcut (Matt Black & Jonathan More)
diritti fonografici (℗) detenuti da:
Big Life (UK indie/dance) (nel 1988)
è stato produttore per:
Ahead Of Our Time Productions
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz2.654:04
3She's the One
diritti fonografici (℗) detenuti da:
Regular Records (Australian label) (nel 1987)
registrazione di:
She’s the One
autore:
John Field (Australian songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
The Cockroaches2:34
4Jump Around
produttore:
DJ Muggs
diritti fonografici (℗) detenuti da:
Tommy Boy Music, Inc. (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
campionamenti:
Harlem Shuffle di Bob & Earl e Shoot Your Shot di Jr. Walker & the All Stars
video musicali:
Jump Around di House of Pain
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 442)
registrazione di:
Jump Around
autore:
Dave Appell, Kal Mann, Larry Muggerud e Erik Schrody
House of Pain4.23:38
5Sing Hallelujah!
tecnico:
Gundars Rullis (cori)
co-produttore:
Douglas Carr (Swedish songwriter)
produttore e tecnico di missaggio:
Denniz PoP
cori:
Berit Cullberg, Björn Klingvall, Johanna Nyström e Joakim Sanden
voce di accompagnamento:
Giovanna Bragazzi
remixer:
Douglas Carr (Swedish songwriter)
è stato produttore per:
SweMix Productions
registrata presso e mixata presso:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Svezia
lavorazione tecnica effettuata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (cori)
registrazione di:
Sing Hallelujah!
paroliere:
Dr. Alban
compositore:
Douglas Carr (Swedish songwriter) e Denniz PoP
editore:
BMG Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Songs of Logic, SweMix Music e SweMix Songs
Dr. Alban34:04
6Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) e Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
7Things Can Only Get Better
produttore:
D:Ream (Northern Irish pop rock & dance group) e Tom Frederikse
remix di:
Things Can Only Get Better di D:Ream (Northern Irish pop rock & dance group)
edit di:
Things Can Only Get Better (7" D:REAM Mix) di D:Ream (Northern Irish pop rock & dance group)
registrazione di:
Things Can Only Get Better
autore:
Peter Cunnah e Jamie Petrie
D:Ream3.54:00
8I've Been Thinking About You
registrazione di:
I’ve Been Thinking About You
autore:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) e William Henshall (Londonbeat)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat3:50
9I Want Candy
produttore:
Kenny Laguna
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 8) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 86)
registrazione cover di:
I Want Candy (nel 1982)
autore:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC e Wren Music Co.
Bow Wow Wow42:43
10We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:53
11Boom Boom Boom (Let’s Go Back to My Room)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 83)
registrazione di:
Boom Boom (Let’s Go Back to My Room)
autore:
Riccardo Ballerini, Michele Chieregato, Tom Hooker (American singer, songwriter and photographer), Stefano Montin e Roberto Turatti
Paul Lekakis3:55
12I'm Too Sexy
programmazione e produttore:
Tommy D.
tecnico:
Graham Bonnett (Sound Engineer)
chitarra :
Robert Manzoli
chitarra basso :
Phil Spalding
voce principale:
Richard Fairbrass
arrangiatore:
Tommy D.
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito
mixata presso:
Joe's Garage (Bristol) in Bristol, England, Regno Unito e Red Bus Studios in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 475)
registrazione di:
I’m Too Sexy
autore:
Fred Fairbrass, Richard Fairbrass e Robert Manzoli
editore:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:53
13Ring My Bell
registrazione di:
Ring My Bell (Anita Ward song) (nel 1979)
paroliere e compositore:
Frederick Knight
editore:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. e Universal Music Publishers MGB Australia Pty Ltd
Anita Ward2.54:09
14Bop Girl
Pat Wilson4:30
15Lean on Me
registrazione cover di:
Lean on Me
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau5:51
16Angel of the Morning
tecnico di registrazione:
Joe Chiccarelli
produttore:
Richard Landis
produttore associato:
Otha Young
tecnico di missaggio:
Michael Verdick
arrangiatore:
Charles Calello
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981) e Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1981)
mixata presso:
Location Recorders, Inc. in New York, New York, Stati Uniti
registrazione cover di:
Angel of the Morning (il 1980-09-04)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
April Music, EMI Blackwood, EMI Songs Ltd. e Unichappell Music
Juice Newton4.354:10
17I Think We're Alone Now
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:45
18Cherry Pie
produttore e tecnico di missaggio:
Beau Hill
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1990), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1990), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1990) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1990)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 56)
registrazione di:
Cherry Pie
paroliere:
Jani Lane
compositore:
Joey Allen (glam metal guitarist), Jerry Dixon (rock/metal bass guitarist), Jani Lane, Steven Sweet (drummer, member of Warrant) e Erik Turner (guitarist for Warrant)
editore:
Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works e Virgin Songs, Inc.
Warrant4.63:20
19Kung Fu Fighting
arrangiatore:
Gerry Shury
registrazione di:
Kung Fu Fighting
paroliere e compositore:
Carl Douglas
editore:
Carren Music (publisher) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
si basa su:
[Oriental Riff]
Carl Douglas4.23:12
20Keep Your Hands to Yourself
tecnico e produttore:
Jeff Glixman
batteria :
Mauro Magellan
chitarra :
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) e Rick Richards (US rock/metal guitarist)
chitarra basso :
Rick Price (Georgia Satellites)
voce principale:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 46)
registrazione di:
Keep Your Hands to Yourself
paroliere e compositore:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
editore:
Eleksylum Music Inc., No Surrender Music e Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
The Georgia Satellites4.43:26
3▼CD
#TitoloArtistaValutazioneDurata
1What’s Up?
tecnico di registrazione:
David Tickle (nel 1992)
tecnico di mastering:
Stephen Marcussen (mastering engineer)
tecnico:
Mark Hensley
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso :
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
voce:
Christa Hillhouse (nel 1992) e Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992, nel 1993)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes4.354:16
2Groove Is in the Heart
assistente tecnico:
Derek Lategan e Eddie Sancho
tecnico:
Mike Rogers (US producer/engineer, aka Tweekin')
tecnico aggiunto:
Bob Power
produttore:
Deee‐Lite
produttore aggiunto e tecnico di missaggio aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
sassofono :
Maceo Parker (US funk/jazz saxophonist)
trombone :
Fred Wesley
voce:
Q‐Tip (American rapper)
voce di accompagnamento:
Bootsy Collins (US funk musician & songwriter)
arrangiatore:
Deee‐Lite
arrangiatore aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
campionamenti:
Bring Down the Birds di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Get Up di Vernon Burch
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 68), TV Cream: Real 100 Best Singles Ever (numero: 83) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 233)
registrazione di:
Groove Is in the Heart
autore:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) e Kier Kirby
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:54
3St. Elmo's Fire
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:13
4Baby It's You
Promises3:51
5Black Betty
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3:13
6Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
7Spirit in the Sky
esecutore:
Doctor and the Medics (nel 1986-02)
diritti fonografici (℗) detenuti da:
Doctor & The Medics (nel 1985)
registrata presso:
Britannia Row Studios (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Regno Unito (nel 1986-02)
video musicali:
Spirit in the Sky di Doctor and the Medics
registrazione cover di:
Spirit in the Sky (nel 1986)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Doctor and the Medics3.83:29
8Kyrie
tecnico:
Paul DeVilliers e Lois Oki
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
tecnico di missaggio:
Mick Guzauski
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
voce:
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1985), BMG Music (nel 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
registrazione di:
Kyrie
paroliere:
John Lang (US songwriter for Mr. Mister & Pages)
compositore:
Steve George (US keyboardist for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.24:27
9Theme From "Greatest American Hero" (Believe It or Not)
voce:
Joey Scarbury
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1981)
registrazione di:
Believe It or Not (theme from “The Greatest American Hero”)
paroliere:
Stephen Geyer
compositore:
Mike Post
editore:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing e Stephen Cannell Music
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:14
10Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:15
11You Ain't Seen Nothing Yet
tecnico di registrazione e tecnico di missaggio:
Mark K. Smith (Canadian engineer)
assistente tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistente tecnico di missaggio:
Richard Dashut
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
mixata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:54
12Nothing's Gonna Change My Love for You
diritti fonografici (℗) detenuti da:
Amherst Records, Inc. e PolyGram International Music B.V. (not for release label use!) (nel 1988)
registrazione cover di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Glenn Medeiros3.53:57
13Walking on Sunshine
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
edit di:
Walking on Sunshine di Katrina and the Waves (British‐American rock band)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves42:49
14I've Never Been to Me
registrazione di:
I’ve Never Been to Me
autore:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Stone Diamond Music Corporation
Charlene4:01
15Don't Worry Be Happy
registrazione di:
Don’t Worry, Be Happy
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin4:22
16No Myth
programmazione degli strumenti:
Michael Penn
tecnico:
Susan Rogers (US sound engineer)
produttore:
Tony Berg (record producer, executive, and session guitarist)
basso , chitarra e voce principale:
Michael Penn
percussione :
Art Wood (US session drummer/percussionist)
tastiera :
Patrick Warren
violoncello elettrico :
David Coleman (American cellist & composer)
registrata presso:
Zeitgeist Studio in Los Angeles, California, Stati Uniti
registrazione di:
No Myth
paroliere e compositore:
Michael Penn
editore:
Careers Music, Inc. (nel 1989) e Liafail Music (publisher) (nel 1989)
Michael Penn3.54:12
17Lovin' You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:20
18Cry
The Mavis’s4:13
19Suddenly
diritti fonografici (℗) detenuti da:
Mushroom Records (nel 1986) e PAL Productions Ltd. (copyright entity) (nel 1989)
registrazione di:
Suddenly
paroliere e compositore:
Angry Anderson, Kevin Beamish e Andy Cichon
editore:
Bellver Music, Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Angry Anderson4:09
20The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.054:00