TA212 The Technology of Music: Block 4

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1Block 4, Chapter 1, Activity 33: Flanging
0:41
2Block 4, Chapter 1, Activity 35: The Chorus Effect
1:04
3Block 4, Chapter 1, Activity 40: The TA212 Course Tune
0:55
4Block 4, Chapter 2, Activity 1: Plainchant in Context
cori:
The Choir of Christ's College, Cambridge
direttore d'orchestra:
David Rowland (chorus master)
0:41
5Block 4, Chapter 2, Activity 2: Guido's Hymn
0:40
6Block 4, Chapter 2, Activity 3: Organum in Context
orchestra:
Early Music Consort of London
direttore d'orchestra:
David Munrow (UK early music historian & musician)
registrazione parziale di:
Viderunt omnes
paroliere:
[traditional] (special purpose artist)
compositore:
Pérotin (European composer, fl. c. 1200 CE)
si basa su:
Viderunt omnes
3:30
7Block 4, Chapter 3, Activity 6: The Loneliness of the Hurdy-Gurdy Man
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
pianoforte :
Gerald Moore (pianist) (nel 1971-08)
voce di baritono:
Dietrich Fischer‐Dieskau (baritone) (nel 1971-08)
tecnico di bilanciamento:
Hans‐Peter Schweigmann (engineer)
registrazione di:
Winterreise, op. 89, D. 911: XXIV. Der Leiermann (nel 1971-08)
paroliere:
Wilhelm Müller (German poet)
compositore:
Franz Schubert (composer) (nel 1827)
parte di:
Winterreise, op. 89, D. 911
3:32
8Block 4, Chapter 3, Activity 18a: The Piano Roll in Context
2:01
9Block 4, Chapter 3, Activity 18b: The Piano Roll in Context
2:02
10Block 4, Chapter 3, Activity 23: The Player Piano in Context 1
1:56
11Block 4, Chapter 3, Activity 24: The Player Piano in Context 2
1:34
12Block 4, Chapter 3, Activity 27: Electronic Music Before MIDI
produttore:
Rachel Elkind e Trans-Electronic Music Productions, Inc.
moog :
Wendy Carlos (nel 1968)
arrangiatore:
Wendy Carlos
registrazione di:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia (catch-all for arrangements) (nel 1968)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia
registrazione di:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (nel 1968)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1731)
parte di:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
3:26
13Block 4, Chapter 3, Activity 54a: Leonardo Music
1:07
14Block 4, Chapter 3, Activity 54b: Leonardo Music
1:07
15Block 4, Chapter 3, Activity 60a: Simon's Course Tune Arrangements 1
1:20
16Block 4, Chapter 3, Activity 60b: Simon's Course Tune Arrangements 1
1:25
17Block 4, Chapter 3, Activity 60c: Simon's Course Tune Arrangements 1
1:07
18Block 4, Chapter 3, Activity 60d: Simon's Course Tune Arrangements 1
1:07
19Block 4, Chapter 4, Activity 12: Investigating Aliasing
0:39
20Block 4, Chapter 4, Activity 16: The Effect of Adding Dither Noise
0:20
21Block 4, Chapter 4, Activity 43a: Comparing Broadcasting Systems
0:34
22Block 4, Chapter 4, Activity 43b: Comparing Broadcasting Systems
0:33
23Block 4, Chapter 4, Activity 43c: Comparing Broadcasting Systems
0:33
24Block 4, Chapter 5, Activity 4: Edison's Phonograph 1
0:11
25Block 4, Chapter 5, Activity 11a: Berliner's Gramophone
0:17
26Block 4, Chapter 5, Activity 11b: Berliner's Gramophone
0:11
27Block 4, Chapter 5, Activity 15: Fred Gainsberg Records Caruso
produttore:
Fred Gaisberg
pianoforte :
Salvatore Cottone (pianist) (il 1902-04-11)
voce di tenore:
Enrico Caruso (tenor) (il 1902-04-11)
registrata presso:
Milano, Hotel Grande in Milano, Lombardia, Italia
registrazione di:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (il 1902-04-11)
compositore:
Giuseppe Verdi (Italian opera composer) (dal 1850 al 1851-03-11)
librettista:
Francesco Maria Piave (dal 1850 al 1851-03-11)
parte di:
Rigoletto: Atto I
2:17
28Block 4, Chapter 5, Activity 24a: The Steel Tape Recorder
0:25
29Block 4, Chapter 5, Activity 24b: The Steel Tape Recorder
1:15
30Block 4, Chapter 5, Activity 27: Comparing Compact Cassette Tapes 1
1:38
31Block 4, Chapter 5, Activity 30: Hi-Fi in Context
2:39
32Block 4, Chapter 5, Activity 32a: Restoration in Context 1
1:10
33Block 4, Chapter 5, Activity 32b: Restoration in Context 1
1:12
34Block 4, Chapter 5, Activity 35: Restoration in Context 2
0:41
35Block 4, Chapter 5, Activity 49a: Restoration in Context 3
registrazione di:
So What
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter)
editore:
Jazz Horn Music
parte di:
The Real Book (compilation of jazz standards, volume I)
8:56
36Block 4, Chapter 5, Activity 49b: Restoration in Context 3
registrata a:
New York, New York, Stati Uniti (il 1959-03-02)
tecnico di registrazione:
Fred Plaut (il 1959-03-02)
produttore:
Irving Townsend
batteria :
Jimmy Cobb (US jazz drummer) (il 1959-03-02)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1959-03-02)
pianoforte :
Bill Evans (pianist) (il 1959-03-02)
sassofono contralto :
Cannonball Adderley (il 1959-03-02)
sassofono tenore :
John Coltrane (il 1959-03-02)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1959-03-02)
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1959-03-02)
remix di:
So What (stereo) di Miles Davis (jazz trumpeter, bandleader, songwriter)
registrazione di:
So What (il 1959-03-02)
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter)
editore:
Jazz Horn Music
parte di:
The Real Book (compilation of jazz standards, volume I)
4.29:23