20 Great Oldies: I’ll Aways Remember, Vol. 6

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Track 1.06 misprinted on cover.
Track 1.10 lenth misprinted on cover. Correct is 2:33.

Annotation last modified on 2017-08-24 16:33 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:21
2Summertime Blues
drums (drum set):
Earl Palmer (on 1958-03-28)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-03-28)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-03-28)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-05)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:57
3Sleep Walk
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 31)
recording of:
Sleep Walk (original instrumental)
composer:
Ann Farina, Santo Farina and John Farina
publisher:
Aniraf Music, Artemis Muziekuitgeverij B V, Carbert Music Inc., Trio Music (publisher), Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
12 Monkeys Soundtrack
Santo & Johnny4.552:22
4Come Softly to Me
recording of:
Come Softly to Me
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. and Unart Music Corp. (in 1958, in 1959)
The Fleetwoods2:12
5Love Potion No. 9
recording of:
Love Potion No. 9
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
The Clovers1:50
6You’ve Got What It Takes
cover recording of:
You Got What It Takes
writer:
Roquel Davis, Berry Gordy and Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
publisher:
Universal/MCA Music Publishing Pty Ltd and Fidelity Music (in 1959)
Marv Johnson2:39
7Shake, Rattle & Roll
double bass:
Marshall Lytle (on 1954-06-07)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1954-06-07)
electric guitar:
Danny Cedrone (on 1954-06-07)
guitar:
Bill Haley (on 1954-06-07)
piano:
Johnny Grande (on 1954-06-07)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-06-07)
tenor saxophone:
Joey D'Ambrosio (on 1954-06-07)
vocals:
Bill Haley (on 1954-06-07)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-06-07)
cover recording of:
Shake, Rattle and Roll (on 1954-06-07)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Bill Haley & the Comets42:30
8Bobby Sox to Stockings
recording of:
Bobby Sox to Stockings (in 1959)
writer:
Richard DiCicco, Clarence Kehner and Russell Faith (co-songwriter with Pal Rakes)
Frankie Avalon2:37
9Earth Angel
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 151)
recording of:
Earth Angel (Will You Be Mine) (in 1954)
writer:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) and Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
part of:
Back to the Future: the Musical
The Penguins52:56
10Eddie My Love
The Teen Queens2:33
11Mr. Blue
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 29)
recording of:
Mr. Blue
lyricist and composer:
Dewayne Blackwell (country music singer-songwriter)
The Fleetwoods42:22
12Honky Tonk, Part 1
recording of:
Honky Tonk (Part 1)
writer:
Berisford Shepherd, Billy Butler (jazz guitarist), Bill Doggett and Clifford Scott
part of:
Honky Tonk (jazz instrumental)
Bill Doggett3:06
13You’re So Fine
recording of:
You’re So Fine
writer:
Lance Finney, Willie Schofield and Bob West (US session bassist, producer & songwriter)
publisher:
C & B West Publishing Co., EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Falcons2:24
14Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & the Comets42:11
15Tiger
Fabian2:28
16In the Still of the Night
producer:
Marty Kugell
double bass:
Doug Murray (double bassist) (in 1956-02)
drums (drum set) [drums]:
Bobby Mapp (in 1956-02)
piano:
Curlee Glover (in 1956-02)
solo saxophone:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) and Fred Parris (in 1956-02)
phonographic copyright (℗) by:
Standard Records (in 1956)
recorded at:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, United States (in 1956-02)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956-02)
lyricist and composer:
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:02
17Just a Dream
recording of:
Just a Dream
composer:
Jimmy Clanton and Cosimo Matassa
publisher:
Franmar Music and Three Wise Boys Music LLC
Jimmy Clanton2:31
18See You Later Alligator
bass:
Al Rex (on 1955-12-12)
drums (drum set):
Ralph Jones (1950s drummer) (on 1955-12-12)
electric guitar:
Francis 'Franny' Beecher (on 1955-12-12)
guitar:
Bill Haley (on 1955-12-12)
piano:
Johnny Grande (on 1955-12-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1955-12-12)
tenor saxophone:
Rudy Pompilli (on 1955-12-12)
vocals:
Bill Haley (on 1955-12-12)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1955-12-12)
cover recording of:
See You Later, Alligator (on 1955-12-12)
lyricist and composer:
Robert Guidry (in 1955-10)
Bill Haley & the Comets42:45
19Could This Be Magic
recording of:
Could This Be Magic
writer:
Richard Blandon
The Dubs2:18
20Love Is Strange
vocals:
Mickey Baker and Sylvia Robinson
phonographic copyright (℗) by:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 7)
recording of:
Love Is Strange (on 1956-10-17)
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
Mickey & Sylvia4.52:52