Eight Classic Albums

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleRatingLength
1Night and Day
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-11-26)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
23:59
2I Wish I Were in Love Again
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
12:28
3I Got Plenty o Nuttin'
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
cover recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (on 1956-11-15)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
13:10
4I Guess I'll Have to Change My Plans2:23
5Nice Work If You Can Get It
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-20)
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-20)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-20)
conductor:
Nelson Riddle (on 1956-11-20)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
Nice Work If You Can Get It (on 1956-11-20)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
22:21
6Stars Fell on Alabama
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
Stars Fell on Alabama (on 1956-11-15)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
12:38
7No One Ever Tells You13:25
8I Won't Dance
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle (on 1956-11-15)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-11-15)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
23:22
9The Lonesome Road13:54
10At Long Last Love
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
At Long Last Love (on 1956-11-20)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
2.52:23
11You'd Be So Nice to Come Home To
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
12:03
12I Got It Bad (And That Ain't No Good)
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
I Got It Bad (and That Ain’t Good) (on 1956-11-28)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
13:21
13From This Moment On
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
13:51
14If I Had You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
cover recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
12:35
15Oh Look at Me Now
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
Oh! Look at Me Now (on 1956-11-28)
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
recording of:
Oh! Look at Me Now
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
12:49
16Jingle Bells
choir vocals:
The Ralph Brewster Singers (on 1957-07-16)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-16)
conductor:
Gordon Jenkins (on 1957-07-16)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
part of:
Billboard Hot 100: 2026-01-03 (number: 17), Billboard Hot 100: 2025-12-20 (number: 20), Billboard Hot 100: 2025-12-13 (number: 21), Billboard Hot 100: 2025-12-27 (number: 21) and Billboard Hot 100: 2025-12-06 (number: 31)
recording of:
Jingle Bells (on 1957-07-16)
lyricist and composer:
James Lord Pierpont (in 1850)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
composed at and lyrics written at:
Simpson Tavern in Medford, Massachusetts, United States (in 1850)
3.252:01
17The Christmas Song
choir vocals:
The Ralph Brewster Singers (on 1957-07-17)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-17)
conductor:
Gordon Jenkins (on 1957-07-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1957-07-17)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
43:30
18Mistletoe and Holly
choir vocals:
The Ralph Brewster Singers (on 1957-07-17)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-17)
conductor:
Gordon Jenkins (on 1957-07-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recording of:
Mistletoe and Holly (on 1957-07-17)
writer:
Harry Sanicola, Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) and Dok Stanford
publisher:
The International Music Network, The International Music Network Ltd, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell Music Ltd. (1996–2019)
2.52:18
19I'll Be Home for Christmas
producer:
Voyle Gilmore
cello:
Cy Bernard and Armand Kaproff
double bass:
Nathan Gangursky and Jack Ryan (jazz bassist)
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Louis Kievman (violist), Paul Robyn and Dave Sterkin
violin:
Walter Edelstein, David Frisina, Joe Livoti (violinist), Joseph Quadri, Sol Kindler, Nicholas Pisani, Lou Raderman and Mischa Russell (violinist)
choir vocals:
The Ralph Brewster Singers (on 1957-07-17)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-17)
conductor:
Gordon Jenkins (on 1957-07-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
cover recording of:
I’ll Be Home for Christmas (on 1957-07-17)
lyricist:
James Kimball Gannon
additional writer:
Buck Ram
composer:
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
33:13
20The Christmas Waltz
producer:
Voyle Gilmore
bass:
Nat Gangursky (on 1957-07-16) and Jack Ryan (jazz bassist) (on 1957-07-16)
cello:
Cy Bernard (on 1957-07-16) and Armand Kaproff (on 1957-07-16)
drums (drum set):
Nick Fatool (on 1957-07-16)
guitar:
Allan Reuss (on 1957-07-16)
harp:
Kathryn Thompson (harpist) (on 1957-07-16)
piano:
Bill Miller (pianist) (on 1957-07-16)
viola:
William Baffa (on 1957-07-16), Lou Kievman (violist) (on 1957-07-16), Paul Robyn (on 1957-07-16) and Dave Sterkin (on 1957-07-16)
violin:
Harry Bluestone (on 1957-07-16), Walter Edelstein (on 1957-07-16), Joseph Quadri (on 1957-07-16), Sol Kindler (on 1957-07-16), Joseph Livoti (violinist) (on 1957-07-16), Nicholas Pisani (on 1957-07-16), Lou Raderman (on 1957-07-16), Mischa Russell (violinist) (on 1957-07-16), Marshall Sosson (on 1957-07-16) and Victor Amo (on 1957-07-16)
choir vocals:
The Ralph Brewster Singers (on 1957-07-16)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-07-16)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-16)
conductor:
Gordon Jenkins (on 1957-07-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
The Christmas Waltz (on 1957-07-16)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA), EMI Music Publishing (WP) Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WB Music Corp. (1929–2019), WC Music Corp., Westminster Music Ltd., Windswept Pacific Music Ltd., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
3.53:04
21Have Yourself a Merry Little Christmas
choir vocals:
The Ralph Brewster Singers (on 1957-07-16)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-16)
conductor:
Gordon Jenkins (on 1957-07-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recording of:
Have Yourself a Merry Little Christmas (on 1957-07-16)
lyricist:
Ralph Blane (in 1943)
composer:
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) and Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
43:29
22The First Noel
choir vocals:
The Ralph Brewster Singers (on 1957-07-16)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1957)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-16)
conductor:
Gordon Jenkins (on 1957-07-16)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recording of:
The First Nowell (in 1957)
lyricist, writer and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 682)
32:44
23Hark the Herald Angels Sing
choir vocals:
The Ralph Brewster Singers (on 1957-07-10)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-10)
conductor:
Gordon Jenkins (on 1957-07-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recording of:
Hark the Herald Angels Sing (Gordon Jenkins arr.) (on 1957-07-10)
arranger:
Gordon Jenkins
publisher:
St. James Music
arrangement of:
Hark! The Herald Angels Sing (Christmas carol)
3.52:24
24O Little Town of Bethlehem
choir vocals:
The Ralph Brewster Singers (on 1957-07-10)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-10)
conductor:
Gordon Jenkins (on 1957-07-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
O Little Town of Bethlehem (Gordon Jenkins arr.)
composer:
Lewis Henry Redner
arranger:
Gordon Jenkins
publisher:
St. James Music
arrangement of:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
2.52:06
25Adeste Fideles (O Come All Ye Faithful)
choir vocals:
The Ralph Brewster Singers (on 1957-07-10)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-10)
conductor:
Gordon Jenkins (on 1957-07-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Adeste Fideles (Gordon Jenkins arr.)
arranger:
Gordon Jenkins
arrangement of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
2.52:35
26It Came Upon the Midnight Clear
choir vocals:
The Ralph Brewster Singers (on 1957-07-10)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-10)
conductor:
Gordon Jenkins (on 1957-07-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recording of:
It Came Upon a Midnight Clear (Gordon Jenkins arr.) (on 1957-07-10)
arranger:
Gordon Jenkins
publisher:
St. James Music
arrangement of:
It Came Upon the Midnight Clear (carol version)
32:52
27Silent Night
choir vocals:
The Ralph Brewster Singers (on 1957-07-17)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-17)
conductor:
Gordon Jenkins (on 1957-07-17)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Silent Night (arr. Gordon Jenkins) (on 1957-07-17)
lyricist:
Josef Mohr (composer/author)
composer:
Franz Xaver Gruber (composer/author)
arranger:
Gordon Jenkins
publisher:
St. James Music
arrangement of:
Silent Night (Christmas carol, English translation)
32:27
2CD
#TitleRatingLength
1Where Are You33:28
2The Night We Called It a Day13:24
3I Cover the Waterfront
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
flute:
Dent Eckels, Clyde Hylton and Matty Matlock
French horn:
Vincent DeRosa, Arthur Frantz and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Leonard Atkins, Alex Beller, Emil Briano (Violinist), Howard Colf (cellist), Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Amerigo Marino, Achille Mierlot Jr. (violinist), Mischa Russell (violinist) and Marshall Sosson
woodwind:
Jack Chaney, Dent Eckels, Clyde Hylton, Matty Matlock and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-04-29)
conductor:
Gordon Jenkins (on 1957-04-29)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-04-29)
cover recording of:
I Cover the Waterfront (on 1957-04-29)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
12:54
4Maybe You'll Be There13:07
5Laura
recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
3:13
6Lonely Town
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
flute:
Dent Eckels, Clyde Hylton and Matty Matlock
French horn:
Vincent DeRosa, Arthur Frantz and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Leonard Atkins, Alex Beller, Emil Briano (Violinist), Howard Colf (cellist), Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Amerigo Marino, Achille Mierlot Jr. (violinist), Mischa Russell (violinist) and Marshall Sosson
woodwind:
Jack Chaney, Dent Eckels, Clyde Hylton, Matty Matlock and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-04-29)
conductor:
Gordon Jenkins (on 1957-04-29)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-04-29)
recording of:
On the Town: Lonely Town (on 1957-04-29)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
14:07
7Autumn Leaves
baritone saxophone:
Matty Matlock
cello:
Cy Bernard and Armand Kaproff
clarinet:
Wayne Songer (clarinetist and saxophonist)
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
flute:
Dent Eckels
French horn:
John Cave (french horn), Vincent DeRosa and Arthur Frantz
guitar:
Allan Reuss
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Kurt Dieterle, Walter Edelstein, Ben Gill, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Nicholas Pisani, Mischa Russell (violinist), Felix Slatkin and Marshall Sosson
woodwind:
Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-04-10)
conductor:
Gordon Jenkins (on 1957-04-10)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-04-10)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1957-04-10)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
32:52
8I'm a Fool to Want You24:46
9I Think of You
cello:
Cy Bernard and Armand Kaproff
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
Vincent DeRosa, Arthur Frantz and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Achille Mierlot Jr. (violinist), Erno Neufeld, Lou Raderman, Mischa Russell (violinist) and Marshall Sosson
woodwind:
Jack Chaney, Jack Dumont, Dent Eckels, Matty Matlock and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-01)
conductor:
Gordon Jenkins (on 1957-05-01)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-05-01)
recording of:
I Think of You (on 1957-05-01)
lyricist:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Don Marcotte
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott), Don Marcotte and Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
publisher:
Embassy Music Corporation
is based on:
Piano Concerto no. 2 in C minor, op. 18
13:04
10Where Is the One
baritone saxophone:
Matty Matlock
cello:
Cy Bernard and Armand Kaproff
clarinet:
Wayne Songer (clarinetist and saxophonist)
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
flute:
Dent Eckels
French horn:
John Cave (french horn), Vincent DeRosa and Arthur Frantz
guitar:
Allan Reuss
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Kurt Dieterle, Walter Edelstein, Ben Gill, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Nicholas Pisani, Mischa Russell (violinist), Felix Slatkin and Marshall Sosson
woodwind:
Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-04-10)
conductor:
Gordon Jenkins (on 1957-04-10)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-04-10)
recording of:
Where Is the One? (on 1957-04-10)
lyricist and composer:
Edwin Finckel and Alec Wilder (American composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
13:13
11There's No You13:48
12Baby Won't You Please Come Home13:00
13Come Fly With Me
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:19
14Around the World
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-08)
cover recording of:
Around the World (Around the World in 80 Days) (on 1957-10-08)
lyricist:
Harold Adamson and Stella Unger
composer:
Victor Young (American composer, arranger, violinist & conductor)
part of:
Around the World in 80 Days (1956 film soundtrack, main theme)
33:20
15Isle of Capri
producer:
Voyle Gilmore
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
tuba:
J.H. Washburne
woodwind:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) and Ted Nash (40s-80s US swing reedman, uncle of the other)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-01)
orchestra:
The Billy May Orchestra (on 1957-10-01)
conductor:
Billy May (on 1957-10-01)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-01)
cover recording of:
Isle of Capri (on 1957-10-01)
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Wilhelm Grosz (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd. (on 1934-07-27)
is based on:
מחנה זה עניין
12:29
16Moonlight in Vermont
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
orchestra:
The Billy May Orchestra (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-03)
cover recording of:
Moonlight in Vermont (on 1957-10-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
33:32
17Autumn in New York
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
orchestra:
The Billy May Orchestra (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-03)
recording of:
Autumn in New York (1934) (on 1957-10-03)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
44:33
18On the Road to Mandalay
producer:
Voyle Gilmore
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
tuba:
J.H. Washburne
woodwind:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) and Ted Nash (40s-80s US swing reedman, uncle of the other)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-01)
orchestra:
The Billy May Orchestra (on 1957-10-01)
conductor:
Billy May (on 1957-10-01)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-01)
cover recording of:
On the Road to Mandalay (on 1957-10-01)
lyricist:
Rudyard Kipling
composer:
Oley Speaks
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
13:26
19Let's Get Away From It All
producer:
Voyle Gilmore
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
tuba:
J.H. Washburne
woodwind:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) and Ted Nash (40s-80s US swing reedman, uncle of the other)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-01)
orchestra:
The Billy May Orchestra (on 1957-10-01)
conductor:
Billy May (on 1957-10-01)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-01)
cover recording of:
Let’s Get Away From It All (on 1957-10-01)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
recording of:
Let’s Get Away From It All
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
2.52:10
20April in Paris
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recording of:
April in Paris (on 1957-10-03)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
2.52:49
21London by Night
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
orchestra:
The Billy May Orchestra (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-03)
recording of:
London by Night (on 1957-10-03)
lyricist and composer:
Carroll Coates
publisher:
Barton Music Corp.
23:18
22Aquarela Do Brasil
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-08)
cover recording of:
Brazil (English translation) (on 1957-10-08)
writer:
Ary Barroso
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
translated version of:
Aquarela do Brasil
part of:
Brazil
recording of:
Brazil (English translation)
writer:
Ary Barroso
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
translated version of:
Aquarela do Brasil
part of:
Brazil
2.53:01
23Blue Hawaii
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-08)
cover recording of:
Blue Hawaii (on 1957-10-08)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
12:44
24It's Nice to Go Trav'Ling23:49
3CD
#TitleRatingLength
1Close to You
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
recording of:
Close to You (on 1956-11-01)
writer:
Al Hoffman, Carl Lampl and Jerry Livingston (songwriter)
publisher:
Barton Music Corp., Casa David and Feadbach Music (on 1970-10-29)
13:37
2P.S. I Love You
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
P.S. I Love You (on 1956-03-08)
lyricist:
Johnny Mercer
composer:
Gordon Jenkins
publisher:
La Salle Music Publishers, Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), The Jenkins Family Partnership, The Johnny Mercer Foundation and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
part of:
The Real Book (compilation of jazz standards, volume I)
14:21
3Love Locked Out
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
Love Locked Out (on 1956-03-08)
lyricist:
Max Kester
composer:
Ray Noble
2:43
4Everything Happens to Me
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
Everything Happens to Me (on 1956-04-04)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
13:21
5It's Easy to Remember (And So Hard to Forget)
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
cover recording of:
It’s Easy to Remember (and So Hard to Forget) (on 1956-11-01)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:35
6Don't Like Goodbyes
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
Don’t Like Goodbyes (House of Flowers) (on 1956-03-08)
lyricist:
Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music Corporation
part of:
House of Flowers
4:51
7With Every Breath I Take
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
With Every Breath I Take (writers Robin/Rainger) (on 1956-04-05)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
recording of:
With Every Breath I Take (writers Robin/Rainger)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
13:39
8Blame It on My Youth
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
Blame It on My Youth (on 1956-04-04)
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:58
9It Could Happen to You
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
It Could Happen to You (on 1956-04-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:13
10I've Had My Moments
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
I’ve Had My Moments (on 1956-04-04)
lyricist:
Gus Kahn
composer:
Walter Donaldson
3:48
11I Couldn't Sleep a Wink Last Night
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
recording of:
I Couldn’t Sleep a Wink Last Night (on 1956-11-01)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Higher and Higher (1944 film)
33:26
12The End of a Love Affair
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
The End of a Love Affair (on 1956-04-05)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:10
13Come Dance With Me
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
recording of:
Come Dance With Me (on 1958-12-23)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
42:31
14Something's Gotta Give
producer:
Dave Cavanaugh
double bass:
Joe Comfort
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt and Irving “Babe” Russin
trombone:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-09)
orchestra:
The Billy May Orchestra (on 1958-12-09)
conductor:
Billy May (on 1958-12-09)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-09)
cover recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (on 1958-12-09)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
42:37
15Just in Time
producer:
Dave Cavanaugh
double bass:
Joe Comfort
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt and Irving “Babe” Russin
trombone:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-09)
orchestra:
The Billy May Orchestra (on 1958-12-09)
conductor:
Billy May (on 1958-12-09)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-09)
cover recording of:
Just in Time (Bells Are Ringing) (on 1958-12-09)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
32:23
16Dancing in the Dark
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Dancing in the Dark (on 1958-12-22)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
recording of:
Dancing in the Dark
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
2.52:25
17Too Close for Comfort
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
cover recording of:
Too Close for Comfort (Mr. Wonderful) (on 1958-12-23)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
32:33
18I Could Have Danced All Night
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
cover recording of:
I Could Have Danced All Night (My Fair Lady) (on 1958-12-23)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
2.52:40
19Saturday Night (Is the Loneliest Night of the Week)
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
recording of:
Saturday Night (Is the Loneliest Night in the Week) (on 1958-12-22)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC and WC Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
11:55
20Day In, Day Out
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
recording of:
Day In, Day Out (on 1958-12-22)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2.53:24
21Cheek to Cheek
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-12-22)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
13:05
22Baubles, Bangles & Beads
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1958-12-22)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
42:46
23The Song Is You
producer:
Dave Cavanaugh
double bass:
Joe Comfort
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt and Irving “Babe” Russin
trombone:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-09)
orchestra:
The Billy May Orchestra (on 1958-12-09)
conductor:
Billy May (on 1958-12-09)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-09)
cover recording of:
The Song Is You (on 1958-12-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
recording of:
The Song Is You (on 1958-12-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
12:43
24The Last Dance
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
recording of:
The Last Dance (on 1958-12-23)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp. and WB Music Corp. (1929–2019)
12:08
4CD
#TitleRatingLength
1When No One Cares12:40
2A Cottage for Sale
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Vincent DeRosa and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
oboe:
Bert Gassman (woodwinds)
piano:
Bill Miller (pianist)
viola:
William Baffa, Lou Kievman (violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Wilbur Schwartz and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-26)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-26)
conductor:
Gordon Jenkins (on 1959-03-26)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-26)
cover recording of:
A Cottage for Sale (on 1959-03-26)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
13:15
3Stormy Weather13:21
4Where Do You Go12:34
5I Don't Stand a Ghost of a Chance With You13:16
6Here's That Rainy Day
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Arthur Frantz and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Allan Harshman (violist), Lou Kievman (violist) and Paul Robyn
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Paul McLarand and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-25)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-25) and The Nelson Riddle Orchestra (on 1959-03-25)
conductor:
Gordon Jenkins (on 1959-03-25)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-25)
cover recording of:
Here’s That Rainy Day (on 1959-03-25)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
13:34
7I Can't Get Started
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Vincent DeRosa and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
oboe:
Bert Gassman (woodwinds)
piano:
Bill Miller (pianist)
viola:
William Baffa, Lou Kievman (violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Wilbur Schwartz and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-26)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-26)
conductor:
Gordon Jenkins (on 1959-03-26)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-26)
cover recording of:
I Can’t Get Started (on 1959-03-26)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
14:01
8Why Try to Change Me Now23:42
9Just Friends
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Vincent DeRosa and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
oboe:
Bert Gassman (woodwinds)
piano:
Bill Miller (pianist)
viola:
William Baffa, Lou Kievman (violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Wilbur Schwartz and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-26)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-26) and The Nelson Riddle Orchestra (on 1959-03-26)
conductor:
Gordon Jenkins (on 1959-03-26)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-26)
cover recording of:
Just Friends (on 1959-03-26)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
13:40
10I'll Never Smile Again
producer:
Dave Cavanaugh
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
cello:
James Arkatov (American cellist and photographer) and Victor Gottlieb
drums (drum set):
Bill Richmond
French horn:
James Decker (French hornist), Sinclair Lott (french horn) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Alex Beller, Arnold Belnick, Harry Bluestone, Jacques Gasselin, Henry Hill (Violin player), Murray Kellner, Carl LaMagna, Dan Lube, Erno Neufeld, Nicholas Pisani, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Joseph Stepansky
woodwind:
Buddy Collette, Sal Franzella, Ronny Lang, Ted Nash (40s-80s US swing reedman, uncle of the other), Harry Schuchman and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-05-14)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-05-14)
conductor:
Nelson Riddle
arranger:
Gordon Jenkins and Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-05-14)
cover recording of:
I’ll Never Smile Again (on 1959-05-14)
lyricist and composer:
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
13:45
11None but the Lonely Heart
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Vincent DeRosa and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Lou Kievman (violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Wilbur Schwartz and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-24)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-24)
conductor:
Gordon Jenkins (on 1959-03-24)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-24)
cover recording of:
None but the Lonely Heart (on 1959-03-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
translator:
Bill Westbrook (translator)
publisher:
Sands Music Corp.
is based on:
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano)
13:41
12Nice 'n' Easy
producer:
Dave Cavanaugh (on 1960-04-13)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-13)
cello:
James Arkatov (American cellist and photographer) (on 1960-04-13), Victor Gottlieb (on 1960-04-13) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-04-13)
double bass:
Joe Comfort (on 1960-04-13)
drums (drum set):
Irv Cottler (on 1960-04-13)
French horn:
William Hinshaw (American horn player) (on 1960-04-13) and James McGee (on 1960-04-13)
guitar:
Al Viola (on 1960-04-13)
harp:
Kathryn Julye (on 1960-04-13)
piano:
Bill Miller (pianist) (on 1960-04-13)
reeds:
Plas Johnson (on 1960-04-13), Joe Koch (on 1960-04-13), Abe Most (on 1960-04-13), Harry Schuchman (on 1960-04-13) and Wilbur Schwartz (on 1960-04-13)
trombone:
Tommy Shepard (trombonist) (on 1960-04-13) and Ken Shroyer (trombonist) (on 1960-04-13)
trumpet:
Carroll Lewis (trumpeter) (on 1960-04-13)
viola:
Lou Kievman (violist) (on 1960-04-13), Alexander Neiman (violist) (on 1960-04-13) and Barbara Simons (on 1960-04-13)
violin:
Victor Arno (on 1960-04-13), Victor Bay (on 1960-04-13), Alex Beller (on 1960-04-13), Jacques Gasselin (on 1960-04-13), Dan Lube (on 1960-04-13), Erno Neufeld (on 1960-04-13), Nathan Ross (on 1960-04-13), Felix Slatkin (on 1960-04-13) and Marshall Sosson (on 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-04-13)
orchestra:
Nelson Riddle and His Orchestra (on 1960-04-13)
conductor:
Nelson Riddle (on 1960-04-13)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-04-13)
recording of:
Nice ’n’ Easy (on 1960-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music and Spirit Two Music Crescendo
12:45
13That Old Feeling
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
That Old Feeling (on 1960-03-01)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
3:34
14How Deep Is the Ocean
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
How Deep Is the Ocean? (on 1960-03-03)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:15
15I've Got a Crush on You
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
I’ve Got a Crush on You (on 1960-03-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:16
16You Go to My Head
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
You Go to My Head (on 1960-03-01)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
4:28
17Fools Rush In
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recording of:
Fools Rush In (Where Angels Fear to Tread) (on 1960-03-01)
lyricist:
Johnny Mercer
writer:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:21
18Nevertheless
producer:
Dave Cavanaugh
cello:
Virgil Gates (C. Virgil Gates) and Ray Kramer
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Hendrickson
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Joe Koch, Abe Most, Harry Schuchman and Wilbur Schwartz
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Alvin Dinkin, Lou Kievman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, James Getzoff (American concertmaster and violinist), Marvin Limonick, Joseph Livoti (violinist), Nathan Ross and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-02)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-02)
conductor:
Nelson Riddle (on 1960-03-02)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
Nevertheless (I’m in Love With You) (on 1960-03-02)
lyricist:
Bert Kalmar
composer:
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
19She's Funny That Way
producer:
Dave Cavanaugh
cello:
Virgil Gates (C. Virgil Gates) and Ray Kramer
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Hendrickson
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Joe Koch, Abe Most, Harry Schuchman and Wilbur Schwartz
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Alvin Dinkin, Lou Kievman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, James Getzoff (American concertmaster and violinist), Marvin Limonick, Joseph Livoti (violinist), Nathan Ross and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-02)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-02)
conductor:
Nelson Riddle (on 1960-03-02)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-03-02)
recording of:
She’s Funny That Way (on 1960-03-02)
lyricist:
Richard A. Whiting (composer) (in 1928)
writer:
Neil Moret and Richard A. Whiting (composer)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:55
20Try a Little Tenderness
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
Try a Little Tenderness (on 1960-03-01)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
3:22
21Embraceable You
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recording of:
Embraceable You (on 1960-03-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:24
22Mam'selle
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
Mam’selle (on 1960-03-03)
lyricist:
Mack Gordon
composer:
Edmund Goulding
publisher:
Leo Feist, Inc.
2:47
23Dream
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
cover recording of:
Dream (on 1960-03-03)
lyricist and composer:
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:55

Credits

Release group

includes:A Jolly Christmas From Frank Sinatra
A Swingin’ Affair!
Close to You
Come Dance With Me! by Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) with Billy May and His Orchestra
Come Fly With Me by Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) with Billy May and His Orchestra
Nice ’n’ Easy
No One Cares by Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”), orchestra conducted by Gordon Jenkins
Where Are You? by Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) with Gordon Jenkins and His Orchestra
part of:… Classic Albums (Real Gone Jazz) (order: 13)