The Platinum Collection: Original Classics

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Due to a mistake, the track 51 is credited as “I Can’t Believe That You’re in Love With Me” but it really is “The Lady Is a Tramp”.

Anmerkung zuletzt geändert am 2016-11-05 21:25 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:19
2I Get a Kick Out of You
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
I Get a Kick Out of You (am 1953-11-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3.352:57
3I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:46
4I’ve Got a Crush on You
Produzent(in):
Dave Cavanaugh
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Lou Kievman (violist), Alexander Neiman (violist) und Barbara Simons
Cello:
James Arkatov (American cellist and photographer), Victor Gottlieb und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Trompete:
Cappy Lewis
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-03)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-03)
conductor:
Nelson Riddle (am 1960-03-03)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
I’ve Got a Crush on You (am 1960-03-03)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
2:17
5S’posin’
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-22)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-22)
conductor:
Nelson Riddle (am 1960-08-22)
arranger:
Nelson Riddle
cover recording of:
S’posin’ (am 1960-08-22)
Texter:
Andy Razaf
Komponist(in):
Paul Denniker
publisher:
Mayfair Music Corp.
1:48
6It’s Only a Paper Moon
Produzent(in):
Dave Cavanaugh
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin und Stanley Harris (US big band viola player)
Cello:
Ossip Giskin (cellist), Armand Kaproff und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) und Paul Shure
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Frank Flynn
Posaune:
George Arus, Pullman “Tommy” Pederson und Tommy Shepard (trombonist)
Schlagzeug:
Irv Cottler
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-31)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-31)
conductor:
Nelson Riddle (am 1960-08-31)
arranger:
Nelson Riddle
recording of:
It’s Only a Paper Moon (am 1960-08-31)
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
2:19
7Have You Met Miss Jones?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1961-05-18)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
12:33
8Just One of Those Things
Produzent(in):
Voyle Gilmore
alto saxophone:
Mahlon Clark und Skeets Herfurt
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Allan Reuss
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-07)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-07)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-07)
conductor:
Nelson Riddle (am 1954-04-07)
arranger:
Nelson Riddle (am 1954-04-07)
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-07)
cover recording of:
Just One of Those Things (am 1954-04-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
23:17
9One for My Baby (and One More for the Road)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1958-06-25), Stanley Harris (US big band viola player) (am 1958-06-25), Paul Robyn (am 1958-06-25) und Dave Sterkin (am 1958-06-25)
Cello:
James Arkatov (American cellist and photographer) (am 1958-06-25), Armand Kaproff (am 1958-06-25), Joseph Saxon (am 1958-06-25) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-06-25)
Fagott:
Don Christlieb (am 1958-06-25) und Norman Herzberg (bassoon) (am 1958-06-25)
flute:
Arthur Gleghorn (am 1958-06-25) und Harry Klee (am 1958-06-25)
Geige / Violine:
Israel Baker (American violinist) (am 1958-06-25), Victor Bay (am 1958-06-25), Alex Beller (am 1958-06-25), Arnold Belnick (am 1958-06-25), Daniel Karpilowsky (am 1958-06-25), Emo Neufeld (am 1958-06-25), Ben Gill (am 1958-06-25), Paul Shure (am 1958-06-25), Felix Slatkin (am 1958-06-25), Marshall Sosson (am 1958-06-25), Victor Amo (am 1958-06-25) und Gerald Vinci (American violinist and strings conductor) (am 1958-06-25)
Gitarre:
Al Hendrickson (am 1958-06-25) und Al Viola (am 1958-06-25)
Harfe:
Kathryn Julye (am 1958-06-25)
Klarinette:
Gus Bivona (am 1958-06-25), Sal Franzella (am 1958-06-25), Chuck Gentry (am 1958-06-25) und Morris Bercov (am 1958-06-25)
Klavier:
Bill Miller (pianist) (am 1958-06-25)
Kontrabass:
Joe Comfort (am 1958-06-25) und Eddie Gilbert (am 1958-06-25)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-06-25) und Champ Webb (am 1958-06-25)
Perkussion und Schlagzeug:
Frank Flynn (am 1958-06-25) und Bill Richmond (am 1958-06-25)
Posaune:
Milt Bernhart (am 1958-06-25), Russell Brown (Swing trombonist) (am 1958-06-25), Ray Sims (am 1958-06-25) und Tommy Pederson (am 1958-06-25)
Trompete:
Cappy Lewis (am 1958-06-25)
Waldhorn:
James Decker (French hornist) (am 1958-06-25), James McGee (am 1958-06-25) und George Price (am 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-06-25)
Orchester:
The Nelson Riddle Orchestra (am 1958-06-25)
conductor:
Nelson Riddle (am 1958-06-26)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (am 1958-06-26)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
2.54:25
10You’re Nobody ’til Somebody Loves You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
You’re Nobody Till Somebody Loves You (am 1961-05-23)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
14:12
11That Old Feeling
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist) und Barbara Simons
Cello:
Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-01)
conductor:
Nelson Riddle (am 1960-03-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
That Old Feeling (am 1960-03-01)
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
3:34
12My Kind of Girl
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
My Kind of Girl (am 1962-10-03)
Texter und Komponist(in):
Leslie Bricusse
publisher:
Hollis Music, Inc.
recording of:
My Kind of Girl
Texter und Komponist(in):
Leslie Bricusse
publisher:
Hollis Music, Inc.
4:37
13Too Marvelous for Words
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
recording of:
Too Marvelous for Words (am 1956-01-16)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Too Marvelous for Words (am 1956-01-16)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
22:31
14If I Had You
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
If I Had You (jazz standard) (am 1962-06-12)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corp.
14:06
15Blue Moon
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin (am 1960-09-01) und Stan Harris (US big band viola player) (am 1960-09-01)
Cello:
Ossip Giskin (cellist) (am 1960-09-01), Armand Kaproff (am 1960-09-01) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-09-01)
Geige / Violine:
Victor Bay (am 1960-09-01), Alex Beller (am 1960-09-01), Kurt Dieterle (am 1960-09-01), Jacques Gasselin (am 1960-09-01), Joseph Livoti (violinist) (am 1960-09-01), Louis Kaufman (violinist) (am 1960-09-01), Murray Kellner (am 1960-09-01), Mischa Russell (violinist) (am 1960-09-01), Gerald Vinci (American violinist and strings conductor) (am 1960-09-01) und William Weiss (violinist) (am 1960-09-01)
Gitarre:
Al Viola (am 1960-09-01)
Harfe:
Kathryn Julye (am 1960-09-01)
Klavier:
Bill Miller (pianist) (am 1960-09-01)
Perkussion:
Emil Richards (am 1960-09-01)
Posaune:
George Arus (am 1960-09-01), Gail Martin (am 1960-09-01), Tom Shepard (trombonist) (am 1960-09-01) und Tommy Pederson (am 1960-09-01)
Rohrblattinstrumente:
Buddy Collette (am 1960-09-01), Chuck Gentry (am 1960-09-01), William Green (woodwind) (am 1960-09-01), Plas Johnson (am 1960-09-01) und Wilbur Schwartz (am 1960-09-01)
Schlagzeug:
Irving Cottler (am 1960-09-01)
Trompete:
Clarence "Shorty" Sherock (am 1960-09-01), Carroll Lewis (trumpeter) (am 1960-09-01), George Seaberg (am 1960-09-01) und Vito "Mickey" Mangano (am 1960-09-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-09-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-09-01)
conductor:
Nelson Riddle (am 1960-09-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-09-01)
cover recording of:
Blue Moon (am 1960-09-01)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:52
16You’re Getting to Be a Habit With Me
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-10)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-10)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-10), Dave Sterkin (am 1956-01-10) und Milton Thomas (violist) (am 1956-01-10)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-10), Edgar Lustgarten (am 1956-01-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-10)
Geige / Violine:
Victor Bay (am 1956-01-10), Alex Beller (am 1956-01-10), Harold Dicterow (am 1956-01-10), David Frisina (am 1956-01-10), Alex Murray (violinist) (am 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-10), Nathan Ross (am 1956-01-10), Mischa Russell (violinist) (am 1956-01-10), Paul Shure (am 1956-01-10) und Felix Slatkin (am 1956-01-10)
Gitarre:
George van Eps (am 1956-01-10)
Harfe:
Kathryn Julye (am 1956-01-10)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-10)
Posaune:
Milt Bernhart (am 1956-01-10), Jim Priddy (am 1956-01-10) und Juan Tizol (am 1956-01-10)
Rohrblattinstrumente:
Justin Gordon (am 1956-01-10), Harry Klee (am 1956-01-10), Morton Friedman (am 1956-01-10), Wilbur Schwartz (am 1956-01-10) und James Williamson (Saxophone player) (am 1956-01-10)
Schlagzeug:
Alvin Stoller (am 1956-01-10)
Trompete:
Harry “Sweets” Edison (am 1956-01-10), Conrad Gozzo (am 1956-01-10), Mickey Mangano (am 1956-01-10) und Zeke Zarchy (am 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-10)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-10)
cover recording of:
You’re Getting to Be a Habit With Me (am 1956-01-10)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
22:19
17You Do Something to Me
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-22)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-22)
conductor:
Nelson Riddle (am 1960-08-22)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-22)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1960-08-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
1:34
18Dancing in the Dark
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Dancing in the Dark (am 1958-12-22)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
recording of:
Dancing in the Dark
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
2.52:26
19It All Depends on You
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Ronny Lang
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-23)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-23)
conductor:
Nelson Riddle (am 1960-08-23)
arranger:
Nelson Riddle
recording of:
It All Depends on You (am 1960-08-23)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
publisher:
Ross Jungnickel, Inc.
2:03
20Now Is the Hour
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-14)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-14)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
Now Is the Hour (am 1962-06-14)
Texter:
Maewa Kaihau (in 1920)
zusätzlicher Texter:
Dorothy Stewart (von 1945 bis 1947)
Komponist(in):
Clement Scott (Clement William Scott, 1841-1904, theatre critic, playwright and lyricist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Keith Prowse Music Publishing Co. Ltd., On Backstreet Music Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und The Boston Music Company
übersetzte Version von:
Po atarau (based on “The Swiss Cradle Song”, with English and Maori lyrics)
2:50
21It’s a Wonderful World
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-05)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Billy May
recording of:
It’s a Wonderful World (am 1961-05-19)
Texter:
Harold Adamson
Komponist(in):
Jan Savitt (in 1939) und John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
22:26
22Always
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Ronny Lang
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-23)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-23)
conductor:
Nelson Riddle (am 1960-08-23)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-23)
cover recording of:
Always (am 1960-08-23)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
2:17
23Love Is Here to Stay
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1955-10-17)
Bassposaune:
George Roberts (american bass trombone) (am 1955-10-17)
Bratsche / Viola:
Maxine Johnson (am 1955-10-17), Paul Robyn (am 1955-10-17) und Dave Sterkin (am 1955-10-17)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1955-10-17), Ray Kramer (am 1955-10-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-10-17)
Geige / Violine:
Victor Bay (am 1955-10-17), Alex Beller (am 1955-10-17), Sam Cytron (am 1955-10-17), Robert E. Gross (am 1955-10-17), Henry Hill (Violin player) (am 1955-10-17), Dan Lube (am 1955-10-17), Alex Murray (violinist) (am 1955-10-17), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1955-10-17), Erno Neufeld (am 1955-10-17) und Mischa Russell (violinist) (am 1955-10-17)
Gitarre:
George van Eps (am 1955-10-17)
Harfe:
Kathryn Julye (am 1955-10-17)
Klavier:
William (Bill) Miller (pianist) (am 1955-10-17)
Perkussion:
Frank Flynn (am 1955-10-17)
Posaune:
Jim Priddy (am 1955-10-17), Dick Noel (trombone) (am 1955-10-17) und Paul Tanner (am 1955-10-17)
Rohrblattinstrumente:
Mahlon Clark (am 1955-10-17), Justin Gordon (am 1955-10-17), Robert Lawson (am 1955-10-17), Wilbur Schwartz (am 1955-10-17) und Warren Webbe (am 1955-10-17)
Schlagzeug:
Irv Cottler (am 1955-10-17)
Trompete:
Harry “Sweets” Edison (am 1955-10-17), John Best (jazz trumpeter) (am 1955-10-17), Shorty Sherock (am 1955-10-17) und Zeke Zarchy (am 1955-10-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-10-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-10-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-10-17)
cover recording of:
Love Is Here to Stay (am 1955-10-17)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
32:43
24(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-13)
Rohrblattinstrumente:
Plas Johnson (am 1955-09-13)
Trompete:
Harry “Sweets” Edison (am 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-09-13)
Orchester:
The Nelson Riddle Orchestra (am 1955-09-13)
conductor:
Nelson Riddle (am 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (am 1955-09-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
23:02
25A Nightingale Sang in Berkeley Square
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
A Nightingale Sang in Berkeley Square (am 1962-06-13)
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
13:53
26Nice ’n’ Easy
Produzent(in):
Dave Cavanaugh (am 1960-04-13)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-13)
Bratsche / Viola:
Lou Kievman (violist) (am 1960-04-13), Alexander Neiman (violist) (am 1960-04-13) und Barbara Simons (am 1960-04-13)
Cello:
James Arkatov (American cellist and photographer) (am 1960-04-13), Victor Gottlieb (am 1960-04-13) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-04-13)
Geige / Violine:
Victor Arno (am 1960-04-13), Victor Bay (am 1960-04-13), Alex Beller (am 1960-04-13), Jacques Gasselin (am 1960-04-13), Dan Lube (am 1960-04-13), Erno Neufeld (am 1960-04-13), Nathan Ross (am 1960-04-13), Felix Slatkin (am 1960-04-13) und Marshall Sosson (am 1960-04-13)
Gitarre:
Al Viola (am 1960-04-13)
Harfe:
Kathryn Julye (am 1960-04-13)
Klavier:
Bill Miller (pianist) (am 1960-04-13)
Kontrabass:
Joe Comfort (am 1960-04-13)
Posaune:
Tommy Shepard (trombonist) (am 1960-04-13) und Ken Shroyer (trombonist) (am 1960-04-13)
Rohrblattinstrumente:
Plas Johnson (am 1960-04-13), Joe Koch (am 1960-04-13), Abe Most (am 1960-04-13), Harry Schuchman (am 1960-04-13) und Wilbur Schwartz (am 1960-04-13)
Schlagzeug:
Irv Cottler (am 1960-04-13)
Trompete:
Carroll Lewis (trumpeter) (am 1960-04-13)
Waldhorn:
William Hinshaw (American horn player) (am 1960-04-13) und James McGee (am 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-04-13)
Orchester:
Nelson Riddle and His Orchestra (am 1960-04-13)
conductor:
Nelson Riddle (am 1960-04-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-13)
recording of:
Nice ’n’ Easy (am 1960-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
publisher:
Spirit Two Music (beendet), Threesome Music Company (beendet), Warner Bros. Music Corp. (beendet), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music und Spirit Two Music Crescendo
12:47
27When You’re Smiling (the Whole World Smiles With You)
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-22)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-22)
conductor:
Nelson Riddle (am 1960-08-22)
arranger:
Nelson Riddle (am 1960-08-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-22)
recording of:
When You’re Smiling (the Whole World Smiles With You) (am 1960-08-22)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
2:01
28Night and Day
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-11-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
24:02
29I Won’t Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-02)
Bass:
Buddy Catlett (am 1962-10-02)
Gitarre:
Freddie Green (am 1962-10-02)
Klavier:
Count Basie (pianist) (am 1962-10-02)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-02) und Benny Powell (jazz trombonist) (am 1962-10-02)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-02), Frank Foster (saxophonist) (am 1962-10-02), Charlie Fowlkes (baritone saxophonist) (am 1962-10-02), Marshall Royal (am 1962-10-02) und Frank Wess (am 1962-10-02)
Schlagzeug:
Sonny Payne (am 1962-10-02)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-02), Sonny Cohn (am 1962-10-02), Thad Jones (American jazz trumpeter) (am 1962-10-02) und Al Porcino (am 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-02)
Orchester:
Count Basie and His Orchestra (am 1962-10-02)
arranger:
Neal Hefti
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (am 1962-10-02)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
4:11
30Young at Heart
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-29)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-04-29)
Orchester:
The Nelson Riddle Orchestra (am 1963-04-29)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (am 1963-04-29)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
32:53
31Love Walked In
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (am 1961-05-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
2:22
32Come Dance With Me
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
recording of:
Come Dance With Me (am 1958-12-23)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
42:31
33Please Be Kind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-02)
Bass:
Buddy Catlett (am 1962-10-02)
Gitarre:
Freddie Green (am 1962-10-02)
Klavier:
Count Basie (pianist) (am 1962-10-02)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-02) und Benny Powell (jazz trombonist) (am 1962-10-02)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-02), Frank Foster (saxophonist) (am 1962-10-02), Charlie Fowlkes (baritone saxophonist) (am 1962-10-02), Marshall Royal (am 1962-10-02) und Frank Wess (am 1962-10-02)
Schlagzeug:
Sonny Payne (am 1962-10-02)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-02), Sonny Cohn (am 1962-10-02), Thad Jones (American jazz trumpeter) (am 1962-10-02) und Al Porcino (am 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-02)
Orchester:
Count Basie and His Orchestra (am 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Please Be Kind (am 1962-10-02)
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
recording of:
Please Be Kind
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
2:43
34Jeepers Creepers
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Jeepers Creepers (am 1954-04-19)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
12:24
35I’ll Follow My Secret Heart
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart (am 1962-06-12)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Conversation Piece: Act One
cover recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart (am 1962-06-12)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Conversation Piece: Act One
3:16
36Anything Goes
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
Anything Goes (am 1956-01-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
32:44
37She’s Funny That Way
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Lou Kievman (violist) und Barbara Simons
Cello:
Virgil Gates (C. Virgil Gates) und Ray Kramer
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, James Getzoff (American concertmaster and violinist), Marvin Limonick, Joseph Livoti (violinist), Nathan Ross und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Hendrickson
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Joe Koch, Abe Most, Harry Schuchman und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Trompete:
Cappy Lewis
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-02)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-02)
conductor:
Nelson Riddle (am 1960-03-02)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-03-02)
recording of:
She’s Funny That Way (am 1960-03-02)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
3:56
38I Concentrate on You
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-22)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-22)
conductor:
Nelson Riddle (am 1960-08-22)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-22)
recording of:
I Concentrate on You (am 1960-08-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:24
39How About You?
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-10)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-10)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-10), Dave Sterkin (am 1956-01-10) und Milton Thomas (violist) (am 1956-01-10)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-10), Edgar Lustgarten (am 1956-01-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-10)
Geige / Violine:
Victor Bay (am 1956-01-10), Alex Beller (am 1956-01-10), Harold Dicterow (am 1956-01-10), David Frisina (am 1956-01-10), Alex Murray (violinist) (am 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-10), Nathan Ross (am 1956-01-10), Mischa Russell (violinist) (am 1956-01-10), Paul Shure (am 1956-01-10) und Felix Slatkin (am 1956-01-10)
Gitarre:
George van Eps (am 1956-01-10)
Harfe:
Kathryn Julye (am 1956-01-10)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-10)
Posaune:
Milt Bernhart (am 1956-01-10), Jim Priddy (am 1956-01-10) und Juan Tizol (am 1956-01-10)
Rohrblattinstrumente:
Justin Gordon (am 1956-01-10), Harry Klee (am 1956-01-10), Morton Friedman (am 1956-01-10), Wilbur Schwartz (am 1956-01-10) und James Williamson (Saxophone player) (am 1956-01-10)
Schlagzeug:
Alvin Stoller (am 1956-01-10)
Trompete:
Harry “Sweets” Edison (am 1956-01-10), Conrad Gozzo (am 1956-01-10), Mickey Mangano (am 1956-01-10) und Zeke Zarchy (am 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-10)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-01-10)
cover recording of:
How About You? (am 1956-01-10)
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
22:49
40Roses of Picardy
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
Roses of Picardy (am 1962-06-13)
Texter:
Frederick Edward Weatherly
Komponist(in):
Haydn Wood (composer)
publisher:
Chappell & Co., Inc. (USA)
cover recording of:
Roses of Picardy (am 1962-06-13)
Texter:
Frederick Edward Weatherly
Komponist(in):
Haydn Wood (composer)
publisher:
Chappell & Co., Inc. (USA)
3:00
41Makin’ Whoopee
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
recording of:
Makin’ Whoopee! (am 1956-01-16)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2.53:06
42Don’t Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Don’t Be That Way (am 1961-05-19)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
2:44
43Mam’selle
Produzent(in):
Dave Cavanaugh
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Lou Kievman (violist), Alexander Neiman (violist) und Barbara Simons
Cello:
James Arkatov (American cellist and photographer), Victor Gottlieb und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Trompete:
Cappy Lewis
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-03)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-03)
conductor:
Nelson Riddle (am 1960-03-03)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
Mam’selle (am 1960-03-03)
Texter:
Mack Gordon
Komponist(in):
Edmund Goulding
publisher:
Leo Feist, Inc.
2:48
44Swingin’ Down the Lane
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Instrumente:
William (Bill) Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jim Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Rohrblattinstrumente:
Mort Friedman (am 1956-01-12), Justin Gordon (am 1956-01-12), Harry Klee (am 1956-01-12), Wilbur Schwartz (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Schlagzeug:
Irv Cottler (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Mickey Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
Swingin’ Down the Lane (am 1956-01-12)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) und Leo Feist, Inc. (am 1923-02-26)
recording of:
Swingin’ Down the Lane
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) und Leo Feist, Inc. (am 1923-02-26)
12:56
45Fools Rush In
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist) und Barbara Simons
Cello:
Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-01)
conductor:
Nelson Riddle (am 1960-03-01)
arranger:
Nelson Riddle
recording of:
Fools Rush In (Where Angels Fear to Tread) (am 1960-03-01)
Texter:
Johnny Mercer
Verfasser(in):
Johnny Mercer
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:22
46You Go to My Head
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist) und Barbara Simons
Cello:
Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-01)
conductor:
Nelson Riddle (am 1960-03-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
You Go to My Head (am 1960-03-01)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
4:28
47The Gypsy
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
The Gypsy (am 1962-06-13)
Texter und Komponist(in):
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:20
48Nevertheless (I’m in Love With You)
Trompete:
Billy Butterfield (am 1950-10-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1950-10-09)
conductor:
Axel Stordahl (am 1950-10-09)
arranger:
George Siravo
cover recording of:
Nevertheless (I’m in Love With You) (am 1950-10-09)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
13:09
49Embraceable You
Produzent(in):
Dave Cavanaugh
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Lou Kievman (violist), Alexander Neiman (violist) und Barbara Simons
Cello:
James Arkatov (American cellist and photographer), Victor Gottlieb und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Trompete:
Cappy Lewis
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-03)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-03)
conductor:
Nelson Riddle (am 1960-03-03)
arranger:
Nelson Riddle
recording of:
Embraceable You (am 1960-03-03)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:24
50We Kiss in a Shadow
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1951-03-02)
conductor:
Axel Stordahl (am 1951-03-02)
arranger:
Axel Stordahl
recording of:
We Kiss in a Shadow (The King and I) (am 1951-03-02)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
3:37
51The Lady Is a Tramp
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-26)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-26)
conductor:
Nelson Riddle (am 1956-11-26)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-11-26)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
43:17
52I Only Have Eyes for You
recording of:
I Only Have Eyes for You (am 1962-10-03)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
3:30
53Taking a Chance on Love
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Taking a Chance on Love (am 1954-04-19)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
12:15
54Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-08-15)
conductor:
Nelson Riddle (am 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (am 1955-08-15)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
32:41
55My Blue Heaven
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Ronny Lang
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-23)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-23)
conductor:
Nelson Riddle (am 1960-08-23)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-23)
recording of:
My Blue Heaven (am 1960-08-23)
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
2:03
56The Very Thought of You
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
The Very Thought of You (am 1962-06-12)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
13:32
57Learnin’ the Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-02)
Bass:
Buddy Catlett (am 1962-10-02)
Gitarre:
Freddie Green (am 1962-10-02)
Klavier:
Count Basie (pianist) (am 1962-10-02)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-02) und Benny Powell (jazz trombonist) (am 1962-10-02)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-02), Frank Foster (saxophonist) (am 1962-10-02), Charlie Fowlkes (baritone saxophonist) (am 1962-10-02), Marshall Royal (am 1962-10-02) und Frank Wess (am 1962-10-02)
Schlagzeug:
Sonny Payne (am 1962-10-02)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-02), Sonny Cohn (am 1962-10-02), Thad Jones (American jazz trumpeter) (am 1962-10-02) und Al Porcino (am 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-02)
Orchester:
Count Basie and His Orchestra (am 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Learnin’ the Blues (am 1962-10-02)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
recording of:
Learnin’ the Blues
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
4:27
58Nice Work If You Can Get It
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Wilbur Schwartz
baritone saxophone:
Joe Koch
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Dave Sterkin
Cello:
Cy Bernard, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
George Arus, Ed Kusby und Dick Noel (trombone)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Ted Nash (75- US saxophonist, the nephew)
Trompete:
Conrad Gozzo, Mickey Mangano, Shorty Sherock und Harry “Sweets” Edison (am 1956-11-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-20)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-20)
conductor:
Nelson Riddle (am 1956-11-20)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-20)
cover recording of:
Nice Work If You Can Get It (am 1956-11-20)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
22:22
59You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
3.752:58
60Old Devil Moon
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (am 1956-01-16)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
13:58
61I Never Knew
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
I Never Knew (am 1961-05-19)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
recording of:
I Never Knew (am 1961-05-19)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
2:18
62London by Night
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
London by Night (am 1962-06-13)
Texter und Komponist(in):
Carroll Coates
publisher:
Barton Music Corp.
3:17
63I’m Gonna Sit Right Down (and Write Myself a Letter)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (am 1962-10-03)
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
2:35
64My Funny Valentine
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
Nelson Riddle und George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1953-11-05)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
2:34
65September in the Rain
Produzent(in):
Dave Cavanaugh
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin und Stanley Harris (US big band viola player)
Cello:
Ossip Giskin (cellist), Armand Kaproff und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) und Paul Shure
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Frank Flynn
Posaune:
George Arus, Pullman “Tommy” Pederson und Tommy Shepard (trombonist)
Schlagzeug:
Irv Cottler
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-31)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-31)
conductor:
Nelson Riddle (am 1960-08-31)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-31)
cover recording of:
September in the Rain (am 1960-08-31)
Texter:
Al Dubin (in 1937)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) und Peermusic (UK) Limited (in 1937)
22:59
66Don’t Cry Joe
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
recording of:
Don’t Cry Joe (Let Her Go, Let Her Go, Let Her Go) (am 1961-05-23)
Texter und Komponist(in):
Joe Marsala
publisher:
Harms, Inc. (in 1949)
3:08
67Try a Little Tenderness
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist) und Barbara Simons
Cello:
Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-01)
conductor:
Nelson Riddle (am 1960-03-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
Try a Little Tenderness (am 1960-03-01)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
3:22
68A Garden in the Rain
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
A Garden in the Rain (am 1962-06-12)
Texter:
James Dyrenforth (in 1928)
Komponist(in):
Carroll Gibbons (in 1928)
publisher:
Campbell Connelly & Co. Ltd. und Music Sales Corporation (American copyright holder in both popular and classical music)
3:23
69Please Don’t Talk About Me When I’m Gone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Please Don’t Talk About Me When I’m Gone (am 1961-05-18)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
12:59
70We’ll Gather Lilacs in the Spring
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-14)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-14)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
We’ll Gather Lilacs (Perchance to Dream) (am 1962-06-14)
Texter und Komponist(in):
Ivor Novello (in 1945)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Perchance to Dream
3:13
71Falling in Love With Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Falling in Love With Love (am 1961-05-19)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
11:52
72We’ll Be Together Again
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
We’ll Be Together Again (am 1956-01-16)
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
14:28
73I Could Write a Book
Chorgesang:
The Jeff Alexander Chorus (am 1952-01-07)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1952-01-07)
conductor:
Axel Stordahl
arranger:
Axel Stordahl
recording of:
I Could Write a Book (am 1952-01-07)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
12:44
74In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
33:03
75We’ll Meet Again
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-14)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-14)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
We’ll Meet Again (am 1962-06-14)
Texter:
Hugh Charles
Komponist(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co. und World Music, Inc.
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
23:52

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ASIN:UK: B00WLW0Q8G [Info]