Rage: More of the Songs Most Chosen by Rage Guest Programmers

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1That's Entertainment
engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers) and Alan Douglas (Scottish born engineer)
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
acoustic guitar, electric guitar [backwards] and lead vocals:
Paul Weller (English singer‐songwriter and musician) (on 1980-10-22)
bass guitar:
Bruce Foxton (on 1980-10-22)
snare drum and tambourine:
Rick Buckler (on 1980-10-22)
vocals:
Bruce Foxton (on 1980-10-22)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-10-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 306)
recording of:
That’s Entertainment (on 1980-10-22)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
And Son Music Ltd. (, from 1980 to present), BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Stylist Music Ltd.
The Jam3.453:33
2The Cutter
engineer:
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige and Steve Short (sound engineer & producer)
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:53
3Train in Vain
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set):
Topper Headon
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 292)
recording of:
Train in Vain (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash4.153:09
4Could You Be the One
producer:
Grant Hart and Bob Mould
recording of:
Could You Be the One? (from 1986-08 until 1986-11)
lyricist and composer:
Bob Mould
publisher:
Granary Music
Husker Du52:34
5Know Your Product
recording of:
Know Your Product
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
The Saints43:15
6Pretty Vacant
engineer:
Bill Price (UK producer/engineer)
producer:
Bill Price (UK producer/engineer) and Chris Thomas (UK record producer / remixer)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (in 1977-03)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 34)
live recording of:
Pretty Vacant
writer:
Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols), Glen Matlock (bass guitarist of the Sex Pistols) and Paul Thomas Cook (drummer for the Sex Pistols)
publisher:
A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols3.83:17
7I Wanna Be Sedated
assistant engineer:
Ray Janos
engineer and producer:
Thomas Erdelyi (Tommy Ramone) and Ed Stasium (US record producer & audio engineer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Marky Ramone (Marc Bell)
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Media Sound in New York, New York, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 19) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 144)
recording of:
I Wanna Be Sedated (from 1978-05 until 1978-07)
writer:
Douglas Glenn Colvin, Jeffrey Hyman and John Cummings
composer:
Ramones (US punk rock band)
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Ramones4.252:30
8Antmusic
producer:
Chris Hughes (producer, aka “Merrick”)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (producer, aka “Merrick”) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980, in 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing MGB Ltd.
Adam & the Ants43:37
9Virginia Plain
engineer:
Andy Hendriksen (in 1972-03)
producer:
Peter Sinfield
bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1972-03)
part of:
TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348)
recording of:
Virginia Plain (in 1972-03)
lyricist and composer:
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
Roxy Music3.652:59
10Loaded
engineer:
Brian O'Shaughnessy
producer:
Andrew Weatherall
remixer:
Andrew Weatherall
edit of:
Loaded (Weatherall mix) by Primal Scream (Scottish rock band)
recording of:
Loaded (Primal Scream)
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream34:19
11Sidewalking
recording of:
Sidewalking
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
The Jesus and Mary Chain3:35
12Come to Daddy
recording of:
Come to Daddy
lyricist and composer:
Richard D. James (British electronic musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Aphex Twin4:23
13Blue Monday
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
samples:
Uran by Kraftwerk
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (number: 61) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 235)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order3.77:31
2▼CD
#TitleArtistRatingLength
1Last Goodbye
recording of:
Last Goodbye
lyricist and composer:
Jeff Buckley (American singer, guitarist and songwriter)
Jeff Buckley4:19
2Everything's Fucked
producer:
Phil McKellar (Australian producer and engineer)
accordion, mbira and violin:
Warren Ellis (Australian musician and score composer)
drums (drum set) and percussion:
Jim White (Australian drummer with Dirty Three, Tren Brothers, etc.)
guitar:
Mick Turner (Australian musician)
harmonium:
Tony Wyzenbeek
performer:
Warren Ellis (Australian musician and score composer)
phonographic copyright (℗) by:
Bella Union (in 2007)
engineered at:
ABC Studios in Melbourne, Victoria, Australia (in 1994-04)
produced at:
ABC Studios in Melbourne, Victoria, Australia (in 1993-04)
recording of:
Everything’s Fucked
writer:
Dirty Three
The Dirty Three5:32
3Atmosphere
producer:
Joy Division and Martin Hannett
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Cargo Studios in Rochdale, Rochdale, Greater Manchester, England, United Kingdom
music videos:
Atmosphere by Joy Division
part of:
Mixtape – Game Soundtrack (number: 19)
recording of:
Atmosphere
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
Joy Division4.254:10
4Pets
Porno for Pyros3:38
5Mexican Radio (edit)
recording of:
Mexican Radio
writer:
Marc Moreland and Stan Ridgway
Wall of Voodoo3:57
6The Majesty of Rock
assistant engineer:
Noel Hazen
engineer:
Marc DeSisto
producer:
Danny Kortchmar (Danny Kootch)
assistant mixer:
Danny Alonso
mixer:
David Bianco (American engineer and record producer)
recording of:
The Majesty of Rock
writer:
Christopher Guest, Michael McKean (actor) and Harry Shearer
Spinal Tap3:56
7Kong Foo Sing
recording engineer, engineer and mixer:
Magoo (Australian producer Lachlan Goold)
producer:
Magoo (Australian producer Lachlan Goold) and Regurgitator
recorded at:
Sunshine Studios in Brisbane, Queensland, Australia
mixed at:
Red Zeds in Brisbane, Queensland, Australia
music videos:
Kong Foo Sing (music video) by Regurgitator
recording of:
Kong Foo Sing
lyricist:
Quan Yeomans
composer:
Ben Ely, Martin Lee (Regurgitator founding drummer) and Quan Yeomans
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships)
Regurgitator33:00
8Bittersweet
engineer:
John Bee
producer:
Charles Fisher (Australian producer)
bass guitar:
Clyde Bramley
cymbal and drums (drum set):
Mark Kingsmill
lead vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1985)
mixed at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1985-05)
recording of:
Bittersweet
lyricist and composer:
Dave Faulkner (David Faulkner)
publisher:
Best of All Music and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
EMI Music Publishing France
Hoodoo Gurus3:48
9Friday I'm in Love
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass guitar:
Simon Gallup
bass guitar [6-string bass]:
Perry Bamonte
drums (drum set) and percussion:
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Perry Bamonte and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Friday I’m in Love by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 73)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
The Cure4.63:34
10Praise You
engineer and mixer:
Simon Thornton (Big beat mixing engineer)
producer:
Fatboy Slim
phonographic copyright (℗) by:
Skint Records (in 1998)
recorded at:
The House of Love in Brighton, Brighton and Hove, England, United Kingdom
samples:
Take Yo’ Praise by Camille Yarbrough
part of:
Indie 88: Top 500 Indie Rock Songs (number: 117) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 342)
recording of:
Praise You
writer:
Norman Cook and Camille Yarbrough
publisher:
Maat Music Inc., Polygram Music and PolyGram Music Publishing Ltd.
is based on:
Take Yo' Praise
Fatboy Slim4.15:24
11Can I Get a Witness
recording of:
Can I Get a Witness
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
Marvin Gaye2.652:47
12A Roller Skating Jam Named "Saturdays"
producer:
De La Soul and Prince Paul (US hip hop DJ & producer)
other vocals [disco diva singer]:
Vinia Mojica
other vocals [WRMS personality]:
Russell Simmons
samples:
Ebony Jam by Tower of Power (US R&B-based horn section & band), Evil Vibrations by Mighty Ryeders, Good Times (LP / 12″ version) by Chic (US disco group), Grease by Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), I Got My Mind Made Up (You Can Get It Girl) (album version) by Instant Funk, Light My Fire by Young–Holt Unlimited and Saturday in the Park by Chicago (American pop rock/jazz fusion band)
recording of:
A Roller Skating Jam Named "Saturdays" (album version)
writer:
Raymond Earl (Bassist), Barry Gibb, Dave Jolicoeur (Plug 2 of De La Soul), Kamaal Ibn John Fareed (American rapper), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos), Rodney Mathews (Mighty Ryeders), Kim Miller, Scotty Miller (US drummer), Paul Huston (US hip hop DJ & producer) and Vincent Mason (US rapper Vincent Mason, member of De La Soul)
De La Soul4.654:02
13Jump Around
producer:
DJ Muggs
phonographic copyright (℗) by:
Tommy Boy Music, Inc. (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
samples:
Harlem Shuffle by Bob & Earl and Shoot Your Shot by Jr. Walker & the All Stars
music videos:
Jump Around by House of Pain
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 442)
recording of:
Jump Around
writer:
Dave Appell, Kal Mann, Larry Muggerud and Erik Schrody
House of Pain4.23:39
14Don't Believe the Hype
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
I Got Ants in My Pants, Part 1 by James Brown (The Godfather of Soul) and Synthetic Substitution by Melvin Bliss
recording of:
Don’t Believe the Hype (in 1987)
writer:
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee and William Jonathan Drayton
Public Enemy3.55:21