The Greatest Love

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Elenco tracce

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1Vinile 12" (30 cm): Part One
#TitoloArtistaValutazioneDurata
A1The Greatest Love of All
registrazione di:
The Greatest Love of All
paroliere:
Linda Creed
compositore:
Michael Masser
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited), EMI Music Publishing Australia Pty Ltd (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Golden Horizon Music Corp. (nel 1986), Golden Torch Music Corp. (nel 1986) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
George Benson?:??
A2All Out of Love
produttore:
Robie Porter
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
assistente tecnico di missaggio:
Linda Corbin
tecnico di missaggio:
Jim Hilton
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse e Graham Russell (Air Supply)
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980), Arista Records, LLC (holding company - file NO releases here!) (nel 1980), Big Time Phonograph Recording Co. (nel 1980), Big Time Phonograph Recording Co. Pty Ltd. (nel 1980) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia e Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 290)
registrazione di:
All Out of Love
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.45?:??
A3Heartbreaker
registrazione di:
Heartbreaker (Led Zeppelin song)
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
WB Music Corp. (1929–2019)
Dionne Warwick?:??
A4I’d Rather Go Blind
registrazione cover di:
I’d Rather Go Blind
paroliere:
Billy Foster (American singer, member of The Medallions and songwriter)
compositore:
Ellington Jordan
editore:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Ruby Turner?:??
A5My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.9?:??
A6Old and Wise
tecnico di registrazione aggiunto e produttore aggiunto:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
basso e chitarra basso :
David Paton (of Pilot)
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra acustica e chitarra elettrica :
Ian Bairnson
sassofono :
Mel Collins
tastiera :
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
voce principale:
Colin Blunstone
direttore d'orchestra:
Andrew Powell (known for contributions to Alan Parsons Project)
maestro del coro:
Bob Howes (percussionist)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982, nel 2007)
registrazione di:
Old and Wise
autore e compositore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
Careers Music, Inc. e Woolfsongs Ltd.
Alan Parsons Project3.9?:??
A7I’m Your Puppet
registrazione di:
I’m Your Puppet
autore:
Spooner Oldham e Dan Penn (songwriter, soul singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Australia Pty. Ltd.
James & Bobby Purify?:??
A8Dedicated to the One I Love
registrazione di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas?:??
B1Cry for Help
edit di:
Cry for Help di Rick Astley (English singer, songwriter and radio personality)
registrazione di:
Cry for Help
autore:
Rick Astley (English singer, songwriter and radio personality) e Rob Fisher (UK keyboardist, in Naked Eyes)
editore:
Cruz Music (Rick Astley's label) e Universal Music Publishing MGB Ltd.
Rick Astley?:??
B2When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer4?:??
B3If I Said You Had a Beautiful Body Would You Hold It Against Me
tecnico:
Jim Crosby (engineer) (nel 1978) e Michael Lloyd (US guitarist/singer producer) (nel 1978)
produttore:
Michael Lloyd (US guitarist/singer producer) (nel 1978)
batteria :
Rodney Price (drummer) (nel 1978)
chitarra acustica e voce principale:
David Bellamy (Bellamy Brothers) (nel 1978) e Howard Bellamy (Bellamy Brothers) (nel 1978)
chitarra basso :
Jesse Chambers (nel 1978)
chitarra elettrica :
Carl Chambers (nel 1978)
chitarra steel :
Danny Jones (US steel guitarist) (nel 1978)
tastiera :
Joe LaFrandre (nel 1978)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 1980)
registrazione di:
If I Said You Had a Beautiful Body Would You Hold It Against Me (nel 1978)
paroliere e compositore:
David Bellamy (Bellamy Brothers)
The Bellamy Brothers3?:??
B4Hey There Lonely Girl
registrazione di:
Hey There Lonely Girl
paroliere:
Earl S. Shuman (composer / lyricist)
compositore:
Leon Carr
editore:
Campbell Connelly & Co. Ltd.
Eddie Holman?:??
B5True Love Ways
registrazione di:
True Love Ways
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly?:??
B6Didn’t I (Blow Your Mind This Time)
registrazione di:
Didn’t I (Blow Your Mind This Time)
autore:
Thom Bell (keyboards, songwriter, producer) (nel 1969) e William Hart (of The Delfonics) (nel 1969)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Delfonics?:??
B7Oh! Carol
registrazione di:
Oh! Carol
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
Neil Sedaka?:??
B8Fade Away (and Radiate)
registrazione di:
Make a Way
autore:
Christopher Stein, Deborah Harry e Jeff Saltzman (music attorney and record producer)
autore aggiunto:
Natalie Hawkins
editore:
BMG Gold Songs, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Bone Lid LLC, Tank 1176 Music e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Blondie?:??
2Vinile 12" (30 cm): Part Two
#TitoloArtistaValutazioneDurata
C1Miracle of Love
registrazione di:
The Miracle of Love
orchestratore:
Michael Kamen (American score composer)
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
RCA Music Ltd. (publisher) e Universal Music Publishers MGB Australia Pty Ltd
Eurythmics?:??
C2Fire
registrazione cover di:
Fire
paroliere e compositore:
Bruce Springsteen (nel 1977-05)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Pointer Sisters?:??
C3How Long
Barbara Dixon?:??
C4First Cut Is the Deepest
registrazione di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
P.P. Arnold?:??
C5Crazy
produttore:
Owen Bradley
voce:
Patsy Cline
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1961)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 85) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 195)
registrazione di:
Crazy (Willie Nelson song) (il 1961-08-21)
paroliere e compositore:
Willie Nelson
editore:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tree Publishing
Patsy Cline4.15?:??
C6The First Picture of You
registrazione di:
The First Picture of You
autore:
Jeremy Kelly, Peter Coyle e Ged Quinn (Keyboardist)
editore:
Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Lotus Eaters?:??
C7For Your Love
registrazione di:
For Your Love
paroliere e compositore:
Graham Gouldman
editore:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Screen Gems–EMI Music Ltd.
The Yardbirds?:??
C8Blue Moon
registrazione di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels?:??
D1Sara Smile
produttore:
Chris Bond (producer, active circa 1970s) e Daryl Hall & John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1975)
registrazione di:
Sara Smile
paroliere:
Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Unichappell Music, Inc.
Hall & Oates4.25?:??
D2Woman in Love
registrazione di:
A Woman in Love (Twiggy song popularized by The Three Degrees)
autore:
Dominic Bugatti e Frank Musker
editore:
Chappell & Co., Inc. (USA), Pendulum Music (publisher), Sea Shanty Music (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Three Degrees?:??
D3Love Letters
voce principale:
Ketty Lester
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
registrazione cover di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
registrazione di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Ketty Lester?:??
D4I Surrender
registrazione di:
I Surrender
autore:
William Jones (US guitarist)
editore:
Telstar Music Ltd. (affiliated to PRS)
Heatwave?:??
D5The Shoop Shoop Song (It’s in His Kiss)
registrazione di:
It’s in His Kiss (The Shoop Shoop Song)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Betty Everett?:??
D6You’re the Inspiration
registrazione cover di:
You’re the Inspiration
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Elkie Brooks?:??
D7Parisienne Walkways
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987)
registrazione di:
Parisienne Walkways
autore:
Phil Lynott e Gary Moore (Thin Lizzy, blues guitar)
editore:
Agelong Music Publishing Inc e Maxwood Music Ltd.
si basa su:
Blue Bossa
Gary Moore?:??
D8Suddenly
registrazione di:
Suddenly
autore:
Keith Diamond e Billy Ocean
editore:
Musicpiece Publ., Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean?:??
3Vinile 12" (30 cm): Part Three
#TitoloArtistaValutazioneDurata
E1Broken Wings
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister5?:??
E2Everyday Hurts
registrazione di:
Every Day Hurts
autore:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson e Paul Young (Sad Café, Mike + The Mechanics)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd.
Sad Cafe?:??
E3Tell It Like It Is
registrazione di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville?:??
E4Vienna
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox?:??
E5I Second That Emotion
registrazione cover di:
I Second That Emotion
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan?:??
E6Hey Little Girl
registrazione di:
Hey Little Girl
paroliere e compositore:
Iva Davies
editore:
EMI Songs Australia Pty. Ltd.
Ice House?:??
E7Four Letter Word
registrazione di:
Four Letter Word
autore:
Marty Wilde e Ricky Wilde
Kim Wilde?:??
E8Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.35?:??
F1Room in Your HeartLiving In A Box?:??
F2Sensitivity (radio edit)
registrazione di:
Sensitivity
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Ralph Tresvant?:??
F3I Will
Ruby Winters?:??
F4Why Can’t We Live Together
registrazione di:
Why Can’t We Live Together
paroliere e compositore:
Timmy Thomas
editore:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas?:??
F5I Wanna Get Next to YouRose Royce?:??
F6Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon4.5?:??
F7Will You Still Love Me Tomorrow
registrazione di:
Will You Love Me Tomorrow (Carole King song)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles?:??
F8If You’re Looking for a Way OutOdyssey?:??
4Vinile 12" (30 cm): Part Four
#TitoloArtistaValutazioneDurata
G1Through the StormAretha Franklin & Elton John?:??
G2True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.65?:??
G3Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.3?:??
G4Waiting for a Star to Fall
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl?:??
G5It Doesn’t Have to Be That Way
produttore:
Michael Baker (producer)
diritti fonografici (℗) detenuti da:
RCA/Ariola Ltd. (nel 1987)
è stato produttore per:
Simple Simon Inc.
registrazione di:
It Doesn’t Have to Be This Way
paroliere e compositore:
Robert Howard (pop songwriter)
editore:
RCA Music Ltd. (publisher)
Blow Monkeys2.5?:??
G6Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.5?:??
G7Something’s Gotten Hold of My Heart
registrazione di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gene Pitney?:??
G8Perfect DayLou Reed?:??
H1Let’s Stay Together
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green?:??
H2Love Is in the Air
registrazione di:
Love Is in the Air
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
John Paul Young?:??
H3Could It Be I’m Falling in Love
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
Could It Be I’m Falling in Love di David Grant (pop singer) & Jaki Graham
registrazione cover di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
registrazione di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant & Jaki Graham4.35?:??
H4Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.35?:??
H5Looking for a New Love
registrazione di:
Looking for a New Love
autore:
André Cymone e Jody Watley
editore:
EMI April Music Inc., Ultrawave Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1986)
Jody Watley?:??
H6Street LifeThe Crusaders?:??
H71,000 Eyes
produttore:
Jeff Glixman
voce principale:
Eric Troyer
registrazione di:
Thousand Eyes
autore:
Eric Troyer
ELO 2?:??
H8The Music of the Night
tecnico di registrazione:
Martin Levan
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
voce:
Michael Crawford (UK actor and singer)
direttore d'orchestra:
Michael Reed (UK conductor/arranger for musicals)
orchestratore:
David Cullen (composer, arranger, orchestrator) e Andrew Lloyd Webber (English composer and impresario of musical theatre)
diritti fonografici (℗) detenuti da:
The Really Useful Group PLC (fka The Really Useful Record Company Ltd., renamed as The Really Useful Group Ltd. on 17 July 1991) (nel 1987)
registrazione di:
The Music of the Night (The Phantom of the Opera)
paroliere:
Charles Hart (British lyricist)
paroliere aggiunto:
Richard Stilgoe
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd (not for release label use!) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
parte di:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford?:??

Accreditamenti