101 Running Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t Stop Me Now
Techniker(in):
Geoff Workman
zusätzliche(r) Techniker(in):
John Etchells
Produzent(in):
Roy Thomas Baker (producer) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1978-07 bis 1978-10)
E-Gitarre:
Brian May (Queen guitarist) (von 1978-07 bis 1978-10)
Klavier:
Freddie Mercury (von 1978-07 bis 1978-10)
Perkussion:
Roger Taylor (Queen drummer) (von 1978-07 bis 1978-10)
vocals:
Brian May (Queen guitarist) (von 1978-07 bis 1978-10), Freddie Mercury (von 1978-07 bis 1978-10) und Roger Taylor (Queen drummer) (von 1978-07 bis 1978-10)
arranger:
Queen (UK rock group)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) und Raincloud Productions Ltd. (in 1978, in 2011)
aufgenommen bei:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1978-07 bis 1978-10) und Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (von 1978-07 bis 1978-10)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 74)
recording of:
Don’t Stop Me Now (von 1978-07 bis 1978-10)
geschrieben in:
Montreux, Vaud (Kanton Waadt), Schweiz und Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich
Texter und Komponist(in):
Freddie Mercury (von 1978-07 bis 1978-10)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., Sony/ATV, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
Queen4.253:30
2The Rockafeller Skank
Techniker(in) und Mix:
Simon Thornton (Big beat mixing engineer)
Produzent(in):
Fatboy Slim
Interpret(in):
Just Brothers
phonographisches Urheberrecht (℗) von:
Skint Records (in 1998)
Samples:
Beat Girl (Main Title) von The John Barry Seven und Sliced Tomatoes von Just Brothers
Musikvideos:
Rockafeller Skank von Fatboy Slim
recording of:
The Rockafeller Skank
Verfasser(in):
John Barry (English score composer), Fatboy Slim und Winifred Terry
publisher:
Gold Forever Music Inc., MCA Music Ltd., Polygram Music Publishing Ltd. (GB), Robbins Music Corp. Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
basiert auf:
Beat Girl (main title)
basiert auf:
Sliced Tomatoes
Fatboy Slim43:56
3Hey Ya!
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon und Pete Novak
Programmierung und Produzent(in):
André 3000
Mix:
Neal Pogue (mix engineer)
Akustikgitarre und Keyboard und Sologesang:
André 3000
Keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
Musikvideos:
Hey Ya! von OutKast
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 14), Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 18), VH1’s Big Song of 2003 (Nummer: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 180) und Indie 88: Top 500 Indie Rock Songs (Nummer: 198)
recording of:
Hey Ya!
Texter und Komponist(in):
André Benjamin
publisher:
Chrysalis Music, Inc. und Gnat Booty
OutKast43:52
4Wake Me Up Before You Go Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
5Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:47
6Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:07
7One Way or Another
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 298)
recording of:
One Way or Another (von 1978-06 bis 1978-07)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. und Rare Blue Music Inc (in 1978)
Blondie4.153:27
8Ain’t Talking ’Bout Dub
zusätzliche(r) Techniker(in):
Will O'Donovan
Produzent(in):
@440 (electronic rock band)
vocals:
Mary Mary (performance name of Ian Hoxley)
arranger:
Noko (Norman Fisher Jones)
aufgenommen bei:
Apollo Control in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Apollo Control in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, Vereinigtes Königreich
Samples:
Ain’t Talkin’ ’Bout Love von Van Halen (American hard rock band)
cover recording of:
Ain’t Talkin’ ’Bout Love
Texter und Komponist(in):
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth und Alex Van Halen
publisher:
Iconic Roth Anthems, Mugambi Publishing, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Diamond Dave Music (in 1978), Van Halen Music (in 1978) und WC Music Corp. (vom 2019-05-28 bis heute)
Apollo 44054:31
9Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:43
10Candyman
Programmierung:
Marc Jameson
Techniker(in), Produzent(in) und Mix:
Linda Perry (rock singer‐songwriter & producer)
zusätzliche(r) Techniker(in):
Kristofer Kaufman und Chris Wonzer
Audio-Engineering:
Andrew Chavez (engineer)
Bass, mellotron und Klavier:
Linda Perry (rock singer‐songwriter & producer)
membranophone:
Nathan Wetherington
Posaune:
Jim McMillen (arranger & trombonist)
Saxophon:
Glen Berger (saxophonist) und Ray Herrmann
Trompete:
Chris Tedesco
Horn arranger:
Linda Perry (rock singer‐songwriter & producer)
Samples:
Tarzan and Jane Swingin' on a Vine von US Marines (United States Marine Corps)
Musikvideos:
Candyman von Christina Aguilera
recording of:
Candyman
Verfasser(in):
Christina Aguilera und Linda Perry (rock singer‐songwriter & producer)
Christina Aguilera3.53:15
11Mambo No. 5 (A Little Bit Of…)
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag (Peermusic Musikverlag GesmbH) und Peermusic (Germany) GmbH
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.653:39
12Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:47
13Modern Love
Sound-Engineering, Techniker(in) und Mix:
Bob Clearmountain
Produzent(in):
David Bowie (English singer‐songwriter) und Nile Rodgers
assistierende(r) Mix:
David Bowie (English singer‐songwriter) und Nile Rodgers
baritone saxophone und flute:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (von 1982-12 bis 1983-01)
Bass:
Carmine Rojas (von 1982-12 bis 1983-01)
flute und Tenorsaxophon:
Robert Aaron (von 1982-12 bis 1983-01) und Stan Harrison (American saxophonist) (von 1982-12 bis 1983-01)
Gitarre:
Nile Rodgers (von 1982-12 bis 1983-01) und Stevie Ray Vaughan (von 1982-12 bis 1983-01)
Keyboard:
Rob Sabino (von 1982-12 bis 1983-01)
Perkussion:
Sammy Figueroa (von 1982-12 bis 1983-01)
Schlagzeug:
Omar Hakim (von 1982-12 bis 1983-01)
Trompete:
Mac Gollehon (von 1982-12 bis 1983-01)
Hintergrundgesang:
Frank Simms (von 1982-12 bis 1983-01), George Simms (von 1982-12 bis 1983-01) und David Spinner (von 1982-12 bis 1983-01)
Sologesang:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Company LLC (in 1983)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-12 bis 1983-01)
Musikvideos:
Modern Love von David Bowie (English singer‐songwriter)
recording of:
Modern Love (von 1982-12 bis 1983-01)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Jones Music America, RZO Music Ltd und Universal/MCA Music Publishing Pty Ltd
David Bowie3.93:58
14Black and White Town
Klavier:
Martin Rebelski
recording of:
Black and White Town
Texter und Komponist(in):
Jimi Goodwin, Andy Williams (of Doves) und Jez Williams
Doves44:19
15Milk & Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.22:47
16Goody Two Shoes
assistierende(r) Techniker(in):
George Chambers (engineer a/k/a George “Chappie” Chambers)
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
Adam Ant (English new wave singer and actor), Chris Hughes (producer, aka “Merrick”) und Marco Pirroni (British musician and producer)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1982)
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:19
17Fascination
Teil von:
Pitchfork Presents: The 100 Best Tracks of 2008 (Nummer: 47)
recording of:
Fascination
Verfasser(in):
Anders Bønløkke, Stine Bramsen, Troels Møller Hansen, Rasmus Nikolaj Østergaard Nagel, Anders Stig Gehrt Nielsen und Anders Reinholdt
Alphabeat3.63:02
18Ooh La La
recording engineer und Produzent(in):
Goldfrapp
zusätzliche Programmierung:
Nick Batt und Lee Groves (game/film music composer/producer/engineer)
assistierende(r) Techniker(in):
Alex Dromgoole und David Emery
Mix:
Mark “Spike” Stent (producer, engineer)
Bass:
Charlie Jones (UK bassist, songwriter & producer)
Gitarre:
Adrian Utley
Synthesizer:
Nick Batt
Sologesang:
Alison Goldfrapp
arranger:
Goldfrapp
mixed at:
The Mix Suite in London (Greater London), England, Vereinigtes Königreich
recording of:
Ooh La La
Verfasser(in) und arranger:
Alison Goldfrapp und Will Gregory (saxophonist and member of Goldfrapp)
Komponist(in):
Cliff Martinez (American musician and score composer)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Goldfrapp43:25
19Speed of Sound
Bearbeitung von:
Speed of Sound von Coldplay
Musikvideos:
Speed of Sound von Coldplay
recording of:
Speed of Sound
Verfasser(in):
Guy Berryman, Will Champion, Jonny Buckland und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd., BMG Songs und Universal Music Publishing MGB Ltd.
Coldplay3.54:23
20How to Save a Life
Assistent recording engineer:
Kevin Loyal und James Masterson
recording engineer und Editing:
Paul Mahern
assistierende(r) Techniker(in):
Alex Uychocde
zusätzliche(r) Techniker(in):
Tim Hoagland und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Produzent(in):
Mike Flynn (A&R executive) und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Mix:
Mark Endert
zusätzliches Editing:
Warren Huart
Musikvideo für:
How to Save a Life (first variant) von The Fray (US alternative rock band)
Musikvideos:
How to Save a Life (third variant) von The Fray (US alternative rock band)
recording of:
How to Save a Life
Verfasser(in):
Joe King (guitarist and vocalist in The Fray) und Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:24
2▼CD
Nr.TitelKünstlerBewertungLänge
1Tubthumping
Techniker(in):
Neil Ferguson (Chumbawamba)
Produzent(in):
Chumbawamba
phonographisches Urheberrecht (℗) von:
Chumbawamba (in 1997)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
aufgenommen bei:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-09)
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba3.653:34
2Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.44:01
3Ain’t No Stoppin’ Us Now
Bearbeitung von:
Ain’t No Stoppin’ Us Now (LP version) von McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
Verfasser(in):
Jerry Cohen, Gene McFadden und John Whitehead
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:35
4Birdland
assistierende(r) Techniker(in):
Jerry Hudgins und Brian Risner
Techniker(in):
Ron Malo
assistierende(r) Produzent(in):
Wayne Shorter (US jazz saxophonist and composer)
Koproduzent(in):
Jaco Pastorius
Produzent(in):
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) und Joe Zawinul (jazz and fusion keyboard player)
Analoger Synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
Analoger Synthesizer [Oberheim Polyphonic], Flügel [acoustic piano] und melodica:
Joe Zawinul (jazz and fusion keyboard player) (von 1976 bis 1977)
E-Bass [bass] und Mandocello:
Jaco Pastorius (von 1976 bis 1977)
Schlagzeug:
Alex Acuña (von 1976 bis 1977)
Sopransaxophon und Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer) (von 1976 bis 1977)
Tamburin:
Manolo Badrena (von 1976 bis 1977)
vocals:
Jaco Pastorius (von 1976 bis 1977) und Joe Zawinul (jazz and fusion keyboard player) (von 1976 bis 1977)
Orchestrator(in):
Joe Zawinul (jazz and fusion keyboard player)
aufgenommen bei:
Devonshire Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976 bis 1977)
recording of:
Birdland (instrumental) (von 1976 bis 1977)
Komponist(in):
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:57
5Oye como va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
Santana3.854:18
6Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:10
7Ready to Go
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland (for © & ℗ copyright use only; file no releases here!) (in 1996) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Ready to Go
Verfasser(in):
Tim Dorney, Johnny Male, Saffron (singer of Republica) und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (publisher), Notting Hill Music (UK) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Republica2.453:39
8Bohemian Like You
Produzent(in):
David Sardy (American score composer) und Courtney Taylor‐Taylor
Mix:
David Sardy (American score composer)
Bass und Keyboard:
Zia McCabe
Gast-Orgel:
Erik Gavriluk
Gitarre:
Peter Holmström und Courtney Taylor‐Taylor
Schlagzeug und Hintergrundgesang:
Brent DeBoer
Slide-Gitarre:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Musikvideos:
Bohemian Like You von The Dandy Warhols
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 449)
recording of:
Bohemian Like You
Texter und Komponist(in):
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Dandy Warhols Music (BMI)
The Dandy Warhols4.053:32
9I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
10Jerk It Out
Teil von:
Anti-Hit List: January 23, 2003 (Nummer: 3)
recording of:
Jerk It Out
Texter und Komponist(in):
Joakim Åhlund
Caesars3.83:16
11Get Over It
Techniker(in):
Howard Willing
zusätzliche(r) Techniker(in):
Mike Haglar und Ken Sluiter (audio engineer and musician)
Produzent(in):
Damian Kulash, Jr. und Howard Willing
zusätzliche(r) Produzent(in):
Dave Trumfio
Mix:
Tom Lord‐Alge
recording of:
Get Over It
Verfasser(in) und Komponist(in):
Damian Kulash, Jr.
OK Go4.353:16
1220th Century Boy
Interpret(in):
Marc Bolan
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 1973)
recording of:
20th Century Boy (in 1972-12)
Texter und Komponist(in):
Marc Bolan
publisher:
Fintage Publishing, Spirit Catalogue Holdings und Wizard (Bahamas) Ltd.
sub-publisher:
Shinko Music Entertainment Co., Ltd. (beendet) und フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.83:37
13Keep On Running
Produzent(in):
Chris Blackwell (Island Records)
vocals und Interpret(in):
Steve Winwood
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1965)
cover recording of:
Keep On Running
Texter und Komponist(in):
Jackie Edwards
publisher:
Island Music Ltd. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group3.652:46
14We Built This City
assistierende(r) Techniker(in):
Paul Ericksen (recording engineer)
Techniker(in):
Jeremy Smith (producer/engineer)
Produzent(in):
Jeremy Smith (producer/engineer) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Mix:
Bill Bottrell
sonstiger Gesang [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Built This City (in 1985)
Verfasser(in):
Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) und Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:52
15Alright
Techniker(in):
John Cornfield
Produzent(in):
Sam Williams (producer & musician. ex‐member of The Animalhouse)
Mix:
John Cornfield und Sam Williams (producer & musician. ex‐member of The Animalhouse)
Bassgitarre:
Mick Quinn (von 1994-01 bis 1994-07)
Gitarre:
Mick Quinn (von 1994-02 bis 1994-08)
Klavier und Sologesang:
Gaz Coombes (von 1994-02 bis 1994-08)
Schlagzeug:
Danny Goffey (von 1994-02 bis 1994-08)
Hintergrundgesang:
Danny Goffey (von 1994-02 bis 1994-08) und Mick Quinn (von 1994-02 bis 1994-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
aufgenommen bei:
Sawmills Studio in Golant, Cornwall, England, Vereinigtes Königreich (von 1994-02 bis 1994-08)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 65)
recording of:
Alright (von 1994-02 bis 1994-08)
Verfasser(in):
Gaz Coombes, Danny Goffey und Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:01
16My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:00
17Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.43:00
18Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:50
19Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.553:21
20Valerie
assistierende(r) Techniker(in):
Tom Stanley
Techniker(in):
Cenzo Townshend (engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Valerie (in 2006)
Verfasser(in):
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) und Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Zutons3.653:57
21Rockstar
Produzent(in):
Joey Moi und Nickelback
recording of:
Rockstar
Texter:
Chad Kroeger
Komponist(in):
Daniel Adair, Chad Kroeger, Mike Kroeger und Ryan Peake
Nickelback3.84:17
3▼CD
Nr.TitelKünstlerBewertungLänge
1Can’t Stop Moving (Mirwais remix)
remixer:
Mirwais
Sonny J2:56
2Not Fair
recording engineer, Programmierung, Audio-Engineering, Produzent(in) und Mix:
Greg Kurstin
Bass, Gitarre und Keyboard:
Greg Kurstin
Sologesang:
Lily Allen
gemixt für:
SK1 Productions
aufgenommen bei:
Kingsize Soundlabs in Eagle Rock, Los Angeles, California (Kalifornien), Vereinigte Staaten, Lypiatt Park in Gloucestershire, England, Vereinigtes Königreich, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich und The Premises Studios in Hoxton, Hackney, London (Greater London), England, Vereinigtes Königreich
mixed at:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Not Fair (promo video) von Lily Allen
recording of:
Not Fair
Texter und Komponist(in):
Lily Allen und Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lily Allen43:22
3So What
recording engineer:
Max Martin (Swedish record producer) (in 2008)
assistierende(r) Techniker(in):
Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Max Martin (Swedish record producer)
Mix:
Serban Ghenea
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2008)
aufgenommen bei:
House of Blues Studios in Encino, California (Kalifornien), Vereinigte Staaten (in 2008) und Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 2008)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
So What (clean) von P!nk (American singer/songwriter)
recording of:
So What (in 2008)
Verfasser(in):
Alecia Moore (American singer/songwriter), Johan Schuster und Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Music, Maratone AB und P!nk Inside Publishing
P!nk43:35
4Rockstar (Jason Nevins remix)
remixer:
Jason Nevins
recording of:
Rock Star
Verfasser(in):
Chad Hugo und Pharrell Williams
N*E*R*D3:49
5I Know You Want Me (Calle Ocho)
teilweise recording of:
I Know You Want Me
Verfasser(in):
Fasano, Perez (American rapper), Seraphine und Wolinsky
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
75, Brazil Street
recording of:
I Know You Want Me
Verfasser(in):
Fasano, Perez (American rapper), Seraphine und Wolinsky
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
75, Brazil Street
Pitbull2.53:04
6I See You Baby
Techniker(in):
Simon Thornton (Big beat mixing engineer)
Gast vocals:
Gram’ma Funk
remixer:
Fatboy Slim
arranger:
Fatboy Slim
recording of:
I See You Baby
Texter und Komponist(in):
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) und Toi Wooten
Groove Armada3.454:05
7Ready for the Floor
recording of:
Ready for the Floor
Verfasser(in):
Owen Clarke (Member of Hot Chip; visual artist), Al Doyle, Joe Goddard (British synth-pop musician, songwriter & DJ), Felix Martin (Hot Chip DJ) und Alexis Taylor (Hot Chip front man)
Hot Chip43:23
8Doctor Pressure
recording of:
Doctor Pressure
Verfasser(in):
Enrique Garcia (Miami Sound Machine) und Myles MacInnes (Scottish electronic musician & producer Myles MacInnes)
basiert auf:
Dr. Beat
basiert auf:
Drop the Pressure
Mylo vs. Miami Sound Machine3.853:26
9When Love Takes Over
Gast Sologesang:
Kelly Rowland
recording of:
When Love Takes Over
Texter:
Miriam Nervo, Olivia Nervo und Kelly Rowland
Komponist(in):
David Guetta und Frédéric Riesterer
publisher:
K-Gal Publishing, Razor Boy Music Publishing Sweden, Rister Editions und What A Publishing
David Guetta feat. Kelly Rowland3.53:24
10Beggin’
Produzent(in):
3Elementz
phonographisches Urheberrecht (℗) von:
Bonnier Amigo Music Norway AS (do not use as a release label! NO division of Bonnier Amigo Music Group AB) (in 2008)
cover recording of:
Beggin’ (in 2008)
Verfasser(in):
Peggy Farina und Bob Gaudio
publisher:
EMI Longitude Music, Saturday Music, Inc. und Seasons Four Music Corp.
Madcon4.23:36
11I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordinated)
Programmierung:
benny blanco (producer Benjamin Levin) und Dr. Luke
Techniker(in):
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin) und Mike Caffrey (drum machine [drum])
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea
Bassgitarre [bass] und Gitarre [guitars]:
Dr. Luke
Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
Schlagzeug [live drums]:
Steven Wolf (drummer from USA)
Hintergrundgesang:
Cathy Dennis
Sologesang:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten und Monster Island in New York, New York, Vereinigte Staaten (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 14) und BILLIONS CLUB
recording of:
I Kissed a Girl
Verfasser(in):
Cathy Dennis, Lukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP affiliated), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) und When I’m Rich You’ll Be My Bitch
Katy Perry3.953:01
12Toxic
recording engineer, Programmierung, Produzent(in) und Editing:
Bloodshy and Avant
assistierende(r) Techniker(in):
J. D. Andrew und Jonas Östman
Mix:
Niklas Flyckt
andere Instrumente:
Bloodshy and Avant
Bass:
Tomas Lindberg (Swedish bass player)
Gitarre:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist)
Saiteninstrumente:
Stockholm Session Strings
Hintergrundgesang:
Blackcell (Mathias Johansson, songwriter and producer), Cathy Dennis und Emma Holmgren
Hintergrundgesang und Sologesang:
Britney Spears
conductor:
Janson+Janson
Saiteninstrumente arranger:
Janson+Janson
arranger:
Bloodshy and Avant und Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
phonographisches Urheberrecht (℗) von:
Zomba Recording LLC (in 2003)
aufgenommen bei:
Murlyn Studios in Stockholm, Stockholms län (Stockholm county), Schweden und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
KhaBang Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
Toxic von Britney Spears und Toxic (karaoke) von Britney Spears
a cappella versions:
Toxic (L∆VINCi Remix) von L∆VINCi (LAVINCi) feat. Britney Spears
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 1), Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2005 winner), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 53), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 114) und BILLIONS CLUB
recording of:
Toxic
Verfasser(in):
Cathy Dennis, Henrik Jonback (Swedish producer, engineer, songwriter, guitarist), Christian Karlsson (Swedish producer, remixer, songwriter, DJ, piano, guitar) und Pontus Winnberg (Swedish composer, lyricist, producer, engineer, multi-instrumentalist)
publisher:
Colgems-EMI Music Inc., Murlyn Songs AB und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Britney Spears4.153:20
13Feel Good Inc
Programmierung:
James Dring
Techniker(in):
Jason Cox (UK production/engineer)
Produzent(in):
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring und Gorillaz (virtual band)
Mix:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) und Gorillaz (virtual band)
zusätzlich Gitarre:
Simon Tong (The Verve)
Sologesang:
De La Soul
Musikvideos:
Feel Good Inc. von Gorillaz (virtual band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 40) und BILLIONS CLUB
recording of:
Feel Good Inc. (in 2004)
Verfasser(in):
Damon Albarn, Brian Burton, Jamie Hewlett und Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. und Underground Animals
Gorillaz3.953:42
14That’s Not My Name
recording of:
That’s Not My Name
Verfasser(in):
Jules De Martino und Katie White
The Ting Tings43:47
15My Life Would Suck Without You
Programmierung:
Dr. Luke
assistierende(r) Techniker(in):
Aniela Gottwald und Kooolkojak
Techniker(in):
Sam Holland (sound engineer) und Emily Wright
Produzent(in):
Dr. Luke und Max Martin (Swedish record producer)
zusätzliche(r) Produzent(in):
Claude Kelly
Mix:
Serban Ghenea
Editing:
Emily Wright
Bassgitarre [bass] und Schlagzeug [drums]:
Dr. Luke
Gitarre [guitars] und Synthesizer [synths]:
Dr. Luke und Max Martin (Swedish record producer)
vocals:
Kelly Clarkson
phonographisches Urheberrecht (℗) von:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (vom 2009 bis heute)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
engineered at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
My Life Would Suck Without You von Kelly Clarkson
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 23)
recording of:
My Life Would Suck Without You
Texter:
Łukasz Gottwald, Claude Kelly und Max Martin (Swedish record producer)
Komponist(in):
Łukasz Gottwald und Max Martin (Swedish record producer)
Kelly Clarkson3.953:32
16Sk8er Boi
recording engineer:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based) (Schlagzeug) und The Matrix (songwriters/producers collective)
leitende(r) Produzent(in):
Antonio M. Reid
Produzent(in):
The Matrix (songwriters/producers collective)
assistierende(r) Mix:
Femio Hernandez
Mix:
Tom Lord‐Alge
Gitarre:
Corky James
Schlagzeug:
Victor Indrizzo
zusätzlich vocals:
The Matrix (songwriters/producers collective)
arranger:
The Matrix (songwriters/producers collective)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) und Arista Records, LLC (holding company - file NO releases here!) (in 2022)
aufgenommen bei:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten und Real Music Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (Schlagzeug)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
Musikvideos:
Sk8er Boi von Avril Lavigne
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 96) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 225)
recording of:
Sk8er Boi
Verfasser(in):
Avril Lavigne und The Matrix (songwriters/producers collective)
publisher:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Rainbow Fish, Tix Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Avril Lavigne4.253:22
17Shake It
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2007)
Musikvideos:
Shake It von Metro Station
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 13) und Billboard Year-End Hot 100 singles of 2008 (Nummer: 32)
recording of:
Shake It
Verfasser(in):
Trace Cyrus, Anthony Improgo, Mason Musso und Timothy Blake Healy
Metro Station3.73:01
18Milkshake
Produzent(in):
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
vocals:
Kelis
recording of:
Milkshake
Verfasser(in):
Chad Hugo und Pharrell Williams
Kelis3.83:03
19Suddenly I See
assistierende(r) Techniker(in):
Graham Deas
Techniker(in):
Bruno Ellingham
Produzent(in):
Steve Osborne (producer)
Mix:
Ren Swan
Baritongitarre und Bass:
Arnulf Lindner
Cajón, Schlagzeug und Perkussion:
Luke Bullen
Gitarre:
KT Tunstall
vocals:
KT Tunstall
phonographisches Urheberrecht (℗) von:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, Vereinigtes Königreich
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, Vereinigtes Königreich
recording of:
Suddenly I See
Texter und Komponist(in):
KT Tunstall
publisher:
Sony/ATV Songs LLC
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
KT Tunstall3.63:20
20No One
Schlagzeug-Programmierung:
Kerry Brothers
Techniker(in):
Ann Mincieli
zusätzliche(r) Techniker(in):
Brendan Dekora, Zach Hancock und Stuart White
Mix:
Manny Marroquin
Bass:
Steve Mostyn
Klavier:
Alicia Keys
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 3) und BILLIONS CLUB
recording of:
No One
Verfasser(in):
Kerry Brothers, George M. Harry und Alicia Keys
Alicia Keys3.554:16
4▼CD
Nr.TitelKünstlerBewertungLänge
1Groovejet (If This Ain’t Love)
Techniker(in):
Gabriel Covacich
Koproduzent(in):
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") und Boris Dlugosch
Gast Sologesang:
Sophie Ellis‐Bextor
Hintergrundgesang:
Sharon Scott (UK acid jazz singer)
phonographisches Urheberrecht (℗) von:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (vom 2000 bis heute) und Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-produced for:
F&G Management UK
Samples:
Love Is You von Carol Williams (US disco musician) und Love Is You (original mix) von Carol Williams (US disco musician)
recording of:
Groovejet (If This Ain’t Love)
Texter:
Sophie Ellis‐Bextor
Komponist(in):
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") und Rob Davis (songwriter/producer was in Mud)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music und Universal Music (plain logo: “Universal Music”)
basiert auf:
Love Is You
Version von:
Groovejet
Spiller feat. Sophie Ellis‐Bextor33:48
2Rhythm Is a Dancer
Produzent(in):
Benito Benites, John “Virgo” Garrett III und Snap! (Eurodance)
phonographisches Urheberrecht (℗) von:
Ariola (German label, used worldwide in the past) (in 1992) und Logic Records (Germany) (in 1992)
recording of:
Rhythm Is a Dancer
Verfasser(in):
Thea Austin, Benito Benites, Butler und John “Virgo” Garrett III
basiert auf:
Automan
Snap!3.853:41
3Don’t Call Me Baby
Techniker(in) und Mix:
Mark Rachelle
Produzent(in):
Madison Avenue (Australian electronic music duo)
Sologesang:
Cheyne Coates
phonographisches Urheberrecht (℗) von:
Vicious Grooves (in 1999)
engineered at:
Backbeach Recording Co. in Rye, Shire of Mornington Peninsula, Victoria, Australien
Samples:
Ma quale idea von Pino D’Angiò (Italo disco artist)
Bearbeitung von:
Don’t Call Me Baby (original 12” mix) von Madison Avenue (Australian electronic music duo)
recording of:
Don’t Call Me Baby
Verfasser(in):
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison und John Whitehead
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler, Universal Music (plain logo: “Universal Music”) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
basiert auf:
Ma quale idea
Madison Avenue2.83:48
4Call on Me
Produzent(in):
Eric Prydz
DJ-Mixer:
Dipesh Parmar
Samples:
Valerie von Steve Winwood
Bearbeitung von:
Call on Me von Eric Prydz
recording of:
Call On Me
Verfasser(in):
Will Jennings, Eric Prydz und Steve Winwood
publisher:
Blue Sky Rider Songs, EMI Blackwood Music Inc., Irving Music (BMI), O/B/O Music Pub. Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
basiert auf:
Valerie
Eric Prydz4.12:48
5Lola’s Theme
Produzent(in):
The Shapeshifters (UK electronic group, aka Shape:UK, and Shapeshifters)
Bass:
Simon Marlin
Keyboard:
Simon Marlin und Max Reich
Hintergrundgesang:
Nate James und Karen Poole
Sologesang:
Cookie (featured vocalist with Shapeshifters)
phonographisches Urheberrecht (℗) von:
Nocturnal Groove Ltd. (in 2004)
recording of:
Lola’s Theme
Texter:
Karen Poole
Verfasser(in):
Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten (producer, arranger, writer, pianist, keyboardist and synthesizer player), Fulvio Perniola, Karen Poole und Max Reich
publisher:
AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
What About My Love
quotes lyrics from:
Love Me Tonight
The Shapeshifters3.53:26
6Infinity 08
remixer:
Klaas (German DJ)
recording of:
Infinity 2008
Texter und Komponist(in):
Paul Walden (UK electronic artist, died 2015)
publisher:
EMI-Virgin Songs
Version von:
Infinity
Guru Josh Project43:12
7Insomnia
Produzent(in):
Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Sologesang [rap]:
Maxi Jazz
Bearbeitung von:
Insomnia (original Reverence album mix) von Faithless
recording of:
Insomnia
Texter:
Maxi Jazz
Verfasser(in):
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Faithless33:34
8Uninvited
Gast vocals:
Bailey Tzuke
Interpret(in):
Bailey Tzuke
cover recording of:
Uninvited
Texter und Komponist(in):
Alanis Morissette
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Freemasons feat. Bailey Tzuke3.53:02
9Acceptable in the 80s
recording of:
Acceptable in the 80s
Komponist(in):
Adam Wiles
Calvin Harris2.653:34
10I Luv U Baby
recording of:
I Luv U Baby
Verfasser(in):
Giuseppe Nuzzo und Walter Taieb
The Original2.653:33
11Canned Heat
Produzent(in) und Mix:
Al Stone (UK engineer)
Saiteninstrumente arranger:
Simon Hale und Jay Kay (English singer, Jamiroquai)
recording of:
Canned Heat
Texter, Komponist(in) und arranger:
Jay Kay (English singer, Jamiroquai)
Saiteninstrumente arranger:
Simon Hale
Jamiroquai3.353:20
12Lazy
recording engineer:
James Brown (UK electronic sound/mix engineer, collaborator of Ashley Beedle)
Produzent(in):
X‐Press 2
Mix:
James Brown (UK electronic sound/mix engineer, collaborator of Ashley Beedle) und Adam Wren
Editing:
Simon Thornton (Big beat mixing engineer)
Keyboard:
Pete Z
Gast vocals:
David Byrne (Talking Heads)
vocals und Interpret(in):
David Byrne (Talking Heads)
aufgenommen bei:
Rocksteady Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Rollover Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Lazy
Verfasser(in) und arranger:
Ashley Beedle, David Byrne (Talking Heads), Darren Rock (UK techno producer Darren Rock) und Darren House
X‐Press 2 feat. David Byrne44:16
13For an Angel 2009
recording of:
For an Angel
Komponist(in):
Paul van Dyk (German DJ, record producer and musician)
publisher:
Paul van Dyk GmbH
Paul van Dyk43:01
14Children
Produzent(in):
Robert Miles (Swiss‐Italian producer, composer, musician and DJ) und Roberto Milani DJ
Mix:
Roberto Milani DJ
Interpret(in):
Maria Nayler
arranger:
Roberto Milani DJ
phonographisches Urheberrecht (℗) von:
Deconstruction Ltd. (in 1996)
recording of:
Children
Komponist(in):
Roberto Concina
publisher:
Jeity Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Robert Miles3.654:04
15Toca’s Miracle
drum machine [Roland TR-909]-Programmierung:
Ramon Zenker
Koproduzent(in):
Dirk Duderstadt und Marco Duderstadt
Produzent(in) und Mix:
Ramon Zenker
Sologesang:
Coco Star (trance vocalist Sue Brice, aka Coco)
phonographisches Urheberrecht (℗) von:
Orbit Records Gmbh (vom 2000 bis heute)
produced for:
Gang Go Music Productions GmbH, Cologne
Bearbeitung von:
Toca’s Miracle (album version) von Fragma
recording of:
Toca’s Miracle
Texter:
Rob Davis (songwriter/producer was in Mud) und Victor Imbres
Komponist(in):
Dirk Duderstadt, Marco Duderstadt und Ramon Zenker
publisher:
PLG MV - BMG Ufa, Universal/MCA Music (music publisher; do not use as release label!) und Upright Songs GmbH
basiert auf:
I Need a Miracle
Version von:
Toca Me
Fragma43:22
16Bellissima
Produzent(in):
Tommaso De Donatis und Orhan Terzi
phonographisches Urheberrecht (℗) von:
Lina Music (in 1996), Underdog (German trance) (in 1996) und Dos or Die Recordings (in 1997)
recording of:
Bellissima
Verfasser(in):
Tommaso De Donatis und Orhan Terzi
publisher:
Lina Music und Musikverlag David Haid
DJ Quicksilver33:44
17Seven Days and One Week
Produzent(in):
Emmanuel Top
recording of:
Seven Days and One Week
Komponist(in):
Bruno Quartier und Bruno Sanchioni (Italo-Franco-Belgian producer)
publisher:
Emmanuel Top Éditions S.a.r.l.
B.B.E.3.254:13
18We Are the People (Wawa remix) (UK edit)
remixer:
Wawa (Polish house duo)
recording of:
We Are the People
Verfasser(in):
Nick Littlemore, Jonathan Sloan und Luke Steele
Empire of the Sun4:22
19I Remember
Programmierung und Produzent(in):
deadmau5 und Kaskade (American DJ and record producer)
phonographisches Urheberrecht (℗) von:
EpicWin Ltd (in 2009)
recording of:
I Remember
Texter und Komponist(in):
Finn Bjarnson, Ryan Raddon (performs as Kaskade) und Joel Zimmerman (performs as deadmau5)
publisher:
Arkade Made LLC, Big City Dynasty, EMI Blackwood Music Inc., EpicPublishing, Kobalt Music Publishing (UK), Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Ultra Empire Music, Ultra Tunes, Welcome Gypsy Sally und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (vom 2023 bis heute)
Kaskade & deadmau53.253:21
20You Got the Love (Now Voyager mix)
recording of:
You Got the Love
Verfasser(in):
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) und Anthony B. Stephens
publisher:
Polygram Music Publ. und Warner Chappell (Warner/Chappell Music, Inc.)
basiert auf:
Your Love
The Source feat. Candi Staton4:03
5▶CD

Nennungen