The All Time Greatest Movie Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1CD
Nr.TitelKünstlerBewertungLänge
1Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:59
2Because You Loved Me
recording engineer:
Humberto Gatica (Sologesang)
Synclavier-Programmierung:
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
Mark Agostino und Peter Doell
Techniker(in):
Felipe Elgueta
leitende(r) Produzent(in):
Jon Avnet (American director, writer and producer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Kyle Bess, Paul Boutin und Chris Brooke
Mix:
Humberto Gatica
Gitarre:
Michael Thompson (session guitarist)
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Hintergrundgesang:
Terry Bradford (1990 Star Search male vocalist champion), Alex Brown (US soul vocalist, member of Raelets), Bridgette Bryant (American session backing vocalist), Alanna Capps, Carl Carwell, Sue Ann Carwell, Philip Ingram, Kofi, Maxann Lewis und Will Wheaton
Sologesang:
Céline Dion
arranger:
David Foster (Canadian music producer, arranger and composer)
Hintergrundgesang arranger:
Carl Carwell, Sue Ann Carwell und David Foster (Canadian music producer, arranger and composer)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Chartmarker Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Because You Loved Me
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs, Touchstone Pictures Music and Songs Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 69th Academy Award for Best Original Song (Nummer: 2)
Céline Dion3.054:34
3How Deep Is Your Love
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Bass:
Maurice Gibb (in 1977)
E-Gitarre:
Alan Kendall (in 1977)
Gitarre [rhythm guitar]:
Barry Gibb (in 1977)
Keyboard, Klavier und Synthesizer:
Blue Weaver (in 1977)
Perkussion:
Dennis Bryon (Welsh drummer, author) (in 1977) und Joe Lala (in 1977)
Schlagzeug:
Dennis Bryon (Welsh drummer, author) (in 1977)
Hintergrundgesang und sonstiger Gesang [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
Sologesang:
Barry Gibb (in 1977) und Robin Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1977), PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
Musikvideos:
How Deep is Your Love (music video) von Bee Gees
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 6), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 27), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 260) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 367)
recording of:
How Deep Is Your Love (Bee Gees song) (in 1977)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
live recording of:
How Deep Is Your Love (Bee Gees song)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Bee Gees3.94:02
4Ocean Drive
Mix:
Phil Bodger (engineer)
recording of:
Ocean Drive
Texter und Komponist(in):
Paul Tucker
publisher:
PolyGram Music Publishing
was commissioned by:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family23:45
5Take My Breath Away
Techniker(in):
Dave Concors, Michael Rosen (US metal producer/engineer) und Tom Whitlock
Produzent(in):
Jerry Bruckheimer, Giorgio Moroder und Don Simpson (American film producer, screenwriter, and actor)
Mix:
Giorgio Moroder und Brian Reeves
E-Gitarre:
Ric Olsen
Schlagzeug:
Rob Brill
Synthesizer:
Arthur Barrow und John Crawford (Berlin bassist)
Sologesang:
Terri Nunn (Berlin singer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Take My Breath Away von Berlin (US new wave/synthpop)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 62) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 490)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (beendet), Jastian Music Inc. (beendet), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (beendet), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1986 winner)
Berlin3.654:11
6Stars
Techniker(in) und Mix:
Daren Klein
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:09
7My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:42
8The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:06
9Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:48
10A Whole New World
Programmierung und Produzent(in):
Walter Afanasieff
Synclavier-Programmierung:
Gary Cirimelli und Ren Klyce
zusätzliche Programmierung:
Dan Shea
Techniker(in):
Dana Jon Chappelle
leitende(r) Produzent(in):
Brenda Dash und Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
Mix:
Bruce Botnick
Editing:
Kathleen Fogarty-Bennett
Bass-Synthesizer, Keyboard und Synclavier [synclavier acoustic guitar]:
Walter Afanasieff
Gitarre:
Michael Landau
Synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle und Peabo Bryson
arranger:
Walter Afanasieff
zusätzlich arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) und Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
Texter:
Tim Rice
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1992 winner)
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:05
11Dream a Little Dream of Me
Produzent(in):
Lou Adler
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1968)
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Cass Elliot3.353:12
12Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:54
13The Crying Game
Programmierung:
Pete Gleadall
Techniker(in):
Pete Schwier (producer, mixing and recording engineer)
Produzent(in):
Pet Shop Boys
vocals und Interpret(in):
Boy George
phonographisches Urheberrecht (℗) von:
Spaghetti Recordings Ltd. (in 1992)
cover recording of:
The Crying Game
Texter und Komponist(in):
Geoff Stephens
publisher:
Peermusic (UK) Limited und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
recording of:
The Crying Game
Texter und Komponist(in):
Geoff Stephens
publisher:
Peermusic (UK) Limited und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:22
14Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:24
15Someday
Produzent(in):
Simon Climie
Mix:
Andy Bradfield
Gitarre:
Eric Clapton
vocals:
Eternal (British R&B girl group)
Interpret(in):
Eric Clapton und Eternal (British R&B girl group)
Saiteninstrumente arranger:
Nick Ingman
arranger:
Simon Climie und Grant Mitchell (musician, record producer and arranger)
cover recording of:
Someday (The Hunchback of Notre Dame)
Texter:
Stephen Schwartz (musical theatre lyricist/composer)
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1996) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1996)
Teil von:
The Hunchback of Notre Dame (1996 film soundtrack)
Eternal2.84:19
16Turn Back Time
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
Verfasser(in):
Claus Norreen und Søren Rasted
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:07
17Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.44:32
18San Francisco (Be Sure to Wear Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:59
19California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:37
20Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:36
2CD
Nr.TitelKünstlerBewertungLänge
1Mission Impossible Theme (Mission Accomplished)
Adam Clayton & Larry Mullen3:28
2Men in Black
recording engineer:
John Shriver
drum machine [drum]-Programmierung:
Poke and Tone
Produzent(in):
Poke and Tone
Mix:
Commissioner Gordon (US hip hop producer Gordon Williams) und Tony Maserati (engineer / mixer)
Hintergrundgesang:
Coko (R&B singer Cheryl Gamble)
Herausgeber:
Track Masters Entertainment
Samples:
Forget Me Nots von Patrice Rushen
recording of:
Men in Black
Verfasser(in):
Fred Washington (US session bassist), Patrice Rushen, Will Smith (US actor aka The Fresh Prince) und Terry McFadden
publisher:
Baby Fingers Music, Freddie Dee Music, New Columbia Pictures, Inc, Treyball Music, Inc. und Yamina Music
Will Smith4.153:47
3Deeper Underground
Produzent(in):
Jay Kay (English singer, Jamiroquai)
recording of:
Deeper Underground
Komponist(in):
Jay Kay (English singer, Jamiroquai) und Tobi Smith
publisher:
EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3:35
4Hold Me, Thrill Me, Kiss Me, Kill Me
assistierende Programmierung:
Paul “PW” Walton
Programmierung:
Marius de Vries
Techniker(in):
Robbie Adams und Flood (British producer Mark Ellis)
Produzent(in):
Bono (singer of U2), The Edge (U2 guitarist David Evans) und Nellee Hooper
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre:
Adam Clayton
Gitarre:
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Keyboard [keyboards]:
Marius de Vries und The Edge (U2 guitarist David Evans)
Perkussion und Schlagzeug:
Larry Mullen
vocals:
Bono (singer of U2)
Saiteninstrumente arranger:
Craig Armstrong (Scottish score composer)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995) und PolyGram International Music B.V. (not for release label use!) (in 1995)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich, The Factory in Dublin, County Dublin, Leinster, Irland, Wild Bunch Studio in London (Greater London), England, Vereinigtes Königreich und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Hold Me, Thrill Me, Kiss Me, Kill Me
Texter:
Bono (singer of U2)
Komponist(in):
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd., Mother Music, Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (vom 1995 bis heute)
U23.54:43
5Blaze of Glory
recording engineer und Mix:
Brian "Mutt" Scheuble und Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
zusätzlich recording engineer:
Obie O’Brien
assistierende(r) Techniker(in):
Greg Goldman, Chad Munsey und Rick Plank
Produzent(in):
Jon Bon Jovi und Danny Kortchmar (Danny Kootch)
Akustikgitarre, E-Gitarre und Keyboard:
Aldo Nova (Canadian rock musician)
Akustikgitarre, E-Gitarre und Klavier, zwölfsaitige Gitarre und Sologesang:
Jon Bon Jovi
Bassgitarre:
Randy Jackson (former bassist with Journey and American Idol judge)
Gast-Solo-Gitarre:
Jeff Beck (English rock guitarist)
Orgel:
Benmont Tench
Perkussion und Schlagzeug:
Kenny Aronoff
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Blaze of Glory
Texter und Komponist(in):
Jon Bon Jovi
publisher:
PolyGram Music Publishing Ltd., Bon Jovi Publishing (in 1990, in 1992), PRI Music, Inc. (in 1990) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1992)
Teil von:
The 63rd Academy Award for Best Original Song (Nummer: 2)
Jon Bon Jovi3.855:39
6Hot Stuff
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 96)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3:28
7Got to Be Real
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
Bearbeitung von:
Got to Be Real (LP / 12" version) von Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
Verfasser(in):
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) und David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. und On Board Music (publisher)
Cheryl Lynn4.53:46
8Gangsta’s Paradise
Produzent(in):
Doug Rasheed
Hintergrundgesang:
Trinna Simmons
vocals:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Samples:
Pastime Paradise von Stevie Wonder
Musikvideos:
Gangsta’s Paradise von Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 98) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 166)
recording of:
Gangsta’s Paradise
Verfasser(in):
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed und Stevie Wonder
publisher:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) und Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
basiert auf:
Pastime Paradise
Coolio feat. L.V.3.954:01
9Someday (I’m Coming Back)
recording of:
Someday (I’m Coming Back)
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
Lisa Stansfield4:58
10Let’s Stay Together
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographisches Urheberrecht (℗) von:
Cream Records (70s Los Angeles) (in 1971) und HI Records Inc. (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 84)
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Al Green4.553:16
11Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:53
12The Shoop Shoop Song (It’s in His Kiss)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher2:37
13A Girl Like You
recording of:
A Girl Like You
Texter und Komponist(in):
Edwyn Collins
Edwyn Collins3:18
14Shy Guy
recording of:
Shy Guy
Verfasser(in):
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) und Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music und World of Andy Music
Diana King4:05
15Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:16
16Show Me Heaven
Maria McKee3:26
17Picture of You
recording of:
Picture of You
Verfasser(in):
Ronan Keating, Eliot Kennedy (songwriter, producer), Andrew Watkins (writer, musician, producer-Flies on you) und Paul Wilson (member of “Absolute”)
publisher:
19, ATV Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), PolyGram Music Publishing Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
Boyzone3:08
18What a Fool Believes
recording of:
What a Fool Believes
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers3:21
19Brown Eyed GirlVan Morrison2:53
20Eighteen With a Bullet
recording of:
Eighteen With a Bullet
Texter und Komponist(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
Pete Wingfield3:00
21Oh Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:59
22Waterloo
recording of:
Waterloo (English version)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Overseas Songs (beendet), Polar Music AB (beendet), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1974 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1974 bis heute) und Universal/Union Songs Musikförlag AB (vom 1974 bis heute)
übersetzte Version von:
Waterloo (Swedish version)
Teil von:
Mamma Mia! (1999 musical)
ABBA42:22

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1752319 [Info]