The Mahler Broadcasts 1948-1982

~ Release by Mahler; New York Philharmonic (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut
orchestra:
New York Philharmonic (on 1959-01-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1959-01-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1959-01-10)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (on 1959-01-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler14:06
2Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
orchestra:
New York Philharmonic (on 1959-01-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1959-01-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1959-01-10)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (on 1959-01-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:47
3Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
orchestra:
New York Philharmonic (on 1959-01-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1959-01-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1959-01-10)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (on 1959-01-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:03
4Symphony No. 1 in D major: IV. Stürmisch bewegt
orchestra:
New York Philharmonic (on 1959-01-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1959-01-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1959-01-10)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (on 1959-01-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler18:57
5Lieder eines fahrenden Gesellen No. 1 "Wenn mein Schatz Hochzeit macht"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1964-11-27)
orchestra:
New York Philharmonic (on 1964-11-27)
conductor:
William Steinberg (conductor) (on 1964-11-27)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-11-27)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (on 1964-11-27)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:24
6Lieder eines fahrenden Gesellen No. 2 "Ging heut' morgen über's Feld"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1964-11-27)
orchestra:
New York Philharmonic (on 1964-11-27)
conductor:
William Steinberg (conductor) (on 1964-11-27)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-11-27)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (on 1964-11-27)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:43
7Lieder eines fahrenden Gesellen No. 3 "Ich hab' ein glühend Messer"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1964-11-27)
orchestra:
New York Philharmonic (on 1964-11-27)
conductor:
William Steinberg (conductor) (on 1964-11-27)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-11-27)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (on 1964-11-27)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler2:48
8Lieder eines fahrenden Gesellen No. 4 "Die zwei blauen Augen"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1964-11-27)
orchestra:
New York Philharmonic (on 1964-11-27)
conductor:
William Steinberg (conductor) (on 1964-11-27)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-11-27)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (on 1964-11-27)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:29
2▼CD
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1Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
orchestra:
New York Philharmonic (on 1982-03-07)
conductor:
Zubin Mehta (conductor) (on 1982-03-07)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1982-03-07)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (on 1982-03-07)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler20:34
2Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich
orchestra:
New York Philharmonic (on 1982-03-07)
conductor:
Zubin Mehta (conductor) (on 1982-03-07)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1982-03-07)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (on 1982-03-07)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:54
3Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
orchestra:
New York Philharmonic (on 1982-03-07)
conductor:
Zubin Mehta (conductor) (on 1982-03-07)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1982-03-07)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (on 1982-03-07)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:03
4Symphony No. 2 in C minor "Resurrection": IV. "Urlicht." Sehr feier lich, aber schlicht; Choralmäßig
contralto vocals:
Maureen Forrester (contralto) (on 1982-03-07)
orchestra:
New York Philharmonic (on 1982-03-07)
conductor:
Zubin Mehta (conductor) (on 1982-03-07)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1982-03-07)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (on 1982-03-07)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:17
5Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
choir vocals:
Westminster Choir (Princeton, USA) (on 1982-03-07)
contralto vocals:
Maureen Forrester (contralto) (on 1982-03-07)
soprano vocals:
Kathleen Battle (soprano) (on 1982-03-07)
orchestra:
New York Philharmonic (on 1982-03-07)
conductor:
Zubin Mehta (conductor) (on 1982-03-07)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1982-03-07)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1982-03-07)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler34:01
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1Symphony No. 3 in D minor, Part I: I. Kräftig. Entschieden
orchestra:
New York Philharmonic (on 1976-10-23)
conductor:
Pierre Boulez (composer and conductor) (on 1976-10-23)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1976-10-23)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (on 1976-10-23)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler33:49
2Symphony No. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig
orchestra:
New York Philharmonic (on 1976-10-23)
conductor:
Pierre Boulez (composer and conductor) (on 1976-10-23)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1976-10-23)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (on 1976-10-23)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:23
3Symphony No. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast
orchestra:
New York Philharmonic (on 1976-10-23)
conductor:
Pierre Boulez (composer and conductor) (on 1976-10-23)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1976-10-23)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (on 1976-10-23)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler17:47
4Symphony No. 3 in D minor, Part II: IV. "O mensch! Gib Acht!" Sehr langsam. Misterioso
mezzo-soprano vocals:
Yvonne Minton (mezzo-soprano) (on 1976-10-23)
orchestra:
New York Philharmonic (on 1976-10-23)
conductor:
Pierre Boulez (composer and conductor) (on 1976-10-23)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1976-10-23)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (on 1976-10-23)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler10:33
5Symphony No. 3 in D minor, Part II: V. "Es sungen drei Engel." Lustig im Tempo und keck im Ausdruck
choir vocals:
Brooklyn Boys Chorus (on 1976-10-23), Little Church Around the Corner Boys' Choir (on 1976-10-23) and The Trinity Church Boys' Choir (on 1976-10-23)
mezzo-soprano vocals:
Yvonne Minton (mezzo-soprano) (on 1976-10-23)
orchestra:
New York Philharmonic (on 1976-10-23)
conductor:
Pierre Boulez (composer and conductor) (on 1976-10-23)
chorus master:
Stuart Gardner (choir director) (on 1976-10-23), Abraham Kaplan (conductor and chorus master) (on 1976-10-23) and James McCarthy (choir director) (on 1976-10-23)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1976-10-23)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (on 1976-10-23)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:11
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1Symphony No. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden
orchestra:
New York Philharmonic (on 1976-10-23)
conductor:
Pierre Boulez (composer and conductor) (on 1976-10-23)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1976-10-23)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (on 1976-10-23)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler21:55
2Symphony No. 4 in G major: I. Heiter bedächtig. Nicht eilen - recht gemächlich
orchestra:
New York Philharmonic (on 1962-01-13)
conductor:
Sir Georg Solti (conductor) (on 1962-01-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1962-01-13)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (on 1962-01-13)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:40
3Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
orchestra:
New York Philharmonic (on 1962-01-13)
conductor:
Sir Georg Solti (conductor) (on 1962-01-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1962-01-13)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (on 1962-01-13)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:05
4Symphony No. 4 in G major: III. Ruhevoll (Poco Adagio)
orchestra:
New York Philharmonic (on 1962-01-13)
conductor:
Sir Georg Solti (conductor) (on 1962-01-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1962-01-13)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (on 1962-01-13)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler21:23
5Symphony No. 4 in G major: IV. "Wir genießen die himmlischen Freuden." Sehr behaglich
soprano vocals:
Irmgard Seefried (soprano) (on 1962-01-13)
orchestra:
New York Philharmonic (on 1962-01-13)
conductor:
Sir Georg Solti (conductor) (on 1962-01-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1962-01-13)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (on 1962-01-13)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:21
5▼CD
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1Symphony No. 5 in C-sharp minor, Part I: I. Trauermarsch: In gemeßenem Schritt
orchestra:
New York Philharmonic (on 1980-06-18)
conductor:
Klaus Tennstedt (conductor) (on 1980-06-18)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1980-06-18)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (on 1980-06-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:24
2Symphony No. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz
orchestra:
New York Philharmonic (on 1980-06-18)
conductor:
Klaus Tennstedt (conductor) (on 1980-06-18)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1980-06-18)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (on 1980-06-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler14:37
3Symphony No. 5 in C-sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell
orchestra:
New York Philharmonic (on 1980-06-18)
conductor:
Klaus Tennstedt (conductor) (on 1980-06-18)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1980-06-18)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (on 1980-06-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler18:37
4Symphony No. 5 in C-sharp minor, Part III: IV. Adagietto: Sehr langsam
orchestra:
New York Philharmonic (on 1980-06-18)
conductor:
Klaus Tennstedt (conductor) (on 1980-06-18)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1980-06-18)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1980-06-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:38
5Symphony No. 5 in C-sharp minor, Part III: V. Rondo-Finale: Allegro giocoso. Frisch
orchestra:
New York Philharmonic (on 1980-06-18)
conductor:
Klaus Tennstedt (conductor) (on 1980-06-18)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1980-06-18)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (on 1980-06-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler14:42
6▼CD
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1Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
orchestra:
New York Philharmonic (on 1955-04-10)
conductor:
Dimitri Mitropoulos (conductor) (on 1955-04-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1955-04-10)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (on 1955-04-10)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler17:59
2Symphony No. 6 in A minor: II. Andante moderato
orchestra:
New York Philharmonic (on 1955-04-10)
conductor:
Dimitri Mitropoulos (conductor) (on 1955-04-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1955-04-10)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (on 1955-04-10)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler15:15
3Symphony No. 6 in A minor: III. Scherzo
orchestra:
New York Philharmonic (on 1955-04-10)
conductor:
Dimitri Mitropoulos (conductor) (on 1955-04-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1955-04-10)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (on 1955-04-10)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler11:27
4Symphony No. 6 in A minor: IV. Finale: Sostenuto - Allegro energico
orchestra:
New York Philharmonic (on 1955-04-10)
conductor:
Dimitri Mitropoulos (conductor) (on 1955-04-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1955-04-10)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (on 1955-04-10)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler28:46
7▼CD
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1Symphony No. 7 in B minor: I. Langsam - Allegro con fuoco
orchestra:
New York Philharmonic (on 1981-02-28)
conductor:
Rafael Kubelík (conductor) (on 1981-02-28)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1981-02-28 until 1982-02-28)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (on 1981-02-28)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler24:46
2Symphony No. 7 in B minor: II. Nachtmusik I: Allegro moderato
orchestra:
New York Philharmonic (on 1981-02-28)
conductor:
Rafael Kubelík (conductor) (on 1981-02-28)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1981-02-28 until 1982-02-28)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (on 1981-02-28)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler18:55
3Symphony No. 7 in B minor: III. Schattenhaft: Fließend, aber nicht schnell
orchestra:
New York Philharmonic (on 1981-02-28)
conductor:
Rafael Kubelík (conductor) (on 1981-02-28)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1981-02-28 until 1982-02-28)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (on 1981-02-28)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler11:01
4Symphony No. 7 in B minor: IV. Nachtmusik II: Andante amoroso
orchestra:
New York Philharmonic (on 1981-02-28)
conductor:
Rafael Kubelík (conductor) (on 1981-02-28)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1981-02-28 until 1982-02-28)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (on 1981-02-28)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler14:42
8▼CD
#TitleArtistRatingLength
1Symphony No. 7 in B minor: V. Rondo-Finale: Allegro ordinario
orchestra:
New York Philharmonic (on 1981-02-28)
conductor:
Rafael Kubelík (conductor) (on 1981-02-28)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1981-02-28 until 1982-02-28)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (on 1981-02-28)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler18:37
2Das Lied von der Erde No. 1 "Das Trinklied vom Jammer der Erde"
tenor vocals:
Set Svanholm (tenor) (on 1948-01-18)
orchestra:
New York Philharmonic (on 1948-01-18)
conductor:
Bruno Walter (conductor) (on 1948-01-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1948-01-18)
live recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows) (on 1948-01-18)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:17
3Das Lied von der Erde No. 2 "Der Einsame im Herbst"
mezzo-soprano vocals:
Kathleen Ferrier (contralto) (on 1948-01-18)
orchestra:
New York Philharmonic (on 1948-01-18)
conductor:
Bruno Walter (conductor) (on 1948-01-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1948-01-18)
live recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn) (on 1948-01-18)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起 (Qián Qǐ)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:43
4Das Lied von der Erde No. 3 "Von der Jugend"
tenor vocals:
Set Svanholm (tenor) (on 1948-01-18)
orchestra:
New York Philharmonic (on 1948-01-18)
conductor:
Bruno Walter (conductor) (on 1948-01-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1948-01-18)
live recording of:
Das Lied von der Erde: III. Von der Jugend (The Song of the Earth: III. Of Youth) (on 1948-01-18)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler3:02
5Das Lied von der Erde No. 4 "Von der Schönheit"
mezzo-soprano vocals:
Kathleen Ferrier (contralto) (on 1948-01-18)
orchestra:
New York Philharmonic (on 1948-01-18)
conductor:
Bruno Walter (conductor) (on 1948-01-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1948-01-18)
live recording of:
Das Lied von der Erde: IV. Von der Schönheit (The Song of the Earth: IV. Of Beauty) (on 1948-01-18)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
采蓮曲
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler6:16
6Das Lied von der Erde No. 5 "Der Trunkene im Frühling"
tenor vocals:
Set Svanholm (tenor) (on 1948-01-18)
orchestra:
New York Philharmonic (on 1948-01-18)
conductor:
Bruno Walter (conductor) (on 1948-01-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1948-01-18)
live recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring) (on 1948-01-18)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler4:10
7Das Lied von der Erde No. 6 "Der Abschied"
mezzo-soprano vocals:
Kathleen Ferrier (contralto) (on 1948-01-18)
orchestra:
New York Philharmonic (on 1948-01-18)
conductor:
Bruno Walter (conductor) (on 1948-01-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1948-01-18)
live recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell) (on 1948-01-18)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler27:33
9▼CD
#TitleArtistRatingLength
1Symphony No. 8 in E-flat major, Part I: I. Veni, Creator Spiritus
baritone vocals:
Carlos Alexander (baritone) (on 1950-04-09)
bass-baritone vocals:
George London (bass-baritone) (on 1950-04-09)
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
contralto vocals:
Louise Bernhardt (on 1950-04-09) and Martha Lipton (mezzo soprano) (on 1950-04-09)
soprano vocals:
Uta Graf (soprano) (on 1950-04-09), Camilla Williams (operatic soprano) (on 1950-04-09) and Frances Yeend (on 1950-04-09)
tenor vocals:
Eugene Conley (tenor) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
chorus master:
Pauline Covner (on 1950-04-09), Hugh Ross (choral director) (on 1950-04-09) and John Finley Williamson (choir master) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Hrabanus Maurus (Frankish Benedictine monk, theologian, poet, c. 780-856)
is based on:
Veni creator spiritus
part of:
Symphony no. 8 “Symphony of a Thousand”
Gustav Mahler22:32
2Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIa.Poco adagio
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:40
3Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIb. Chorus and Echo
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
chorus master:
Hugh Ross (choral director) (on 1950-04-09) and John Finley Williamson (choir master) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:52
4Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIc. Pater ecstaticus
baritone vocals:
Carlos Alexander (baritone) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:44
5Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IId. Pater profundus
bass-baritone vocals:
George London (bass-baritone) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:16
6Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIe. Chorus of Angels
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
tenor vocals:
Eugene Conley (tenor) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
chorus master:
Pauline Covner (on 1950-04-09), Hugh Ross (choral director) (on 1950-04-09) and John Finley Williamson (choir master) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler10:52
7Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIf. Mater gloriosa
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09)
soprano vocals:
Camilla Williams (operatic soprano) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
chorus master:
Hugh Ross (choral director) (on 1950-04-09) and John Finley Williamson (choir master) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:02
8Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIg. Magna peccatrix
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09)
contralto vocals:
Louise Bernhardt (on 1950-04-09) and Martha Lipton (mezzo soprano) (on 1950-04-09)
soprano vocals:
Uta Graf (soprano) (on 1950-04-09) and Frances Yeend (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
chorus master:
Pauline Covner (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler11:58
9Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIh. Mater gloriosa
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
soprano vocals:
Camilla Williams (operatic soprano) (on 1950-04-09)
tenor vocals:
Eugene Conley (tenor) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
chorus master:
Pauline Covner (on 1950-04-09), Hugh Ross (choral director) (on 1950-04-09) and John Finley Williamson (choir master) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:48
10Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIi. Chorus mysticus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
orchestra:
New York Philharmonic (on 1950-04-09)
conductor:
Leopold Stokowski (conductor) (on 1950-04-09)
chorus master:
Pauline Covner (on 1950-04-09), Hugh Ross (choral director) (on 1950-04-09) and John Finley Williamson (choir master) (on 1950-04-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:11
10▼CD
#TitleArtistRatingLength
1Symphony No. 9 in D major: I. Andante comodo
orchestra:
New York Philharmonic (on 1962-12-08)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-12-08)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-12-08)
recording of:
Symphony no. 9 in D major: I. Andante comodo (on 1962-12-08)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler27:13
2Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
orchestra:
New York Philharmonic (on 1962-12-08)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-12-08)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-12-08)
recording of:
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb (on 1962-12-08)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler16:04
3Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
orchestra:
New York Philharmonic (on 1962-12-08)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-12-08)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-12-08)
recording of:
Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig (on 1962-12-08)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler13:43
4Symphony No. 9 in D major: IV. Molto adagio
orchestra:
New York Philharmonic (on 1962-12-08)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-12-08)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-12-08)
recording of:
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend (on 1962-12-08)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler22:47
11▶CD
12▶CD

Credits

Release

ASIN:US: B000Q62254 [info]