Annotation
4-panel gatefold cardboard sleeve
Annotation last modified on 2023-06-10 17:17 UTC.
Tracklist
| 1CD | |||
|---|---|---|---|
| # | Title | Rating | Length |
| 1 | Big Girls
| 4:57 | |
| 2 | Come on, Aphrodite
| 5:20 | |
| 3 | Sister Tilly
| 7:43 | |
| 4 | Narcissus
| 6:03 | |
| 5 | Hunting the Wren
| 5:47 | |
| 6 | Guardian Angel
| 5:57 | |
| 7 | Eye of the Storm
| 5:30 | |
| 8 | Tower of Babel
| 2:29 | |
| 9 | Song of Himself
| 4:51 | |
| 10 | The Feast of Saint Valentine
| 6:06 | |
Credits
Release
| photography: | Andrea Camuto (task: portrait) |
|---|---|
| booking: | Paul Wilson for CAA (booking agent) Scott Morris for CAA (booking agent for CAA) |
| miscellaneous support: | Karina Beznicki (Producer and coordinator, mainly for the label Nonesuch) (task: Nonesuch) David Bither (President of Nonesuch Records since Jan 2017) (task: Nonesuch) Maya Bouvier‐Lyons (editorial and design manager, Nonesuch Records) (task: Nonesuch) Melissa Cusick (VP, press & media associated with Nonesuch, not to be confused with the singer-songwriter) (task: Nonesuch) Robert Edridge-Waks (Editorial coordinator) (task: Nonesuch) Elizabeth Penta (management) (task: management for Emcee Artist Management) Meagan Fair (management) (task: management for Emcee Artist Management) Katie Havelock (Publicist for Nonesuch) (task: Nonesuch) David Holmes (Production assistance at Nonesuch) (task: Nonesuch) Robert Hurwitz (task: Nonesuch) Matthew Rankin (publicity, Nonesuch) (task: publicity & Nonesuch) Carla Sacks (American publicist and founder of Sacks & Co.) (task: publicity) Gregg Schaufeld (Coordinator for the label Nonesuch) (task: Nonesuch) |
| mixer: | Ryan Freeland |
| assistant engineer: | Matt Hall (sound engineer) |
| engineer: | David Snyder (drummer & engineer, Guilford Sound) |
| producer: | Natalie Merchant |
| 12 string guitar [12-string guitar], acoustic guitar and electric guitar: | Erik Della Penna (Songwriter, and multi-instrumentalist) |
| alto flute: | Alex Sopp |
| baritone saxophone and tenor saxophone: | Kris Jensen |
| bass trombone: | Angel Subero (Venezuelan trombonist) |
| cello: | Eleanor Norton (cellist) |
| clarinet: | Kinan Azmeh (Syrian clarinetist) |
| drums (drum set) and percussion: | Allison Miller |
| electric bass guitar [electric bass] and electric upright bass [upright bass]: | Mike Rivard (American bassist) |
| fiddle: | Matt Mancuso (Violinist and fiddler) |
| flugelhorn [flügelhorn]: | Joseph Foley (trumpeter) |
| French horn: | Clark Matthews (Hornist) |
| grand piano, Hammond organ, mellotron and Rhodes piano: | Carmen Staaf |
| Irish flute [celtic flute]: | Kevin Crawford (flute, tin whistle and bodhrán player) |
| oboe: | Andrew Price (oboist) |
| trombone: | Steve Davis (jazz trombonist) Angel Subero (Venezuelan trombonist) |
| trumpet: | Joseph Foley (trumpeter) Tony Kadleck |
| uilleann pipes: | Cillian Vallely |
| viola: | Dana Lyn |
| violin: | Megan Gould (violinist, formerly Megan Weeder) Marandi Hostetter (Freelance violinist and violist) |
| design: | Miss Merchant Anabel Sinn (Art director, and designer) |
| recorded at: | Guilford Sound in Guilford, Vermont, United States (from 2021-10 until 2022-02) |
|---|---|
| mixed at: | Stampede Origin Studio in Chicago, Illinois, United States (in 2022-03) |
| Discogs: | https://www.discogs.com/release/26750618 [info] |
|---|---|
| ASIN: | US: B0BNGVM8KL [info] |
Release group
| dedicated to: | This album is dedicated to Joan Didion (1934-2021) and all her sisters. (American writer) |
|---|
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