The Classic 100 - Swoon

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Australia’s top 100 moments of musical bliss

Annotation last modified on 2020-05-19 16:07 UTC.

Tracklist

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1▼CD: Volume I CD1
#	Title	Artist	Rating	Length
1	The Lark Ascending: Romance for Violin and Orchestra violin: Dimity Hall orchestra: Sinfonia Australis conductor: Antony Walker (Australian conductor) recording of: The Lark Ascending (for violin and orchestra) composer: Ralph Vaughan Williams (English composer) (in 1914) premiered at: [concert] (1921-06-14) premiered at: Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14) arrangement of: The Lark Ascending (for violin and piano)	Ralph Vaughan Williams		17:12
2	Clarinet Concerto in A major, KV622: II. Adagio clarinet: Donald Westlake (clarinetist) orchestra: Sydney Symphony Orchestra conductor: Robert Pikler phonographic copyright (℗) by: Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 2003) recording of: Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		7:35
3	Adagio for Strings, op. 11 orchestra: Melbourne Symphony Orchestra conductor: Jorge Mester (conductor) recording of: Adagio for Strings orchestrator: Samuel Barber (American composer) (in 1938) composer: Samuel Barber (American composer) (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05) premiered at: [radio broadcast] (1938-11-05) publisher: Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber		8:14
4	Spiegel im Spiegel (Mirror Within Mirror) cello: Sally Maer (English/Australian cellist) piano: Sally Whitwell (Australian pianist) recording of: Spiegel im Spiegel (for cello and piano) composer: Arvo Pärt (Estonian composer) (in 1978) arrangement of: Spiegel im Spiegel (for violin and piano)	Arvo Pärt		9:25
5	Miserere conductor: Anthony Walker performer: Cantillation recording of: Miserere mei, Deus composer: Gregorio Allegri (composer) part of: ABC Classic 100 (2001) (number: 9) quotes lyrics from: Miserere mei (words from Psalm 51)	Gregorio Allegri		12:29
6	Méditation From Thaïs violin: Barbara Jane Gilby (violinist) orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) composer: Jules Massenet (French Romantic composer) (in 1894) part of: Classic 100: Music of France (2012) (number: 14) part of: Thaïs: Acte II	Jules Massenet		5:40
7	Variations on an Original Theme, op. 36 “Enigma”: IX. Nimrod orchestra: Adelaide Symphony Orchestra conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) publisher: Sir Edward Elgar (dec’d) (Edward Elgar, composer) composer: Edward Elgar (composer) (in 1899) dedicated to: Augustus J. Jaeger part of: Variations on an Original Theme (‘Enigma’), op. 36	Edward Elgar		4:31
8	Gabriel’s Oboe from The Mission oboe: Diana Doherty (oboist) orchestra: Sinfonia Australis conductor: Mark Summerbell (conductor) recording of: Gabriel’s Oboe (The Mission, main theme) publisher: Ennio Morricone (Italian classical and score composer) orchestrator and composer: Ennio Morricone (Italian classical and score composer) publisher: EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd. part of: The Mission	Ennio Morricone		2:31
9	Requiem, op. 48: IV. Pie Jesu soprano vocals: Sara Macliver (soprano) orchestra: Sinfonia Australis conductor: Antony Walker (Australian conductor) recording of: Requiem, op. 48: IV. Pie Jesu (1890, second version) composer: Gabriel Fauré (French composer) (from 1886 until 1900) included in: CHAPTER IV PIE JESU (REST) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré		4:16
10	Adagio in G minor (excerpt) orchestra: ABC Philharmonic Orchestra conductor: William Motzing (conductor, composer, trombonist) partial recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)	Remo Giazotto		5:21

2▼CD: Volume I CD2
#	Title	Artist	Rating	Length
1	Trois Gymnopédies: Gymnopédie no. 1 piano: Stephanie McCallum (pianist) recording of: Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) composer: Erik Satie (French composer) (from 1888-02 until 1888-04) part of: Classic 100: Piano (2004) (number: 4) part of: Gymnopédies	Erik Satie		3:01
2	Cello Concerto in E minor, op. 85: 1. Adagio – Moderato cello and solo cello: Li-Wei Qin (cellist) orchestra: Adelaide Symphony Orchestra conductor: Nicholas Braithwaite (conductor) recording of: Cello Concerto in E minor, op. 85: I. Adagio – Moderato composer: Edward Elgar (composer) (from 1918 until 1919) part of: Cello Concerto in E minor, op. 85	Edward Elgar		8:24
3	Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto piano: Roger Woodward (pianist) orchestra: Sydney Symphony Orchestra conductor: Charles Dutoit (conductor) live recording of: Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto premiered in: Moscow, Russia (on 1900-12-15) composer: Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04) part of: Piano Concerto no. 2 in C minor, op. 18	Sergei Rachmaninoff		11:58
4	Symphony no. 5 in C minor, op. 67: IV. Adagietto orchestra: Sinfonia Australis conductor: Antony Walker (Australian conductor) recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		9:57
5	Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto piano: Gerard Willems (Australian pianist) orchestra: Sinfonia Australis conductor: Antony Walker (Australian conductor) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		7:37
6	Ave, verum Corpus, KV618 choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) composer: Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18) part of: Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)	Wolfgang Amadeus Mozart		2:26
7	Je crois entendre encore (I Think I Hear It Still) From Les Pêcheurs de Perles (The Pearl Fishers) tenor vocals: David Hobson (tenor, composer) orchestra: Tasmanian Symphony Orchestra conductor: Marco Guidarini (conductor) recording of: Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) composer: Georges Bizet (French composer) (from 1863-04 until 1863-08) librettist: Michel Carré (librettist) and Eugène Cormon part of: Les Pêcheurs de perles : Acte I	Georges Bizet		3:38
8	Fantasia on a Theme by Thomas Tallis (excerpt) orchestra: Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) conductor: Patrick Thomas (Australian conductor) partial recording of: Fantasia on a Theme by Thomas Tallis composer: Ralph Vaughan Williams (English composer) (in 1910) is based on: Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)	Ralph Vaughan Williams		6:15
9	Im Abendrot (In Sunset’s Glow) From Four Last Songs soprano vocals: Erin Wall (Canadian-American soprano) orchestra: Melbourne Symphony Orchestra conductor: Sir Andrew Davis (conductor, keyboardist, composer, arranger) live recording of: Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) lyricist: Joseph von Eichendorff composer: Richard Strauss (German composer) (on 1948-05-06) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss		7:53
10	The Gadfly – Concert Suite op. 97a: VIII. Romance orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recorded at: ABC Odeon in Hobart, Tasmania, Australia (from 1999-09-14 until 1999-09-16) recording of: The Gadfly Suite, op. 97a: VIII. Romance (from 1999-09-14 until 1999-09-16) composer: Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955) arranger: Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator) part of: The Gadfly Suite, op. 97a	Dmitri Shostakovich		6:23
11	Spartacus: Adagio of Spartacus and Phrygia orchestra: West Australian Symphony Orchestra conductor: David Measham (conductor) recording of: Spartacus: Adagio of Spartacus & Phrygia composer: Aram Khachaturian (Soviet-Armenian composer) (in 1955) part of: Spartacus, op. 82	Aram Khachaturian		5:39
12	Humming Chorus From Madama Butterfly choir vocals: Opera Queensland Chorus orchestra: Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) conductor: Johannes Fritzsch (conductor) recording of: Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini		3:13

3▼CD: Volume I CD3
#	Title	Artist	Rating	Length
1	Concierto de Aranjuez: II. Adagio cor anglais: Alexa Murray (cor anglais (English horn)) guitar: Slava Grigoryan (Australian classical guitarist) orchestra: Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) conductor: Brett Kelly (trombonist and conductor) recording of: Concierto de Aranjuez: II. Adagio composer: Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939) part of: Concierto de Aranjuez	Joaquín Rodrigo		11:28
2	Violin Concerto no. 1 in G minor, op. 26: II. Adagio violin: Niki Vasilakis (violinist) orchestra: Tasmanian Symphony Orchestra conductor: Sebastian Lang-Lessing recording of: Violin Concerto no. 1 in G minor, op. 26: II. Adagio composer: Max Bruch (composer and conductor) (from 1866 until 1867) part of: Violin Concerto no. 1 in G minor, op. 26	Max Bruch		9:00
3	Mache Dich, Mein Herze, Rein From St Matthew Passion, BWV244 bass-baritone vocals: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		6:16
4	Requiem KV626: Lacrimosa choir vocals: Cantillation orchestra: Australian Chamber Orchestra (Australian orchestra founded in 1975) conductor: Antony Walker (Australian conductor) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		3:09
5	Canon and Gigue in D major: 1. Canon orchestra: Adelaide Symphony Orchestra conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Canon and Gigue in D major, P. 37, T. 337: I. Canon composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, P. 37, T. 337	Johann Pachelbel		4:47
6	Cello Suite no. 1 in G major BWV1007: 1. Prelude cello: Michael Goldschlager (cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)	Johann Sebastian Bach		2:43
7	Piano Concerto no. 21 in C major KV467 “Elvira Madigan”: II. Andante piano: Vera Kameneva (pianist) orchestra: Australian Chamber Orchestra (Australian orchestra founded in 1975) conductor: Christopher Hogwood (conductor, harpsichordist) live recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		6:54
8	Dido‘s Lament: Thy Hand Belinda… When I Am Laid in Earth mezzo-soprano vocals: Sally-Anne Russell (Australian mezzo-soprano vocalist) orchestra: Adelaide Symphony Orchestra conductor: Nicholas Milton (conductor) recording of: Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) composer: Henry Purcell (Baroque composer) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (Baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		4:28
9	Intermezzo From Cavalleria Rusticana orchestra: Orchestra Victoria conductor: Richard Divall (conductor) recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni		3:33
10	Flower Duet: Sous Le Dôme Épais (Under the Canopy Heavy with Jasmine and Rose) From Lakmé engineer: Peter Thorpe (in 1980-06) mezzo-soprano vocals: Heather Begg (mezzo-soprano) (in 1980-06) soprano vocals: Glenys Fowles (Australian soprano) (in 1980-06) orchestra: Melbourne Symphony Orchestra (in 1980-06) conductor: Richard Bonynge (conductor and pianist) (in 1980-06) recorded at and engineered at: Robert Blackwood Hall (Monash University) in Melbourne, Victoria, Australia (in 1980-06) recording of: Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 1980-06) composer: Léo Delibes (French composer) librettist: Philippe Gille and Edmond Gondinet publisher: Jenkinsongs Ltd. part of: Lakmé : Acte I	Léo Delibes		5:21
11	Le Carnaval Des Animaux (The Carnival of the Animals): Le Cygne (The Swan) cello: Janis Laurs (Australian cellist) piano: Anna Goldsworthy (Australian pianist) and Mark Kruger (Australian pianist) recording of: Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) composer: Camille Saint‐Saëns (composer) (in 1886-02) arranger: Pege Aladár part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		2:55
12	Rhapsody on a Theme of Paganini op. 43: 18th Variation piano: Ayako Uehara (pianist) orchestra: Sydney Symphony Orchestra conductor: Edvard Tchivzhel (conductor) live recording of: Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile composer: Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18) part of: Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)	Sergei Rachmaninoff		3:11
13	Song to the Moon From Rusalka soprano vocals: Yvonne Kenny (Australian soprano) orchestra: Melbourne Symphony Orchestra conductor: Vladimir Kamirski (conductor) recording of: Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) composer: Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27) part of: Rusalka, op. 114, B. 203: 1. jednání	Antonín Dvořák		6:21
14	Wooden Ships From Antarctica - Suite for Guitar and Orchestra guitar: Timothy Kain (guitarist) orchestra: Tasmanian Symphony Orchestra conductor: David Porcelijn (composer and conductor) recording of: Antarctica: II. Wooden Ships (guitar suite) composer: Nigel Westlake (Australian composer and clarinetist) (in 1992) part of: Antarctica (guitar suite)	Nigel Westlake		4:14

4▼CD: Volume I CD4
#	Title	Artist	Rating	Length
1	Va', Pensiero (Chorus of the Hebrew Slaves) From Nabucco choir vocals: Opera Queensland Chorus orchestra: Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) conductor: Johannes Fritzsch (conductor) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		4:35
2	Concerto in D Minor for Two Violins, BWV1043: II. Largo Ma Non Tanto violin: Helena Rathbone (violinist) and Richard Tognetti (violinist & conductor) orchestra: Australian Chamber Orchestra (Australian orchestra founded in 1975) recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		6:27
3	Solveig's Song From Peer Gynt Suite No. 2 Op. 55 orchestra: Tasmanian Symphony Orchestra conductor: Sebastian Lang-Lessing recording of: Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 4. akt: Solveigs sang part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg		5:39
4	Clair de Lune (Moonlight) From Suite Bergamasque piano: John Chen (NZ classical pianist) recording of: Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) composer: Claude Debussy (French composer) (from 1890 until 1905) part of: Classic 100: Piano (2004) (number: 3) included in: Granblue Fantasy (video game soundtrack) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy		4:42
5	Venus the Bringer of Peace From the Planets - Suite Op. 32 orchestra: Sydney Symphony Orchestra conductor: David Robertson (American conductor) live recording of: The Planets, op. 32: II. Venus, the Bringer of Peace composer: Gustav Holst (composer) (from 1914 until 1916) orchestration of: The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst		8:06
6	Pifa (Pastoral Symphony) From Messiah HWV56 orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		1:03
7	Spem in Alium choir vocals: Cantillation conductor: Antony Walker (Australian conductor) recording of: Spem in alium composer: Thomas Tallis (composer)	Thomas Tallis		9:32
8	Soave Sia Il Vento (May the Breeze Be Gentle) From Cosi Fan Tutte baritone vocals: David Brennan (baritone) mezzo-soprano vocals: Fiona Janes (mezzo-soprano) soprano vocals: Amanda Thane (soprano) orchestra: Opera Australia Orchestra conductor: Carlo Rizzi (conductor) recording of: Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart		2:38
9	Symphony No. 9 in E Minor, Op. 95 'From the New World': II. Largo (excerpt) orchestra: Sydney Symphony Orchestra conductor: José Serebrier (Uruguayan conductor and composer) recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) composer: Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)	Antonín Dvořák		4:01
10	The Nutcracker: Pas de Deux (Sugar-Plum Fairy and the Prince) orchestra: Orchestra Victoria conductor: Richard Divall (conductor) recording of: Щелкунчик, op. 71: Действие II, Картина III, no. 14a. Па-де-де: Танец Принца Оршада и Феи Драже (Dance of the Prince & the Sugar-Plum Fairy) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)	Pyotr Ilyich Tchaikovsky		5:25
11	Benedictus From the Armed Man: A Mass for Peace soprano vocals: Laura Wright vocals: The Apollo Voices and Laura Wright orchestra: The City of Prague Philharmonic Orchestra conductor: Richard Hein recording of: The Armed Man: A Mass for Peace: Benedictus composer: Karl Jenkins (Welsh composer, conductor and instrumentalist) part of: The Armed Man: A Mass for Peace (the complete work)	Karl Jenkins		5:23
12	Baïlèro From Songs of the Auvergne, Book 1 soprano vocals: Sara Macliver (soprano) orchestra: Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) conductor: Brett Kelly (trombonist and conductor) recording of: Chants d'Auvergne: Première Série: No. 2. Baïlèro lyricist and composer: [traditional] (special purpose artist) arranger: Joseph Canteloube part of: Chants d'Auvergne: Première Série	Joseph Canteloube		6:08
13	Eliza Aria From Wild Swans - Concert Suite soprano vocals: Jane Sheldon (Australian-American soprano) orchestra: Tasmanian Symphony Orchestra conductor: Ola Rudner (conductor) recording of: Wild Swans Concert Suite: II. Eliza Aria composer: Elena Kats‐Chernin (Uzbek-Australian composer) (in 2002) part of: Classic 100: Piano (2025) (number: 24) part of: Wild Swans Concert Suite	Elena Kats‐Chernin		3:15
14	Tristan Und Isolde: Prelude orchestra: West Australian Symphony Orchestra conductor: Simone Young (Australian conductor) recording of: Tristan und Isolde, WWV 90: Akt I, Vorspiel composer: Richard Wagner (composer) (from 1857-10 until 1859-08) part of: Tristan und Isolde, WWV 90: Akt I	Richard Wagner		11:15

5▼CD: Volume II CD1
#	Title	Artist	Rating	Length
1	Schindler's List: Main Theme orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) recording of: Main Theme (Schindler’s List) composer: John Williams (American score composer and conductor) (in 1993) publisher: Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!) part of: Schindler's List part of: Three Pieces from Schindler’s List	John Williams		4:01
2	Dawn Mantras recording engineer: Allan Maclean (engineer/editor) producer and editor: Virginia Read (engineer/editor/producer) cor anglais [cor anglais]: Rixon Thomas didgeridoo [didjeridoo] and didgeridoo [didjeridu]: Matthew Doyle percussion: Ian Cleworth (percussion) and Brian Nixon (percussionist) shakuhachi: Jim Franklin (shakahuchi master) choir vocals: Cantillation and The Sydney Children's Choir soprano vocals: Jane Sheldon (Australian-American soprano) conductor: Lyn Williams (Australian composer / choir master) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (on 2001-10-01) recording of: Dawn Mantras composer: Ross Edwards (Australian composer)	Ross Edwards		7:15
3	Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': 1. Adagio Sostenuto piano: Gerard Willems (Australian pianist) live recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		7:05
4	Largo (Ombra Mai Fù) From Xerxes, HWV40 orchestra: Tasmanian Symphony Orchestra conductor: Nicolette Fraillon recording of: Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) composer: George Frideric Handel (German‐British baroque composer) arrangement of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)	George Frideric Handel		6:08
5	Prélude À 'l'Après-Midi D'Un Faune' orchestra: Melbourne Symphony Orchestra conductor: Jorge Mester (conductor) recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) composer: Claude Debussy (French composer) (from 1891 until 1894-09) dedicated to: Raymond Bonheur (composer, 1861-1939) premiered at: [concert] (1894-12-22) publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)	Claude Debussy		9:52
6	Small Town oboe: Guy Henderson (oboist) orchestra: Sydney Symphony Orchestra conductor: Stuart Challender (conductor) recording of: Small Town, W136 (for orchestra) composer: Peter Sculthorpe (composer) (in 1976) part of: Peter Sculthorpe's Worklist (number: W136)	Peter Sculthorpe		6:12
7	Cantus in Memoriam Benjamin Britten orchestra: Tasmanian Symphony Orchestra conductor: Ola Rudner (conductor) recording of: Cantus in memoriam Benjamin Britten composer: Arvo Pärt (Estonian composer) (in 1977) revised by: Arvo Pärt (Estonian composer) (in 1980) premiered at: [concert] (1977-04-07)	Arvo Pärt		7:39
8	Violin Concerto in D Major, Op. 61: II. Larghetto violin: Richard Tognetti (violinist & conductor) orchestra: Australian Chamber Orchestra (Australian orchestra founded in 1975) conductor: Anthony Halstead (horn soloist, conductor and director) recording of: Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto composer: Ludwig van Beethoven (German composer) (in 1806) part of: Concerto for Violin and Orchestra in D major, op. 61	Ludwig van Beethoven		9:39
9	The Hebrides (Fingal's Cave) Op. 26 orchestra: Sydney Symphony Orchestra conductor: Stuart Challender (conductor) recording of: Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave) premiered in: London (Greater London), England, United Kingdom (on 1832-05-14) composer: Felix Mendelssohn (composer) (in 1830) part of: Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)	Felix Mendelssohn		9:59
10	Slava V Vyshnikh Bogu (Glory to God in the Highest) From All-Night Vigil, Op. 37 choir vocals: Cantillation conductor: Antony Walker (Australian conductor) recording of: Всенощное бдение, op. 37: 7. Шестопсалмие. Слава в вышних Богу (All-Night Vigil, op. 37: VII. The Six Psalms. Glory to God in the Highest) composer: Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915) part of: Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)	Sergei Rachmaninoff		2:51

6▼CD: Volume II CD2
#	Title	Artist	Rating	Length
1	Violin Concerto No. 2 in E Minor, Op. 64: II. Andante violin: Niki Vasilakis (violinist) orchestra: Tasmanian Symphony Orchestra conductor: Sebastian Lang-Lessing recording of: Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)	Felix Mendelssohn		8:34
2	Jesu Joy of Man's Desiring piano: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) composer: Johann Sebastian Bach (German Baroque period composer & musician) piano arranger: Dame Myra Hess (pianist) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach		3:59
3	Bagatelle No. 25 in A Minor 'Für Elise' piano: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) composer: Ludwig van Beethoven (German composer) (from 1808 until 1810) part of: Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)	Ludwig van Beethoven		2:49
4	Symphony No. 9 in D Minor, Op. 125 'Choral': III. Adagio Molto E Cantabile - Andante Moderato orchestra: Tasmanian Symphony Orchestra conductor: David Porcelijn (composer and conductor) recording of: Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		12:03
5	Pavane Pour Une Infante Défunte (Pavane for a Dead Princess) orchestra: Melbourne Symphony Orchestra conductor: Jorge Mester (conductor) recording of: Pavane pour une infante défunte (orchestrated version) orchestrator: Maurice Ravel (French composer) (in 1910) composer: Maurice Ravel (French composer) (in 1899) publisher: Editions Max Eschig part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a) orchestration of: Pavane pour une infante défunte (original version for solo piano)	Maurice Ravel		6:45
6	Nocturne From a Midsummer Night's Dream - Incidental Music Op. 61 orchestra: Scottish Chamber Orchestra conductor: Jaime Laredo (violinist & conductor) recording of: Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		6:34
7	Symphony No. 7 in A Major, Op. 92: II. Allegretto orchestra: Sydney Symphony Orchestra conductor: Willem van Otterloo (conductor) recording of: Symphony no. 7 in A major, op. 92: II. Allegretto composer: Ludwig van Beethoven (German composer) (from 1811 until 1812) part of: Symphony no. 7 in A major, op. 92	Ludwig van Beethoven		8:53
8	Jesus Bleibet Meine Freude (Jesu Joy of Man's Desiring) choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Brett Weymark (music director/chorusmaster of Sydney Philharmonia Choirs) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:21
9	Dance of the Blessed Spirits From Orphée Et Eurydice transverse flute: Hans-Dieter Michatz orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) composer: Christoph Willibald Gluck (composer) part of: Orfeo ed Euridice, Wq. 30: Atto II (Italian version) part of: Orpheus und Eurydike: Akt II (German version)	Christoph Willibald Von Gluck		6:41
10	Cinema Paradiso: Main Theme piano: Paul Bateman (conductor) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) recording of: Nuovo Cinema Paradiso (Main theme) orchestrator and composer: Ennio Morricone (Italian classical and score composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!) part of: Nuovo Cinema Paradiso (soundtrack)	Ennio Morricone		3:31
11	Goldberg Variations BWV988: Aria piano: Ian Munro (Australian pianist) live recording of: Goldberg-Variationen, BWV 988: Aria (opening) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 26) part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach		1:18
12	Impromptu in G-Flat Major, D899 No. 3 piano: Sally Whitwell (Australian pianist) recording of: Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante composer: Franz Schubert (composer) (in 1827) part of: Classic 100: Piano (2004) (number: 6) part of: 4 Impromptus, op. 90, D. 899	Franz Schubert		5:40
13	Agnus Dei From Mass in B Minor, BWV232 mezzo-soprano vocals: Sally Bruce-Payne orchestra: Yorkshire Baroque Soloists conductor: Peter Seymour recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:31
14	Pie Jesu From Requiem choir vocals: Cantillation soprano vocals: Sara Macliver (soprano) and Jane Sheldon (Australian-American soprano) orchestra: Sinfonia Australis conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Requiem: Pie Jesu lyricist and composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!) part of: Requiem	Andrew Lloyd Webber		3:49

7▼CD: Volume II CD3
#	Title	Artist	Rating	Length
1	Cantique de Jean Racine, Op. 11 organ: David Drury (organist) choir vocals: Cantillation conductor: Antony Walker (Australian conductor) recording of: Cantique de Jean Racine, op. 11 (for choir and piano or organ) lyricist: Jean Racine (French dramatist) composer: Gabriel Fauré (French composer) (in 1865) dedicated to: César Franck (Belgian‐born French composer) part of: Works of Gabriel Fauré by opus number (number: op. 11)	Gabriel Fauré		5:17
2	Lascia, ch'io pianga (Let me weep) from Rinaldo, HWV7 soprano vocals: Yvonne Kenny (Australian soprano) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) composer: George Frideric Handel (German‐British baroque composer) (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto II	George Frideric Handel		4:19
3	Piano Concerto No. 23 in A Major, KV488: II. Adagio piano: Simon Tedeschi (Australian pianist) orchestra: Tasmanian Symphony Orchestra conductor: Alexander Briger (Australian conductor) recording of: Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) composer: Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02) part of: Concerto for Piano and Orchestra no. 23 in A major, K. 488	Wolfgang Amadeus Mozart		7:32
4	Clarinet Quintet in A Major, KV581: II. Larghetto cello: Daniel Yeadon (cello and viol player) clarinet: John Lewis (clarinetist) viola: Nicole Forsyth (violist) violin: Rebecca Somers and Scott Taggart recording of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto composer: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"	Wolfgang Amadeus Mozart		6:42
5	Wie lieblich sind deine Wohnungen (How Lovely Are Thy Dwellings) choir vocals: Melbourne Symphony Orchestra Chorus orchestra: Melbourne Symphony Orchestra conductor: Johannes Fritzsch (conductor) chorus master: Jonathan Grieves-Smith recording of: Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) composer: Johannes Brahms (German composer) part of: Ein deutsches Requiem, op. 45	Johannes Brahms		5:08
6	Symphony No. 3 Op. 36 'Symphony of Sorrowful Songs': II. Lento e largo soprano vocals: Yvonne Kenny (Australian soprano) orchestra: Adelaide Symphony Orchestra conductor: Takuo Yussa (Takuo Yuasa, Japanese conductor) recording of: Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (ended) lyricist: Helena Wanda Błażusiakówna composer: Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976) part of: Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"	Henryk Mikołaj Górecki		8:48
7	Brandenburg Concerto No. 5 in D Major, BWV1050: II. Affettuoso orchestra: Orchestra of the Antipodes conductor: Erin Helyard recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		5:21
8	Mon cœur s'ouvre à ta voix (My heart opens at the sound of your voice) from Samson et Dalila (Samson and Delilah) mezzo-soprano vocals: Sally-Anne Russell (Australian mezzo-soprano vocalist) orchestra: Adelaide Symphony Orchestra conductor: Nicholas Milton (conductor) recording of: Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) composer: Camille Saint‐Saëns (composer) part of: Samson et Dalila : Acte II	Camille Saint‐Saëns		6:17
9	Pavane Op. 50 orchestra: Sydney Symphony Orchestra conductor: Matthias Bamert (composer and conductor) recording of: Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) lyricist: Robert de Montesquiou composer: Gabriel Fauré (French composer) (in 1887) arrangement of: Pavane, op. 50 (for piano and chorus)	Gabriel Fauré		5:24
10	Summertime From Porgy and Bess soprano vocals: Shu-Cheen Yu (Chinese-Australian soprano) orchestra: Sinfonia Australis conductor: Antony Walker (Australian conductor) recording of: Summertime (American songbook standard from 1935 opera Porgy and Bess) lyricist: Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934) composer: George Gershwin (composer) (in 1934) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) version of: Porgy and Bess: Act I, Scene I. “Summertime” (Clara)	George Gershwin		2:42
11	Concerto for Flute and Harp in C Major, KV299: II. Andantino flute: Geoffrey Collins (flautist) harp: Suzanne Handel (harpist) orchestra: Adelaide Symphony Orchestra conductor: Arvo Volmer (conductor) recording of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino composer: Wolfgang Amadeus Mozart (classical composer) (in 1778-04) part of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299	Wolfgang Amadeus Mozart		9:12
12	Marietta's Song: Glück das mir verblieb (Happiness That Has Stayed with Me) From Die tote Stadt (The Dead City) soprano vocals: Beverly Sills (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Julius Rudel (conductor) recording of: Die tote Stadt: Akt I. „Glück, das mir verblieb” (Marietta's Lied) composer and librettist: Erich Wolfgang Korngold (Austrian composer and conductor) part of: Die tote Stadt, op. 12	Erich Wolfgang Korngold		8:00

8▼CD: Volume II CD4
#	Title	Artist	Rating	Length
1	Gnossienne No. 4 piano: Stephanie McCallum (pianist) recording of: Gnossienne no. 4 composer: Erik Satie (French composer) (in 1891)	Erik Satie		4:09
2	Symphony No. 6 in F Major, Op. 68 'Pastoral': II. Szene Am Bach (Scene by the Brook): Andante Molto Moto (excerpt) orchestra: Tasmanian Symphony Orchestra conductor: David Porcelijn (composer and conductor) partial recording of: Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") composer: Ludwig van Beethoven (German composer) (in 1808) part of: Symphony no. 6 in F major, op. 68 “Pastorale”	Ludwig van Beethoven		4:23
3	Piano Concerto No. 1 in E Minor, Op. 11: II. Romanze (Larghetto) piano: Roger Woodward (pianist) orchestra: Sydney Symphony Orchestra conductor: Werner Andreas Albert (conductor) recording of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09) part of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11	Fryderyk Chopin		10:07
4	Ave Maria D839 (Ellen's Third Song From the Lady of the Lake) soprano vocals: Yvonne Kenny (Australian soprano) orchestra: Melbourne Symphony Orchestra conductor: Vladimir Kamirski (conductor) recording of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) lyricist: Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author) composer: Franz Schubert (composer) (in 1825) translator: Adam Storck part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)	Franz Schubert		3:55
5	Left Bank Waltz From Little Suite for Strings orchestra: Tasmanian Symphony Orchestra conductor: David Porcelijn (composer and conductor) recording of: Little Suite for Strings, W169: II. Left Bank Waltz composer: Peter Sculthorpe (composer) (in 1983) part of: Little Suite for Strings, W169	Peter Sculthorpe		2:44
6	Cello Concerto in B Minor, Op. 104: II. Adagio Ma Non Troppo cello: Li-Wei Qin (cellist) orchestra: Melbourne Symphony Orchestra conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Cello Concerto in B minor, op. 104: II. Adagio ma non troppo composer: Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09) part of: Cello Concerto in B minor, op. 104	Antonín Dvořák		12:10
7	Stabat Mater: XII. Quando Corpus Morietur (When My Body Dies) mezzo-soprano vocals: Sally-Anne Russell (Australian mezzo-soprano vocalist) soprano vocals: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		4:18
8	Song for Athene choir vocals: Cantillation conductor: Antony Walker (Australian conductor) recording of: Song for Athene lyricist: William Shakespeare (English poet and playwright) composer: John Tavener (20th century composer) (in 1993) publisher: Chester Music Ltd.	John Tavener		6:59
9	Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio oboe: Diana Doherty (oboist) orchestra: Sinfonia Australis recording of: Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio composer: Tomaso Giovanni Albinoni (Italian Baroque composer) part of: Concerto for Oboe in D minor, op. 9 no. 2	Tomaso Giovanni Albinoni		4:39
10	Casta Diva (Chaste Goddess) From Norma bass vocals: Clifford Grant (operatic bass and actor) choir vocals: Australian Opera Chorus soprano vocals: Joan Sutherland (soprano) orchestra: Elizabethan Sydney Orchestra conductor: Richard Bonynge (conductor and pianist) live recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831) part of: Norma: Atto I	Vincenzo Bellini		6:09
11	Morgen! (Tomorrow!) Op. 27 No. 4 soprano vocals: Yvonne Kenny (Australian soprano) orchestra: Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) conductor: Johannes Fritzsch (conductor) recording of: Morgen!, op. 27 no. 4 (for voice and orchestra) lyricist: John Henry Mackay (Scottish-German egoist anarchist, thinker and writer) composer: Richard Strauss (German composer) (in 1894) arranger: Richard Strauss (German composer) (in 1897) arrangement of: Morgen!, op. 27 no. 4 (for voice and piano)	Richard Strauss		4:03
12	Ave Maria violin: Jun Yi Ma (violinist) orchestra: Tasmanian Symphony Orchestra conductor: Andrew Greene (Australian pianist / conductor) recording of: Ave Maria (Bach/Gounod) lyricist: [anonymous] (special purpose artist) composer: Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853) is based on: Méditation sur le Premier Prélude de Piano de S. Bach is based on: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude	Johann Sebastian Bach		2:59
13	Air ('Air on the G String') From Orchestral Suite No. 3 in D Major, BWV1068 harpsichord: Geoffrey Lancaster (pianist / conductor) orchestra: Tasmanian Symphony Chamber Players conductor: Geoffrey Lancaster (pianist / conductor) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Wolfgang Amadeus Mozart		4:01
14	O Mió Babbino Caro (Papa Dearest) From Gianni Schicchi soprano vocals: Yvonne Kenny (Australian soprano) orchestra: Melbourne Symphony Orchestra conductor: Vladimir Kamirski (conductor) recording of: Gianni Schicchi: “O mio babbino caro” (Lauretta) composer: Giacomo Puccini (Italian composer) librettist: Giovacchino Forzano publisher: Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division) part of: Gianni Schicchi	Giacomo Puccini		2:19

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Release

purchase for mail-order:	https://www.abcmusic.com.au/discography/classic-—-100-swoon [info]

Release group

part of:	Classic 100 (number: 2015) (order: 13)

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Release information

Barcode:: 0028948232178
Format:: 8×CD
Length:: 10:02:53

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

ABC Classics
482 3217

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Australia
2015-06

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Last updated on 2022-11-21 18:00 UTC