Soft Rock Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1You’re My Best Friend
zusätzliches Sound-Engineering:
Gary Lyons (UK engineer & producer)
leitende(r) Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
zusätzliche(r) Techniker(in):
Kris Fredriksson
leitende(r) Produzent(in):
Brian May (Queen guitarist) und Roger Taylor (Queen drummer)
Produzent(in):
Roy Thomas Baker (producer) und Queen (UK rock group)
Bassgitarre und Hybrid-Piano:
John Deacon
Gitarre:
Brian May (Queen guitarist)
Händeklatschen:
John Deacon, Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
Sologesang:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975, in 2011)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
You’re My Best Friend
Texter und Komponist(in):
John Deacon
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
Queen3.752:53
2Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:55
3Baker Street
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.356:29
4The Joker
assistierende(r) Techniker(in) und assistierende(r) Mix:
Gene Hicks
Techniker(in) und Mix:
Jay Ranellucci
Produzent(in):
Steve Miller (leader of Steve Miller Band)
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1973)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:35
5Days
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968, in 2004)
recording of:
Days
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Unichappell Music, Inc.
The Kinks3.52:55
6Listen to the Music
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.44:44
7It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:30
8American Pie
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
E-Gitarre:
David Spinozza (von 1971-05 bis 1971-06)
Klavier:
Paul Griffin (American pianist, session musician) (von 1971-05 bis 1971-06)
vocals:
Don McLean (von 1971-05 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 131)
recording of:
American Pie (von 1971-05 bis 1971-06)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:33
9Life on Mars?
recording engineer:
Ken Scott (UK record producer & engineer) (am 1971-08-06)
assistierende(r) Produzent(in):
the actor (English singer‐songwriter)
Produzent(in):
Ken Scott (UK record producer & engineer)
Bassgitarre:
Trevor Bolder (British bassist) (am 1971-08-06)
E-Gitarre [Gibson Les Paul electric guitar] und mellotron:
Mick Ronson (British guitarist) (am 1971-08-06)
Klavier:
Rick Wakeman (am 1971-08-06)
Schlagzeug:
Mick Woodmansey (British drummer) (am 1971-08-06)
Sologesang:
David Bowie (English singer‐songwriter) (am 1971-08-06)
Orchester:
BBC Symphony Orchestra (am 1971-08-06)
conductor:
Mick Ronson (British guitarist) (am 1971-08-06)
remixer:
Ken Scott (UK record producer & engineer)
Saiteninstrumente arranger:
Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Company LLC
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-08-06)
Musikvideos:
Life on Mars? von David Bowie (English singer‐songwriter)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 105)
recording of:
Life on Mars? (am 1971-08-06)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1971)
Texter und Komponist(in):
David Bowie (English singer‐songwriter) (in 1971)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.43:51
10If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:56
11If Leaving Me Is Easy
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
alto saxophone:
Don Myrick
Bass:
Alphonso Johnson
Flügelhorn:
Rahmlee Michael Davis und Michael Harris (trumpeter, member of The Phenix Horns)
Gitarre:
Eric Clapton und Daryl Stuermer
Rhodes Piano, Schlagzeug und Synthesizer und Sologesang:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
If Leaving Me Is Easy (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) und Pun Music, Inc. (in 1981)
Phil Collins4.54:55
12Baby I Love Your Way
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton44:50
13Lady Eleanor
Produzent(in):
John Anthony (British producer and record executive)
recording of:
Lady Eleanor
Texter und Komponist(in):
Alan Hull
publisher:
Hazy Music
Lindisfarne44:14
14Living on an Island
recording of:
Living on an Island
Verfasser(in):
Rick Parfitt (UK guitarist for Status Quo) und Robert Keith Young (UK musician & author, Young & Moody; Status Quo)
publisher:
Birchwood Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo3:47
15Sarah
Techniker(in):
Kit Woolven
Produzent(in):
Thin Lizzy (Irish hard rock band) und Tony Visconti
Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Gary Moore (Thin Lizzy, blues guitar)
Mundharmonika:
Huey Lewis
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
recording of:
Sarah (1979 song about Lynott's daughter)
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Thin Lizzy33:31
16Another Day
Assistent recording engineer:
Ted Brosnan (von 1970-10-12 bis 1971-01)
recording engineer:
Tim Geelan (von 1970-10-12 bis 1971-01)
Produzent(in):
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01)
Mix:
Dixon Van Winkle (am 1971-02-08)
Akustikgitarre und E-Gitarre:
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01) und David Spinozza (von 1970-10-12 bis 1971-01)
Bassgitarre, Tamburin und Sologesang:
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01)
Perkussion:
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01) und Denny Seiwell (US drummer) (von 1970-10-12 bis 1971-01)
Schlagzeug:
Denny Seiwell (US drummer) (von 1970-10-12 bis 1971-01)
Hintergrundgesang:
Linda McCartney (von 1970-10-12 bis 1971-01) und Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01)
vocals:
Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2012) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1970-10-12) und A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1971-01)
zusätzlich aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1971-01)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1971-02-08)
recording of:
Another Day (1970 McCartney song) (von 1970-10-12 bis 1971-01-21)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), McCartney Music Inc. und Northern Songs
Paul McCartney & Wings3.33:43
17Sail on Sailor
Produzent(in):
Carl Wilson (Beach Boys)
Sologesang:
Blondie Chaplin (singer, guitarist and songwriter)
recording of:
Sail On, Sailor
Komponist(in):
Tandyn Almer, Ray Kennedy (singer, songwriter, and record producer based in L.A.), Van Dyke Parks, Jack Rieley und Brian Wilson (Beach Boys co‐founder)
The Beach Boys3:20
18Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:32
2▼CD
Nr.TitelKünstlerBewertungLänge
1Drops of Jupiter
recording engineer:
Nick DiDia und Brett Eliason
Programmierung:
Scott Underwood (Drummer for Train)
assistierende(r) Techniker(in):
Karl Egsieker und Steve Genewick
Techniker(in):
Steve Churchyard
zusätzliche(r) Techniker(in):
Ryan Williams (US recording engineer/producer)
Produzent(in):
Brendan O’Brien (engineer)
Mix:
John Burton (engineer), Brett Eliason und Brendan O’Brien (engineer)
Bass:
Charlie Colin und Rob Hotchkiss
Bratsche / Viola:
Evan Wilson (viola player)
Cello:
Dan Smith (cellist) und Suzie Katayama
Geige / Violine:
Michael Markman
Gitarre und Hintergrundgesang:
Charlie Colin, Rob Hotchkiss und Jimmy Stafford (member of Train)
Keyboard:
Brendan O’Brien (engineer) und Scott Underwood (Drummer for Train)
Klavier:
Chuck Leavell
Mandoline:
Jimmy Stafford (member of Train)
Perkussion:
Pat Monahan und Scott Underwood (Drummer for Train)
Schlagzeug:
Scott Underwood (Drummer for Train)
Sologesang:
Pat Monahan
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2001)
Musikvideos:
Drops of Jupiter von Train (US pop rock band)
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Drops of Jupiter
Verfasser(in):
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) und Scott Underwood (Drummer for Train)
publisher:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) und EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:21
2Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:21
3Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 32), Cachitos Nochevieja 2022 (Nummer: 60) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 333)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:03
4Everywhere
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:43
5Circle in the Sand
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
Belinda Carlisle3.653:41
6More Than This
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (in 1982)
Gitarre:
Neil Hubbard (in 1982) und Phil Manzanera (in 1982)
Keyboard:
Bryan Ferry (in 1982)
Perkussion:
Jimmy Maelen (percussion) (in 1982)
Saxophon:
Andy Mackay (of Roxy Music) (in 1982)
Schlagzeug:
Andy Newmark (in 1982)
Hintergrundgesang:
Fonzi Thornton (in 1982)
vocals:
Bryan Ferry (in 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
Teil von:
Mixtape – Game Soundtrack (Nummer: 16)
recording of:
More Than This (in 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music3.84:29
7Over My Shoulder
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
Over My Shoulder
Verfasser(in):
Paul Carrack und Mike Rutherford
publisher:
EMI Music Publishing (do not use as a release label!), Hit & Run Music (Publishing) Ltd und Plangent Visions Music Ltd.
Mike + the Mechanics3.23:34
8Rosanna
Produzent(in):
Toto (US rock group)
Bass:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich und Steve Porcaro
Perkussion und Schlagzeug:
Jeff Procaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
arranger:
David Paich und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
Texter und Komponist(in):
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:00
9Golden Brown
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers3:09
10Tonight, Tonight, Tonight
assistierende(r) Techniker(in):
Paul Gomersall
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (von 1985-10 bis 1986-02)
Bass-Synthesizer und Keyboard:
Tony Banks (Genesis) (von 1985-10 bis 1986-02)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1985-10 bis 1986-02)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd.
aufgenommen bei und mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (von 1985-10 bis 1986-02)
recording of:
Tonight, Tonight, Tonight
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis2.14:28
11Rooms on Fire
recording of:
Rooms on Fire
Verfasser(in):
Stevie Nicks und Rick Nowels
publisher:
EMI Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Screen Gems–EMI Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Welsh Witch Music (BMI affiliated)
Stevie Nicks4:20
12Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:01
13These Dreams
assistierende(r) Techniker(in):
Mike Clink und Brian Foraker
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Schlagzeug:
Denny Carmassi
Gast Hintergrundgesang:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
Sologesang:
Nancy Wilson (guitarist/singer of “Heart”)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04)
Musikvideos:
These Dreams von Heart (rock band, Ann and Nancy Wilson)
recording of:
These Dreams
Verfasser(in):
Martin Page und Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (vom 1984 bis ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (vom 1984 bis ????), Intersong U.S.A. (publisher) (vom 1984 bis heute) und Little Mole Music (vom 1984 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.34:14
14Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:53
15Lucky Man
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
recording of:
Lucky Man
Texter und Komponist(in):
Richard Ashcroft
The Verve3.854:55
16She’s the One
recording engineer und Mix:
Steve Power
Programmierung:
Steve McNichol und Steve Power
zusätzliche Programmierung:
Richard Flack (producer/engineer), Nick Hannan und James Brumby (UK engineer)
assistierende(r) Techniker(in):
Richard Hinton und Nick Kirkland
zusätzliche(r) Techniker(in):
Stuart Epps, Richard Flack (producer/engineer), James Brumby (UK engineer), Matt Oliver (UK engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Akustikgitarre und E-Gitarre:
Steve McEwan (Scottish-born South African songwriter, artist and musician)
Bassgitarre:
David Catlin‐Birch (UK bassist and guitarist)
Klavier:
Guy Chambers (English songwriter and record producer)
Schlagzeug:
Chris Sharrock
Hintergrundgesang:
Steve McEwan (Scottish-born South African songwriter, artist and musician) und Gary Nuttall
Orchester:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
Orchestrator(in):
Nick Ingman
cover recording of:
She’s the One
Texter und Komponist(in):
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams2.654:19
17Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:52
18I’ll Stand by You
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
The Pretenders3:14
19It’s All Coming Back to Me Now
recording of:
It’s All Coming Back to Me Now
Texter und Komponist(in):
Jim Steinman
publisher:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pandora’s Box6:32
3▼CD
Nr.TitelKünstlerBewertungLänge
1Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:45
2A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.24:07
3Arms of Mary
Produzent(in):
Howard Albert und Ron Albert
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
Texter und Komponist(in):
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. und Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:37
4I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:37
5Life Is a Long Song
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
remixer:
Robin Black (engineer)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Life Is a Long Song (am 1971-05-17)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull3.853:17
6New Amsterdam
recording of:
New Amsterdam
Texter und Komponist(in):
Elvis Costello
publisher:
Plangent Vision Music
Elvis Costello42:12
7Debris
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre und Sologesang:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Klavier und Orgel:
Ian McLagan
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Hintergrundgesang:
Rod Stewart
recording of:
Debris
Texter und Komponist(in):
Ronnie Lane
Faces44:33
8Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
9Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.354:31
10Baby’s Coming Back
Produzent(in):
Albhy Galuten
recording of:
Baby’s Coming Back
Verfasser(in):
Andy Sturmer
Jellyfish42:57
11Tonight
Produzent(in):
Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (am 1971-04-07)
Gitarre und Sologesang:
Jeff Lynne (am 1971-04-07) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (am 1971-04-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1971-04-07)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2005)
recording of:
Tonight (am 1971-04-07)
Verfasser(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
The Move53:18
12Driver’s Seat
Akustikgitarre:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Bassgitarre:
Chris Birkin
Gitarre:
Mick Dyche und Loz Netto
Schlagzeug:
Luigi Salvoni
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
Komponist(in):
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears43:59
13Isn’t It Time
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys3:52
14Like a Rolling Stone
recording of:
Like a Rolling Stone
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adaptations:
Olet yksin taas
The Band4:55
15My Friend the Sun
Family4:19
16Lucky Man
Techniker(in):
Eddy Offord
Produzent(in):
Greg Lake
Akustikgitarre und Bassgitarre:
Greg Lake
Moog und Klavier:
Keith Emerson
Schlagzeug und Perkussion:
Carl Palmer
vocals:
Greg Lake
arranger:
Emerson, Lake & Palmer
phonographisches Urheberrecht (℗) von:
Leadclass Ltd (copyrights holder) (in 1970, in 2012)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Lucky Man
Texter und Komponist(in):
Greg Lake
publisher:
Bosworth & Co. Ltd. und Leadchoice, Ltd.
Emerson, Lake & Palmer44:39
17The Land of Grey and Pink
recording of:
In the Land of Grey and Pink
Verfasser(in):
Richard Coughlan, Pye Hastings, David Sinclair (UK folk/rock keyboardist) und Richard Sinclair
Caravan3:43
18They Shoot Horses Don’t They
recording of:
They Shoot Horses Don't They?
Texter und Komponist(in):
Gareth Mortimer
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Racing Cars3:40
19When a Blind Man Cries
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel und Keyboard:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
recording of:
When a Blind Man Cries (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Glenwood Music Corp. und Thames Overtures Ltd.
Deep Purple3.853:27
20In a Broken Dream
Produzent(in):
Miki Dallon
Sologesang:
Rod Stewart
recording of:
In a Broken Dream
Texter und Komponist(in):
David Bentley (“in a broken dream”)
publisher:
New Songs Administration Ltd. und Young Blood Music Ltd.
Python Lee Jackson3:42

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ASIN:UK: B000HXDHM8 [Info]