Classic Gala

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

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1▼CD
noTitreArtisteÉvaluationDurée
1Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:30
2Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:45
3Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
4Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:26
5Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Symphony no. 29 in A major, K. 186a / 201: I. Allegro moderato (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1774 au 1774-04-06)
partie de :
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart8:31
6Symphony no. 29 for Orchestra in A major, K. 186a / 201: II. Andante
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Symphony no. 29 in A major, K. 186a / 201: II. Andante (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1774 au 1774-04-06)
partie de :
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart10:07
7Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Salzburg (Austrian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Symphony no. 29 in A major, K. 186a / 201: III. Minuetto & Trio (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1774 au 1774-04-06)
partie de :
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart3:48
8Symphony no. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Walter Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Symphony no. 29 in A major, K. 186a / 201: IV. Allegro con spirito (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1774 au 1774-04-06)
partie de :
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart5:56
9Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
orchestre :
Camerata Labacensis (Slovenian chamber orchestra)
conductor :
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of :
Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1764)
partie de :
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart5:20
10Symphony no. 1 in E-flat major, K. 16: II. Andante
orchestre :
Camerata Labacensis (Slovenian chamber orchestra)
conductor :
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of :
Symphony no. 1 in E-flat major, K. 16: II. Andante
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1764)
partie de :
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart4:54
11Symphony no. 1 in E-flat major, K. 16: III. Presto
orchestre :
Camerata Labacensis (Slovenian chamber orchestra)
conductor :
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of :
Symphony no. 1 in E-flat major, K. 16: III. Presto
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1764)
partie de :
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart2:34
2▼CD
noTitreArtisteÉvaluationDurée
1Der fliegende Holländer, WWV 63: Ouvertüre
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) et Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) et Alfred Scholz
recording of :
Der fliegende Holländer, WWV 63: Ouvertüre (The Flying Dutchman: Overture)
compositeur :
Richard Wagner (composer) (du 1840 au 1841)
partie de :
Der fliegende Holländer, WWV 63 (Le Vaisseau fantôme)
Richard Wagner10:40
2Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) et Slowakische Philharmonie (Orchestre philharmonique slovaque)
conductor :
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) et Alfred Scholz
recording of :
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
compositeur :
Richard Wagner (composer) (du 1838-07 au 1840-11)
librettiste :
Richard Wagner (composer)
partie de :
Rienzi, der letzte der Tribunen, WWV 49
Richard Wagner11:39
3Lohengrin, WWV 75: Vorspiel
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) et Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) et Alfred Scholz
recording of :
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
compositeur :
Richard Wagner (composer) (du 1846 au 1848)
partie de :
Lohengrin, WWV 75
Richard Wagner3:49
4Die Meistersinger von Nürnberg, WWV 96: Vorspiel
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) et Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) et Alfred Scholz
recording of :
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
compositeur :
Richard Wagner (composer) (du 1863 au 1867)
partie de :
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:59
5Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Royal Danish Symphony Orchestra (Royal Danish Orchestra) et Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor :
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz), Vassil Kazandjiev, George Richter (conductor, probably fictitious, or Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
compositeur :
Richard Wagner (composer) (du 1843 au 1845-04-13)
partie de :
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
partie de :
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
partie de :
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner14:40
3▼CD
noTitreArtisteÉvaluationDurée
1Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso
piano :
Ida Černecká (pianist) et Peter Toperczer (Slavic pianist)
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Anton Nanut (conductor), Bystrík Režucha (conductor) et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1988)
recording of :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1874-11 au 1875-02)
partie de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский20:23
2Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice
piano :
Ida Černecká (pianist) et Peter Toperczer (Slavic pianist)
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Anton Nanut (conductor), Bystrík Režucha (conductor) et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1988)
recording of :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1874-11 au 1875-02)
partie de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:13
3Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
piano :
Ida Černecká (pianist) et Peter Toperczer (Slavic pianist)
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Anton Nanut (conductor), Bystrík Režucha (conductor) et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1988)
recording of :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1874-11 au 1875-02)
partie de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:09
4The Year 1812, Festival Overture in E-flat major, op. 49
orchestre :
National Symphony Orchestra (unidentified orchestra, supposedly of Canada), Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt) et Slovak National Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Anton Nanut (conductor), Libor Pešek (conductor), Bystrík Režucha (conductor) et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
interprète :
Slovak Philharmonic (Alfred Scholz pseudonym)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1989)
recording of :
The Year 1812, Festival Overture in E-flat major, op. 49
première en :
Moscow, Russie (le 1882-08-20)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1880-09 au 1880-11)
partie de :
The Tchaikovsky Handbook (numéro : TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numéro : ČW 46) et Works of Pyotr Ilyich Tchaikovsky by opus number (numéro : op. 49)
est basée sur :
Боже, Царя храни! (God Save the Tsar!)
citations musicales de :
Troparion of the Holy Cross
citations musicales de :
La Marseillaise (national anthem of France)
citations musicales de :
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский15:41
5Capriccio Italien, op. 45
orchestre :
Slovak National Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice) et Slovakian Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Bystrík Režucha (conductor)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (du 1980 au 1992)
recording of :
Capriccio italien, op. 45
première en :
Moscow, Russie (le 1880-12-18)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1880-01 au 1880-05)
dédié à :
Карл Юльевич Давыдов (Karl Davydov)
partie de :
The Tchaikovsky Handbook (numéro : TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numéro : ČW 44) et Works of Pyotr Ilyich Tchaikovsky by opus number (numéro : op. 45)
Пётр Ильич Чайковский16:02
4▼CD
noTitreArtisteÉvaluationDurée
1Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
orchestre :
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) et Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
compositeur :
Ludwig van Beethoven (German composer) (du 1822 au 1824)
partie de :
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven14:17
2Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
orchestre :
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) et Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
compositeur :
Ludwig van Beethoven (German composer) (du 1822 au 1824)
partie de :
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:44
3Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
orchestre :
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) et Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
compositeur :
Ludwig van Beethoven (German composer) (du 1822 au 1824)
partie de :
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:40
4Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai
chœurs :
Bratislava Opera Chorus (Alfred Scholz related), Great Festival Choir et London Festival Chorus
voix d’alto :
Eva Bandova (alto, an Alfred Scholz pseudonym)
voix de basse :
Josef Bacek (operatic bass, an Alfred Scholz pseudonym)
voix de soprano :
Magdalena Paloczaj (soprano, an Alfred Scholz pseudonym)
voix de ténor :
Peter Kottwald (tenor, an Alfred Scholz pseudonym)
orchestre :
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) et Symphonic Festival Orchestra and Choir
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
compilation de :
Symphony no. 9 in D minor: IVa. Presto par Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Symphony no. 9 in D minor: IVb. O Freunde, nicht diese Töne! par Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of :
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
compositeur :
Ludwig van Beethoven (German composer) (du 1822 au 1824)
librettiste :
Friedrich Schiller (German poet and playwright)
citations des paroles de :
An die Freude
partie de :
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven23:39
5▼CD
noTitreArtisteÉvaluationDurée
1Dorfschwalben aus Österreich, op. 164
orchestre :
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Peter Falk
recording of :
Dorfschwalben aus Österreich, op. 164 (Village Swallows from Austria, Op. 164)
compositeur :
Josef Strauss (Austrian composer) (le 1864)
partie de :
Works of Josef Strauss by opus number (numéro : op. 164)
Josef Strauss9:22
2Künstlerleben, op. 316
recording of :
Künstlerleben, op. 316 (Artist’s Life, op. 316)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1867)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 316)
Johann Strauss II9:34
3Liebeslieder, op. 114
recording of :
Liebeslieder, op. 114 (Love Songs, Op. 114)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 114)
Johann Strauss II8:51
4Frühlingsstimmen, op. 410
orchestre :
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) et Wiener Johann Strauss Orchester
conductor :
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of :
Frühlingsstimmen, op. 410 (Voices of Spring)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1882)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 410)
Johann Strauss II6:56
5Wiener Bonbons, op. 307
orchestre :
People's Opera Orchestra, Vienna et Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Alfred Scholz
recording of :
Wiener Bonbons, op. 307 (Vienna Bonbons, Op. 307)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1866)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 307)
Johann Strauss II9:37
6An der schönen blauen Donau, op. 314
orchestre :
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Alfred Scholz
recording of :
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
première en :
Wien (Vienna), Autriche (le 1867-02-15)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1866)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 314)
Johann Strauss II410:01
6▼CD
noTitreArtisteÉvaluationDurée
1Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: I. Largo maestoso – Vivace
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: I. Largo maestoso – Vivace
compositeur :
Joseph Haydn (composer)
partie de :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn7:36
2Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: II. Andante
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: II. Andante
compositeur :
Joseph Haydn (composer)
partie de :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn6:36
3Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: III. Menuetto and Trio
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: III. Menuetto and Trio
compositeur :
Joseph Haydn (composer)
partie de :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn3:52
4Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: IV. Finale. Capriccio, presto
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: IV. Finale. Capriccio, presto
compositeur :
Joseph Haydn (composer)
partie de :
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn5:04
5Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
compositeur :
Joseph Haydn (composer) (le 1791)
partie de :
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn9:05
6Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque), Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
compositeur :
Joseph Haydn (composer) (le 1791)
partie de :
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:57
7Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
compositeur :
Joseph Haydn (composer) (le 1791)
partie de :
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:08
8Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
orchestre :
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
compositeur :
Joseph Haydn (composer) (le 1791)
partie de :
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:16
9Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro
compositeur :
Joseph Haydn (composer) (le 1795)
partie de :
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:21
10Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante
compositeur :
Joseph Haydn (composer) (le 1795)
partie de :
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn7:12
11Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro
compositeur :
Joseph Haydn (composer) (le 1795)
partie de :
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn5:17
12Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Orchestre philharmonique slovaque) et Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
compositeur :
Joseph Haydn (composer) (le 1795)
partie de :
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:57
7▼CD
noTitreArtisteÉvaluationDurée
1Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) et Bohdan Warchal (violinist, conductor)
partiel recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (numéro : F. I/22) et Ryom-Verzeichnis (numéro : RV 269)
partie de :
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
partie de :
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:24
2Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:16
3Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi54:00
4Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:14
5Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:10
6Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
arrangeur :
Jeannette Sorrell (conductor and harpsichordist)
arrangement de :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
recording of :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:54
7Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:07
8Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:07
9Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:19
10Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name) et Nils‐Erik Sparf (Swedish viol(in)ist)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Drottningholms Barockensemble (Drottningholm Baroque Ensemble), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi53:35
11Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
arrangement de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:46
12Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
violon :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:27
13Sinfonia in C major, RV 116: I. Allegro
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Anton Nanut (Alfred Scholz pseudonym)
recording of :
Sinfonia in C major, RV 116: I. Allegro
compositeur :
[anonymous] (special purpose artist)
attribué précédemment à :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Sinfonia in C major, RV 116
Antonio Vivaldi5:20
14Sinfonia in C major, RV 116: II. Andante
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Anton Nanut (conductor)
recording of :
Sinfonia in C major, RV 116: II. Andante
compositeur :
[anonymous] (special purpose artist)
attribué précédemment à :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Sinfonia in C major, RV 116
Antonio Vivaldi3:10
15Sinfonia in C major, RV 116: III. Allegro
orchestre :
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) et Anton Nanut (conductor)
recording of :
Sinfonia in C major, RV 116: III. Allegro
compositeur :
[anonymous] (special purpose artist)
attribué précédemment à :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Sinfonia in C major, RV 116
Antonio Vivaldi1:34
8▼CD
noTitreArtisteÉvaluationDurée
1Boléro, op. 81
piano :
Mee Chou Lee (pianist)
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor :
Samo Hubad (conductor), Anton Nanut (conductor) et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Boléro
compositeur :
Maurice Ravel (French composer) (le 1928)
éditeur :
Ed. Durand & Cie (1909–1947) et Soc. Arima (rights society?)
première à :
Palais Garnier dans Paris, Île-de-France, France (le 1928-11-22)
partie de :
Classic 100: Music of France (2012) (numéro : 9) et Catalogue Marcel Marnat des œuvres de Maurice Ravel (numéro : M. 81)
Maurice Ravel13:53
2Piano Concerto in G major: I. Allegramente
piano :
Mee Chou Lee (pianist)
orchestre :
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor :
Anton Nanut (conductor)
interprète :
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of :
Piano Concerto in G major: I. Allegramente
compositeur :
Maurice Ravel (French composer) (du 1929 au 1931)
partie de :
Piano Concerto in G major
Maurice Ravel8:46
3Piano Concerto in G major: II. Adagio assai
piano :
Mee Chou Lee (pianist)
orchestre :
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor :
Anton Nanut (conductor)
interprète :
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of :
Piano Concerto in G major: II. Adagio assai
compositeur :
Maurice Ravel (French composer) (du 1929 au 1931)
partie de :
Piano Concerto in G major
Maurice Ravel8:44
4Piano Concerto in G major: III. Presto
piano :
Mee Chou Lee (pianist)
orchestre :
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor :
Anton Nanut (conductor)
interprète :
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of :
Piano Concerto in G major: III. Presto
compositeur :
Maurice Ravel (French composer) (du 1929 au 1931)
partie de :
Piano Concerto in G major
Maurice Ravel4:09
5Le Tombeau de Couperin: I. Prélude
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Le Tombeau de Couperin: I. Prélude (for orchestra) (terminé)
orchestrateur :
Maurice Ravel (French composer) (le 1919)
compositeur :
Maurice Ravel (French composer) (du 1914 au 1917)
orchestration de :
Le tombeau de Couperin: I. Prélude (for solo piano)
partie de :
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:18
6Le Tombeau de Couperin: II. Forlane
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Le Tombeau de Couperin: II. Forlane (for orchestra) (terminé)
orchestrateur :
Maurice Ravel (French composer) (le 1919)
compositeur :
Maurice Ravel (French composer) (du 1914 au 1917)
orchestration de :
Le tombeau de Couperin: III. Forlane (for solo piano)
partie de :
Le Tombeau de Couperin (for orchestra)
Maurice Ravel5:45
7Le Tombeau de Couperin: III. Menuet
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Le Tombeau de Couperin: III. Menuet (for orchestra) (terminé)
orchestrateur :
Maurice Ravel (French composer) (le 1919)
compositeur :
Maurice Ravel (French composer) (du 1914 au 1917)
orchestration de :
Le tombeau de Couperin: V. Menuet (for solo piano)
partie de :
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:47
8Le Tombeau de Couperin: IV. Rigaudon. Assez vif
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (terminé)
orchestrateur :
Maurice Ravel (French composer) (le 1919)
compositeur :
Maurice Ravel (French composer) (du 1914 au 1917)
orchestration de :
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
partie de :
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:06
9▼CD
noTitreArtisteÉvaluationDurée
1Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto
orchestre :
Slowakische Philharmonie (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
droits phonographiques (℗) par :
Mediaphon (this is the one to use as a release label) (le 1989)
recording of :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto)
compositeur :
Antonín Dvořák (composer) (du 1893-01-10 au 1893-05-24)
partie de :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphonie n° 9 en mi mineur, op. 95 « Du Nouveau Monde »)
Antonín Dvořák8:58
2Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
orchestre :
Slovak National Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
droits phonographiques (℗) par :
Mediaphon (this is the one to use as a release label) (le 1989)
recording of :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
compositeur :
Antonín Dvořák (composer) (du 1893-01-10 au 1893-05-24)
partie de :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphonie n° 9 en mi mineur, op. 95 « Du Nouveau Monde »)
Antonín Dvořák11:49
3Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto
orchestre :
Slowakische Philharmonie (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
droits phonographiques (℗) par :
Mediaphon (this is the one to use as a release label) (le 1989)
recording of :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto)
compositeur :
Antonín Dvořák (composer) (du 1893-01-10 au 1893-05-24)
partie de :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphonie n° 9 en mi mineur, op. 95 « Du Nouveau Monde »)
Antonín Dvořák8:03
4Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco
orchestre :
Slowakische Philharmonie (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
droits phonographiques (℗) par :
Mediaphon (this is the one to use as a release label) (le 1989)
recording of :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco)
compositeur :
Antonín Dvořák (composer) (du 1893-01-10 au 1893-05-24)
partie de :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphonie n° 9 en mi mineur, op. 95 « Du Nouveau Monde »)
Antonín Dvořák11:35
5Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso
orchestre :
Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
recording of :
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra)
compositeur :
Antonín Dvořák (composer) (du 1886-11 au 1887-01-05)
première à :
[concert] (1887-01-06)
orchestration de :
Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands)
partie de :
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:56
6Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse
orchestre :
Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
recording of :
Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse (for orchestra)
compositeur :
Antonín Dvořák (composer) (du 1886-11 au 1887-01-05)
partie de :
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák6:50
7Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace
orchestre :
Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
recording of :
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra)
compositeur :
Antonín Dvořák (composer) (du 1886-11 au 1887-01-05)
première à :
[concert] (1887-01-06)
partie de :
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:16
8Stabat Mater, op. 58, B. 71: I. Andante con moto "Stabat Mater dolorosa" (Quartetto e Coro)
orchestre :
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor :
Marko Munih (conductor)
recording of :
Stabat Mater, op. 58, B. 71: I. Andante con moto “Stabat Mater dolorosa” (Quartetto e Coro)
parolier :
Jacopone da Todi
compositeur :
Antonín Dvořák (composer) (du 1876-02-19 au 1876-05-07, du 1877-10 au 1877-11-13)
partie de :
Stabat Mater, op. 58, B. 71
Antonín Dvořák19:09
10▼CD
noTitreArtisteÉvaluationDurée
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
compositeur :
Ludwig van Beethoven (German composer) (du 1804 au 1808)
partie de :
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:20
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 5 in C minor, op. 67: II. Andante con moto
compositeur :
Ludwig van Beethoven (German composer) (du 1804 au 1808)
partie de :
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven11:01
3Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro / IV. Allegro
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
compositeur :
Ludwig van Beethoven (German composer) (du 1804 au 1808)
partie de :
Symphony no. 5 in C minor, op. 67
recording of :
Symphony no. 5 in C minor, op. 67: IV. Allegro
compositeur :
Ludwig van Beethoven (German composer) (du 1804 au 1808)
partie de :
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven14:15
4Ouvertüre Coriolan, op. 62: Allegro con brio
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) et Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62)
compositeur :
Ludwig van Beethoven (German composer) (le 1807)
dédié à :
Heinrich Joseph von Collin
première à :
Palais Lobkowitz dans Innere Stadt, Wien (Vienna), Autriche (le 1807-03)
partie de :
Works of Ludwig van Beethoven by opus number (numéro : op. 62)
Ludwig van Beethoven7:34
5Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro
orchestre :
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) et Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz et Peter Wohlert (conductor, Alfred Scholz related)
recording of :
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
première en :
Wien (Vienna), Autriche (le 1810-06-15)
compositeur :
Ludwig van Beethoven (German composer) (du 1809-10 au 1810-06)
partie de :
Egmont, op. 84
Ludwig van Beethoven8:19

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ASIN :DE: B0000057G9 [info]