Les 50 plus belles chansons – 3 CD

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleRatingLength
1Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4.12:57
2My Baby Just Cares for Me (2009 remaster)3.93:39
3I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.252:36
4I Loves You Porgy (live, New York, 1964)
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
percussion:
Lisle Atkinson
piano and lead vocals:
Nina Simone (on 1964-03-21)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:33
5Come Ye
piano:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
recording of:
Come Ye (Nina Simone) (in 1966-08)
lyricist and composer:
Nina Simone
publisher:
EMI Waterford Music
3.653:37
6Love Me or Leave Me
bass guitar and percussion:
Lisle Atkinson (on 1965-10-01)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1965-10-01)
flute and guitar:
Rudy Stevenson (on 1965-10-01)
harmonica:
Al Schackman (on 1965-10-01)
piano:
Nina Simone (on 1965-10-01)
cover recording of:
Love Me or Leave Me (on 1965-10-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
44:07
7Gin House Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Gin House Blues (in 1961)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:05
8Little Girl Blue (live, New York, 1964)
cover recording of:
Little Girl Blue (in 1964)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
2.52:36
9Stange Fruit (live, New York, 1965)
producer:
Hal Mooney
cover recording of:
Strange Fruit (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
3.653:33
10See‐Line Woman
recorded in:
New York, New York, United States (in 1964)
producer:
Hal Mooney
piano:
Nina Simone (in 1964)
vocals and conductor:
Nina Simone (in 1964)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
cover recording of:
See‐Line Woman (on 1964-03-21)
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
2.752:38
11Gimme Some
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Gimme Some
writer:
Andy Stroud (former husband of Nina Simone.)
3.353:01
12Brown Eyed Handsome Man
cover recording of:
Brown Eyed Handsome Man
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
1.52:06
13Marriage Is for Old Folks
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
Marriage Is for Old Folks
writer:
Leon Carr and Earl S. Shuman (composer / lyricist)
3.353:32
14July Tree
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
July Tree (in 1965-01)
writer:
Irma Jurist and Eve Merriam
42:45
15He’s Got the World in His Hands
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
13:11
16Don’t Explain
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Nina Simone
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
34:21
17He Needs Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
lyricist and composer:
Arthur Hamilton
publisher:
Warner Chappell North America
52:31
18I’m Going Back Home
piano:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
recording of:
I’m Going Back Home (in 1966-08)
writer:
Rudy Stevenson
32:50
2CD: Ptyn5m1jmf8abdmsak10gqyk.Qm-
#TitleRatingLength
1Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4.052:45
3Four Women
producer:
Hal Mooney
bass guitar, double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
vocals:
Nina Simone
recording of:
Four Women (on 1965-09-30)
lyricist and composer:
Nina Simone
publisher:
EMI Tunes Ltd
34:24
4Tell Me More and More and Then Some
producer:
Hal Mooney
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Billie Holiday
33:08
5Don’t You Pay Them No Mind
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
cover recording of:
Don’t You Pay Them No Mind
writer:
Fred Ahlert, Richard Ahlert, Arthur Scott (Motown composer signed to Jobete Music Co) and Bobby Scott (vocals, piano, US musician & producer)
2.353:07
6The Other Woman
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.653:03
7Plain Gold Ring
double bass:
Lisle Atkinson (on 1964-04-06)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-06)
guitar:
Rudy Stevenson (on 1964-04-06)
piano and lead vocals:
Nina Simone (on 1964-04-06)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-06)
live recording of:
Plain Gold Ring (on 1964-04-06)
lyricist:
George Stone (composer)
composer:
Blue Sky Black Death (US hip hop production duo), Earl Burroughs and George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) and Hank Snow Music (on 1959-09-21)
26:20
8Sinnerman
producer:
Hal Mooney
cover recording of:
Sinnerman (from 1965-05-19 until 1965-05-20)
lyricist and composer:
[traditional] (special purpose artist)
is based on:
Oh Sinner Man (Bob Gibson's version)
4.510:19
9The Last Rose of Summer
recorded in:
New York, New York, United States (in 1966-08)
piano:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
orchestra:
Harold Mooney & His Orchestra (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Hal Mooney
recording of:
The Last Rose of Summer (in 1966-08)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13861)
43:04
10Keeper of the Flame2.53:22
11Black Is the Color of My Tue Love’s Hair (live, New York, 1964)
producer:
Hal Mooney
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (on 1964-04-06)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
33:26
12Mood Indigo
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1965)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
3.352:27
13Be My Husband (live, New York, 1965)
producer:
Hal Mooney
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (from 1965-05-19 until 1965-05-20)
recording of:
Be My Husband (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
is based on:
Rosie (Work camp song first recorded by Alan and John Lomax)
2.53:23
14Nobody Knows You When You’re Down and Out (live, New York, 1965)
producer:
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
32:29
15Don’t Take All Night
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
32:54
16Baltimore (live, Vine St.Bar & Grill, 1964)
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1985-12-03 until 1985-12-08)
live cover recording of:
Baltimore (from 1985-12-03 until 1985-12-08)
lyricist, writer and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Hightree Music (in 1977)
4:42
3CD
#TitleRatingLength
1Work Song
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1966)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
3.253:06
2The Gal From Joe’s
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3.352:46
3Break Down and Let It All Out
producer:
Hal Mooney
double bass:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
guitar:
Rudy Stevenson
piano:
Nina Simone
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
cover recording of:
Break Down and Let It All Out (on 1965-10-01)
lyricist and composer:
Van McCoy
2.52:40
4Ne me quitte pas
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
43:38
5Wild Is the Wind (live, New York, 1964)
producer:
Hal Mooney
double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1964-03-21)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
3.656:59
6Just Say I Love Him
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Just Say I Love Her (Engl. translation "Dicitencello vujie") (in 1961)
lyricist:
Enzo Fusco
composer:
Rodolfo Falvo
additional arranger:
Jimmy Dale (American jazz composer, pianist, music arranger) and Jack Val (ASCAP songwriter)
translator:
Martin Kalmanoff (ASCAP songwriter) and Sam Ward
translated version of:
Dicitencello vuje
56:36
7I’m Gonna Leave You
piano:
Nina Simone (on 1966-04-01)
vocals:
Nina Simone (on 1966-04-01)
conductor:
Hal Mooney (on 1966-04-01)
arranger:
Hal Mooney
recording of:
I’m Gonna Leave You (on 1966-04-01)
lyricist and composer:
Rudy Stevenson
2.352:19
8Take Me to the Water
piano:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Nina Simone
recording of:
Take Me to the Water (in 1966-08)
writer:
[traditional] (special purpose artist), Koos Versteeg and Henk Westendorp
2.652:52
9The Ballad of Hollis Brown
cover recording of:
Ballad of Hollis Brown
lyricist and composer:
Bob Dylan (in 1962)
publisher:
M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
24:56
10Don’t Smoke in Bed
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
guitar:
Rudy Stevenson (on 1964-03-21)
piano and lead vocals:
Nina Simone (on 1964-03-21)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
Don’t Smoke in Bed (on 1964-03-21)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
25:30
11He Ain’t Comin’ Home No More2.53:09
12Mississippi Goddam
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set) and membranophone:
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (on 1964-04-04)
background vocals:
Lisle Atkinson (on 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04) and Rudy Stevenson (on 1964-04-04)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 172)
live recording of:
Mississippi Goddam (on 1964-04-04)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
part of:
Martin Luther King Suite
4.654:57
13Trouble in Mind
producer:
Hal Mooney
cover recording of:
Trouble in Mind (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
3.852:43
14Take Care of Business
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
3.52:06
15Lilac Wine
producer:
Hal Mooney (on 1965-09-30)
double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (on 1965-09-30)
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Lilac Wine (on 1965-09-30)
lyricist and composer:
James H. Shelton (composer of “Lilac Wine”)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.654:16
16I Love My Baby
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
recording of:
I Love My Baby
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
44:03