Charlie’s Angels: More Music From the Motion Picture

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Songs are not included in the official soundtrack, but are present in the movie.

Annotation last modified on 2023-10-01 06:46 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1All the Small Things
recording engineer:
Sean O’Dwyer (US producer & engineer)
assistant engineer:
Darrell Harvey (engineer), John Nelson (engineer) and Robert Read (engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
bass guitar and background vocals:
Mark “Fish Guts” Hoppus
drums (drum set):
Travis “Fuck Boy” Barker (American producer and drummer of blink-182)
guitar and lead vocals:
Tom “Hot Pants” DeLonge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
drums (drum set) technician:
Mike Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 1999), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1999), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
All the Small Things (music video) by blink‐182
part of:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 365)
recording of:
All the Small Things
writer:
Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music, Jolly Old Saint Dick and Kobalt Songs Music Publishing (USA, ASCAP affiliated)
blink‐1824.22:47
2Blind
recording engineer and producer:
Ross Robinson
engineer:
Chuck Johnson (US nu‐metal engineer)
mixer:
Chuck Johnson (US nu‐metal engineer) and Ross Robinson
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 67)
recording of:
Blind (from 1994-05 until 1994-06)
lyricist:
Jonathan Davis (vocalist for Korn) (in 1993)
composer:
Brian Phillip Welch (Brian Phillip Welch, member of Korn) (in 1993), James Christian Shaffer (in 1993), Reginald Arvizu (in 1993), Dennis Shinn (Aka Menace) (in 1993), Ryan Shuck (in 1993) and David Silveria (in 1993)
Korn3.554:18
3Live Wire
engineer:
Robert Battaglia and Azi Kipper
producer:
Mötley Crüe
bass guitar:
Nikki Sixx
drums (drum set):
Tommy Lee (Mötley Crüe drummer)
guitar:
Mick Mars
background vocals:
Tommy Lee (Mötley Crüe drummer), Mick Mars and Nikki Sixx
lead vocals:
Vince Neil
recorded at:
Hit City West in Los Angeles, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Live Wire
lyricist and composer:
Nikki Sixx
publisher:
Blonde Baby Music, Mars Mountain Music, Sixx/Gunner Music and Tommyland Music
Mötley Crüe43:15
4Wake Me Up Before You Go‐Go
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
music videos:
Wake Me Up Before You Go by Wham! (British pop-duo)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 28) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 269)
recording of:
Wake Me Up Before You Go‐Go
lyricist and composer:
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
5Money (That’s What I Want)
producer:
David Cunningham
cover recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Flying Lizards4.22:33
6I Love Rock ’n Roll
engineer:
Gerry Gabinelli and Glen Kolotkin
associate producer:
Glen Kolotkin
producer:
Ritchie Cordell and Kenny Laguna
bass guitar and background vocals:
Gary Ryan (guitarist and composer) (from 1981-06 until 1981-09)
drums (drum set):
Lee Crystal (drummer) (from 1981-06 until 1981-09)
guest organ, guest piano and guest background vocals:
Kenny Laguna (from 1981-06 until 1981-09)
guitar:
Ricky Byrd (from 1981-06 until 1981-09) and Joan Jett (from 1981-06 until 1981-09)
lead vocals:
Joan Jett (from 1981-06 until 1981-09)
phonographic copyright (℗) by:
Blackheart Records (in 1981), Boardwalk Records, Inc. (company credits only; do NOT use as release label) (in 1982) and Blackheart Records Group (in 2015)
produced for:
Jett Lag Productions
recorded at:
Kingdom Sound in Syosset, New York, United States (from 1981-06 until 1981-09) and Soundworks (New York) in New York, New York, United States (from 1981-06 until 1981-09)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 70), Billboard: Greatest of All Time Hot 100 Songs (number: 80) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 484)
cover recording of:
I Love Rock ’n’ Roll (from 1981-06 until 1981-09)
writer:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) and Alan Merrill
publisher:
Finchley Music Corp.
Joan Jett and the Blackhearts4.552:59
7Angel of the Morning
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Angel of the Morning (on 1980-09-04)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
Juice Newton4.354:09
8Undercover Angel
Alan O’Day3:31
9Principles of Lust
engineer:
Michael Cretu (Romanian-born German musician, composer and record producer)
partial recording of:
Principles of Lust
lyricist and composer:
Michael Cretu (Romanian-born German musician, composer and record producer)
publisher:
Data Alpha, Sweet 'n' Sour Songs Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
Enigma3:09
10Twiggy Twiggy
Pizzicato Five3:58
11Sukiyaki
lead vocals:
坂本九 (Kyu Sakamoto) (in 1961)
phonographic copyright (℗) by:
EMI Music Japan (bootlegs of EMI Music Japan releases.) (in 1963)
recording of:
上を向いて歩こう (in 1961)
lyricist:
永六輔 (Rokusuke Ei)
composer:
中村八大 (Hachidai Nakamura)
publisher:
EMI Music Publishing (do not use as a release label!), イーエムアイ音楽出版 (EMI Music Publishing Japan) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI内国事業部 (publisher for domestic Japanese works) (from 2021-07-01 to present)
part of:
日本の歌百選 (number: 12)
坂本九3.43:09
12Smack My Bitch Up
additional recording engineer:
Neil McLellan
producer and mixer:
Liam Howlett
additional vocals:
Shahin Bada
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1997)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
Earthbound in Bradwell, Essex, England, United Kingdom
produced at:
Earthbound in Bradwell, Essex, England, United Kingdom
samples:
Bulls on Parade by Rage Against the Machine (electric guitar), Give the Drummer Some by Ultramagnetic MC’s and In Memory Of by Randy Weston
recording of:
Smack My Bitch Up
writer:
Cedric Miller, Liam Howlett, Maurice Smith, Trevor Randolph and Keith Matthew Thornton
publisher:
Beats G Music, EMI Virgin Music Ltd. (do not use this as a release label!) and Next Plateau Music Inc.
The Prodigy3.955:45
13The Humpty Dance (album version edit)
producer:
Shock‐G (of Digital Underground)
background vocals:
Fuze (US hip-hop DJ/producer David Elliot) and Money‐B (Money B, of Digital Underground)
arranger:
Shock‐G (of Digital Underground)
phonographic copyright (℗) by:
Tommy Boy Music, Inc. (in 1986)
produced for:
Stayin’ Busy Productions
recording of:
The Humpty Dance
writer:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter), Gregory Jacobs, Humpty Hump and Walter Morrison
publisher:
GLG Two Music, Pubhowyalike Publishing and Willesden Music (Publishing company, affiliated with BMI)
Digital Underground4:39
14The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Huey Lewis and the News44:01
15Baby Got Back
programming, engineer, producer and mixer:
Sir Mix‐A‐Lot
guest vocals:
Amy Dorsey
arranger:
Sir Mix‐A‐Lot
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 327)
recording of:
Baby Got Back
lyricist and composer:
Sir Mix‐A‐Lot
publisher:
Mix-A-Lot Publishing and Universal–Songs of PolyGram International, Inc.
Sir Mix‐A‐Lot3.654:15
16Miami Vice Theme (Miami Vice)
recording of:
Miami Vice Theme
composer:
Jan Hammer
Jan Hammer3.52:25
17Simon Says
Pharoahe Monch2:55
18Leave You Far Behind
phonographic copyright (℗) by:
Universal Music (UK) Ltd. (not a release label; see Universal Music UK annotation) (in 1998)
recording of:
Leave You Far Behind
writer:
Howard Saunders and Simon Shackleton
publisher:
Junkbond Ltd. and MCA Music Ltd.
Lunatic Calm3.83:13
19Skullsplitter
Hednoize4:32
20Song 2
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Graham Coxon and Dave Rowntree
electric guitar, theremin and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
percussion:
Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
music videos:
Song 2 (music video) by Blur (UK alternative rock band)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
recording of:
Song 2
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) and 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:04
21Billie Jean
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
Leon Ndugu Chancler
guitar:
David Williams (session guitarist and songwriter)
Rhodes piano and synthesizer:
Greg Phillinganes
synthesizer:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
lead vocals:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
percussion and synthesizer arranger and synthesizer arranger:
Michael Jackson (“King of Pop”)
strings arranger:
Jerry Hey
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1982)
edit of:
Billie Jean (long version) by Michael Jackson (“King of Pop”)
music videos:
Billie Jean by Michael Jackson (“King of Pop”)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 7), Billboard Hot 100: 2026-05-23 (number: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard Hot 100: 2026-05-16 (number: 17), Billboard Hot 100: 2026-06-20 (number: 18), Billboard Hot 100: 2026-06-06 (number: 19), Billboard Hot 100: 2026-06-13 (number: 19), Billboard Hot 100: 2026-05-30 (number: 32), Billboard Hot 100: 2026-05-09 (number: 38), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 58) and Billboard: Greatest of All Time Hot 100 Songs (number: 95)
recording of:
Billie Jean
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
MJ: The Musical
Michael Jackson4.14:54
22Angel
producer:
Rod Stewart
cover recording of:
Angel
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C., Warner Chappell Music (publisher as Warner/Chappell Music) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rod Stewart4:04