Gran Concerto Barocco

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Le quattro stagioni - Concerto in mi magg. RV 269 "La primavera" - Allegro
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1980-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:06
2Concerto brandeburghese n. 3 - Allegro
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:50
3Sonata in do K 159
recorded in:
Roma (Rome), Roma, Lazio, Italy (on 1965-03-04)
piano:
Arturo Benedetti Michelangeli (pianist) (on 1965-03-04)
recording of:
Sonata in C major, K 159, L 104 "La caccia": Allegro (on 1965-03-04)
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 104) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 159)
Domenico Scarlatti2:24
4Les Indes Galantes - Les sauvages - Air pour les Sauvages
engineer:
Henk Jansen (in 1992-10)
producer:
Anthony Freud (British arts administrator) and Sieuwert Verster
orchestra:
Orchestra of the 18th Century (Orchestra of the Eighteenth Century) (in 1992-10)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1992-10)
balance engineer:
Dick van Schuppen (in 1992-10)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: I. Danse du grand calumet de Paix executée par les Sauvages
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages
Jean‐Philippe Rameau1:41
5Canone e giga per tre violini e basso continuo in re magg. - Canone. Sostenuto - Giga. Scherzando
producer:
Michel Glotz
harpsichord:
Frank Maus (harpsichordist and pianist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Canon and Gigue in D major, T. 337 (arr. Max Seiffert) (from 1983-09-28 until 1983-09-30)
composer:
Johann Pachelbel (composer)
arranger:
Max Seiffert
arrangement of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel7:05
6Herz un Mund und Tat und Leben BWV 147 - Seconda parte - Corale: "Jesus bleibet meine Freude"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:32
7Rinaldo - "Lascia ch'io pianga"
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:14
8Concerto per clavicembalo e archi in fa min. BWV1056 - Largo
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor and concertmaster:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) and Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-11, in 1981-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:51
9Concerto per due violini archi e clavicembalo in la min. - Allegro
violin:
David Oistrakh (violinist) (in 1961-03) and Igor Oistrakh (violinist) (in 1961-03)
orchestra:
Royal Philharmonic Orchestra (in 1961-03)
conductor:
David Oistrakh (violinist) (in 1961-03)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, “Con due Violini obligati”: I. Allegro (in 1961-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, 'Con due Violini obligati'
Antonio Vivaldi3:55
10Suite inglese n. 3 in sol min. BWV 808 - Gavotta I alternativamente e Gavotta II o la Musette
engineer:
Stanley Goodall (engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1988-01-04 until 1988-01-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1988)
recorded at:
University of Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-01-04 until 1988-01-08)
recording of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (from 1988-01-04 until 1988-01-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 3 g-Moll, BWV 808 (English Suite No. 3 in G minor, BWV 808)
recording of:
Englische Suite Nr. 3 g-Moll, BWV 808: VI. Gavotte II ou la Musette - Gavotte I da capo (from 1988-01-04 until 1988-01-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 3 g-Moll, BWV 808 (English Suite No. 3 in G minor, BWV 808)
Johann Sebastian Bach3:23
11Suite n. 4 in re min. HW 437 - Sarabanda
orchestra:
The Bohemia Orchestra
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Georg Friedrich Händel3:38
12Orchestral suite n. 2 - Badinerie
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
flute:
Lisa Beznosiuk (flautist)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (English violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:34
13Adagio
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:19
14Toccata in la
harpsichord:
George Malcolm (English harpsichordist, conductor)
recording of:
Sonata no. 6: II. Allegro (Toccata in A)
composer:
Pietro Domenico Paradisi
part of:
Sonata no. 6
Pietro Domenico Paradisi1:30
15Concerto per violino, oboe, archi e basso continuo in do min. BWV 1060 - Adagio
recorded in:
London (Greater London), England, United Kingdom (in 1982-06)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor)
solo oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-06)
solo violin and violin:
Gidon Kremer (violinist) (in 1982-06)
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-06)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1982-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:22
16Concerto per due mandolini in sol magg. RV 532 - Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
mandolin [mandolin I]:
James Tyler (in 1985-10)
mandolin [mandolin II]:
Robin Jeffrey (mandolin and theorbo player) (in 1985-10)
orchestra:
The English Concert (in 1985-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro (in 1985-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi34:02
17Concerto per la notte di Natale - Allegro, Pastorale. Largo
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
cello:
Eric Bartlett (in 1989-04)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Naoko Tanaka (violinist) (in 1989-04) and Eric Wyrick (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (in 1989-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (in 1989-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli6:04
18Messiah - Coro: Halleluja
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:57
2▼CD
#TitleArtistRatingLength
1Overture in re magg. - BWV 1068 - Aria sulla IV corda
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
organ:
David Bell (organist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1983-09-28 until 1983-09-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach56:03
2"L'estro armonico" - RV 580 - Concerto per quattro violini op. 3 n. 10 in si min. - Allegro
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
cello:
Eric Bartlett (in 1989-04)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Guillermo Figueroa (in 1989-04), Liang-Ping How (in 1989-04), Joanna Jenner (in 1989-04) and Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: I. Allegro (in 1989-04)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
Antonio Vivaldi53:39
3Concerto per flauto in sol magg. - Presto
flute:
Jean‐Pierre Rampal (flautist)
orchestra:
Orchestre Antiqua Musica
conductor:
Jacques Roussel
recording of:
Flute Concerto no. 161 in G major, QV 5:174: III. Presto
composer:
Johann Joachim Quantz
part of:
Flute Concerto no. 161 in G major, QV 5:174
Johann Joachim Quantz3:59
4Concerto per organo - "Il cucù e l'usignolo" - Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
organ:
Simon Preston (organist, conductor, composer) (in 1983-06, in 1983-09)
orchestra:
The English Concert (in 1983-06, in 1983-09)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-06, in 1983-09)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Church of St. John the Baptist (Armitage) in Rugeley, Staffordshire, England, United Kingdom (in 1983-06, in 1983-09)
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: IV. Allegro (in 1983-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: IV. Allegro (in 1983-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
Georg Friedrich Händel3:14
5Suite francese n. 5 in sol magg. BWV 816 - Allemanda
piano:
Andrei Gavrilov (pianist) (in 1993-10)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: I. Allemande (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
Johann Sebastian Bach2:36
6Concerto in do magg. RV 443 - Allegro
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Dr Gerd Ploebsch (engineer)
sopranino recorder:
Michael Copley (in 1984-09)
orchestra:
Camerata Bern (in 1984-09)
conductor and concertmaster:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Flautino Concerto in C major, RV 443: I. Allegro (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Flautino Concerto in C major, RV 443
Antonio Vivaldi3:37
7Concerto a cinque per oboe solo e archi op. 9 n. 2 in re min. - Adagio
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
David Reichenberg (oboist) (in 1984-06)
orchestra:
The English Concert (in 1984-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (in 1984-06)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in D minor, op. 9 no. 2
Tomaso Giovanni Albinoni4:01
8L'arte della Fuga BWV 1080 - Contrappunto 1
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:59
9Les Folies d'Espagne
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Les Folies d'Espagne (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully2:53
10Concerto a quattro op. 8 n. 6 in sol min. - Grave. Vivace
producer:
Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto": I. Grave - Vivace (from 1970-08-19 until 1970-08-23)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto"
Giuseppe Torelli3:49
11Concerto per liuto in re magg. - Largo
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Hans‐Rudolf Müller (engineer) and Gregor Zielinsky (Balance engineer)
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-09)
guitar:
Göran Söllscher (classical guitarist)
orchestra:
Camerata Bern (in 1984-09)
conductor:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:05
12Concerto per violino, archi e basso continuo in la min. BWV 1041
producer:
Wolfgang Lohse
harpsichord:
Georg Fischer (keyboardist and conductor) (in 1962-06)
violin:
David Oistrakh (violinist) (in 1962-06)
orchestra:
Vienna Symphony Orchestra (in 1962-06)
conductor:
David Oistrakh (violinist) (in 1962-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1962-06) and Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (in 1962-06)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 1962-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach54:03
13Le coucou
recording engineer:
Eiji Yoshioka (engineer) (in 1983)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Ongaku No Tomo (in 1983)
recording of:
Premier livre de clavecin: Troisième suite: I. Le coucou. Rondeau. Vif (The Cuckoo) (in 1983)
composer:
Louis‐Claude Daquin
part of:
Premier livre de clavecin: Troisième suite
Louis-Claude Daquin2:01
14Didone ed Enea - "Thy hand Belinda - When I am laid in earth"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989) and Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:33
15Le bourgeois gentilhomme - Marche pour la cérémonie des Turcs
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully2:47
16Concerto italiano in fa magg. - BWV 971 - Allegro
piano:
Alexis Weissenberg (in 1987-08)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1987-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:12
17Orfeo ed Euridice - "Che farò senza Euridice"
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Jerry Lanning
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1977-04)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck4:26
18Passione S. Matteo BWV 244 - Coro: "Kommt, ihr Töchter, helft mir klagen"
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01), Staats‐ und Domchor Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01), Walter Hagen-Groll (chorus master) (in 1972-01) and Karl-Heinz Kaiser (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach59:18
3▼CD
#TitleArtistRatingLength
1Te Deum - Preludio
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock
orchestra:
Les Musiciens du Louvre (from 1997-03 to present, in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 1997-03 to present, in 1997-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1997-03 to present)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:21
2Serse in fa magg. - Largo
engineer and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04) and Edward Brewer (harpsichordist) (in 1990)
oboe:
Randall Wolfgang (oboist) (in 1989-04, in 1990)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (from 1989-04 to present, in 1989-04)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel2:57
3Il clavicembalo ben temperato - Libro I - Preludio e Fuga in do magg. BWV 846 - Preludio
harpsichord:
Helmut Walcha (German organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:34
4Le quattro stagioni op. 8 - Concerto n. 4 in fa min. RV 297 "L'inverno" - Largo
recorded in:
Cremona, Cremona (Province of Cremona), Lombardia, Italy (in 1987-09)
engineer:
Roger de Schot
producer:
Erik Smith (British producer, pianist and harpsichordist)
editor:
Fiona Gale and Albert Kos (engineer/editor)
violin:
Salvatore Accardo (violinist and conductor) (in 1987-09)
orchestra:
I solisti delle settimane musicali internazionali di Napoli (in 1987-09)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Philips Digital Classics (this may likely be a series than an actual label) (in 1988)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1987-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:27
5Sonata n.5 in do - Andante
recorded in:
Roma (Rome), Roma, Lazio, Italy (in 1965)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1965)
recording of:
Sonata V in C major: I. Andante (in 1965)
composer:
Baldassare Galuppi (Italian composer)
part of:
Sonata V in C major
Baldassare Galuppi7:51
6Concerto per due violini archi e basso continuo in re min. BWV 1043 - Largo ma non tanto
producer:
Hans Weber (producer/engineer)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1961-02)
violin:
David Oistrakh (violinist) (in 1961-02) and Igor Oistrakh (violinist) (in 1961-02)
orchestra:
Royal Philharmonic Orchestra (in 1961-02)
conductor:
Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (in 1961-02)
balance engineer:
Harald Baudis (sound engineer) (in 1961-02)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1961-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1961-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:33
7Capriccio sopra la Battaglia
harpsichord:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Capriccio sopra la Battaglia, F 2.31
composer:
Girolamo Frescobaldi (composer) (in 1637)
part of:
Frescobaldi Thematic Catalogue Online (number: F 2.31)
part of:
Il primo libro de toccate (1637) (Il primo libro de toccate d’intavolatura di cimbalo et organo, partite di diverse arie et corrente, balletti, ciaccone, passachagli (Rome: Borboni, 1637))
Girolamo Frescobaldi3:03
8Musica da tavola - Quartetto in sol magg. - Vivace
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
Georg Philipp Telemann2:29
9Variazioni Goldberg BWV 988 - Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:49
10Concerto per flauto "La tempesta di mare" - Allegro
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
flute:
Patrick Gallois (flutist) (in 1992-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-12)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-12)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": I. Allegro (in 1992-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
Antonio Vivaldi2:45
11Stabat Mater per soprano, contralto, archi e basso continuo - Duetto. Grave - "Stabat Mater dolorosa"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1983-12)
alto vocals:
Lucia Valentini Terrani (mezzo soprano) (in 1983-12)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1983-12)
orchestra:
London Symphony Orchestra (in 1983-12)
conductor:
Claudio Abbado (conductor) (in 1983-12)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1983-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:39
12Stabat Mater per soprano, contralto, archi e basso continuo - Duetto. Allegro - "Fac, ut ardeat cor meum"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1983-12)
alto vocals:
Lucia Valentini Terrani (mezzo soprano) (in 1983-12)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1983-12)
orchestra:
London Symphony Orchestra (in 1983-12)
conductor:
Claudio Abbado (conductor) (in 1983-12)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum (in 1983-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:43
13Concerto in fa magg. - Réjouissanc
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Concerto in F major, S.209: III. Réjouissance
composer:
Johann David Heinichen
part of:
Concerto in F major, S.209
Johann David Heinichen1:24
14Vespro della Beata Vergine - Deus in auditorium, Domine ad adiuvandum
choir vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
orchestra:
Hamburger Bläserkreis für Alte Musik
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:12
15Concerto per oboe d'amore archi e basso continuo in la magg. BWV 1055 - Allegro ma non tanto
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
oboe d'amore:
Manfred Clement (oboist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto (in 1980-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
Johann Sebastian Bach4:52
16Fandango in re min.
harpsichord:
Rafael Puyana (harpsichordist)
recording of:
Fandango in D minor, R. 146
composer:
Padre Antonio Soler (composer)
Padre Antonio Soler13:00
17Concerto op. 10 n. 2 "La notte" per flauto, archi e clavicembalo in sol mi. RV 439 - Il sonno: Largo. Allegro
producer:
Michel Glotz
flute:
Andreas Blau (flutist) (from 1983-09-28 until 1983-09-30)
harpsichord:
Frank Maus (harpsichordist and pianist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno” (from 1983-09-28 until 1983-09-30)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro (from 1983-09-28 until 1983-09-30)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi3:40
18Salomone - Atto III - "L'arrivo della Regina di Saba" in si bem. magg. HWV 67
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03, in 1985)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:06
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1Le quattro stagioni op. 8 - Concerto n. 3 in fa magg. RV 293 "L'autunno" - Allegro (La caccia)
recorded in:
Cremona, Cremona (Province of Cremona), Lombardia, Italy (in 1987-09)
engineer:
Roger de Schot
producer:
Erik Smith (British producer, pianist and harpsichordist)
editor:
Fiona Gale and Albert Kos (engineer/editor)
violin:
Salvatore Accardo (violinist and conductor) (in 1987-09)
orchestra:
I solisti di Napoli (in 1987-09)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Philips Digital Classics (this may likely be a series than an actual label) (in 1988)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (in 1987-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:34
2Suite n. 1 per violoncello in sol magg. BWV 1007 - Preludio
cello:
Mischa Maisky (cellist) (in 1984-10)
recorded at:
Zentralsaal in Bamberg, Bayern (Bavaria), Germany (in 1984-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1984-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:40
3Sonata in si bem. magg. BuxWV 273 - Giga
miscellaneous support and producer:
Dr. Gerd Ploebsch (engineer)
executive producer:
Dr. Andreas Holschneider
harpsichord [Cembalo]:
Henk Bouman (from 1980-08-25 until 1980-08-29)
instruments:
Musica Antiqua Köln (Musica Antiqua Cologne) (from 1980-08-25 until 1980-08-29)
viola da gamba:
Jaap ter Linden (cellist/violist/conductor) (from 1980-08-25 until 1980-08-29)
violin:
Reinhard Goebel (violinist and conductor) (from 1980-08-25 until 1980-08-29)
violone:
Jonathan Cable (from 1980-08-25 until 1980-08-29)
conductor:
Reinhard Goebel (violinist and conductor) (from 1980-08-25 until 1980-08-29)
balance engineer:
Wolfgang Mitlehner (harpsichord) and Wolfgang Mitlehner
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1980-08-25 until 1980-08-29)
recording of:
Sonata B-dur, BuxWV 273: 5. Gigue (from 1980-08-25 until 1980-08-29)
composer:
Dieterich Buxtehude (composer)
part of:
Sonata in B-flat major, BuxWV 273
Dietrich Buxtehude1:17
4Suite per clavicembalo in la min. - La Piemontese
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor)
recording of:
La Piémontoise (Gustafson 102)
composer:
Louis Couperin (composer)
part of:
Louis Couperin's Harpsichord Works (Alan Curtis numbering) (number: 6) and Louis Couperin's Harpsichord Works (Gustafson numbering) (number: 102)
part of:
Suite in a-Moll
François Couperin1:47
5Musica per i fuochi d'artificio reali HWV 351 - La Réjouissance. Allegro
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1990-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1990-12)
concertmaster:
Guillermo Figueroa (in 1990-12)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1990-12)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1990-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel3:06
6Minuetto in sol magg. BWV App. 114
piano:
Carl Seemann (German pianist)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach1:26
7Stabat mater per contralto, archi e basso continuo RV 621
engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Helmut Burk
editor:
Ingmar Haas (engineer)
organ:
Trevor Pinnock (conductor / harpsichord) (in 1995-11)
countertenor vocals:
Michael Chance (British countertenor) (in 1995-11)
orchestra:
The English Concert (in 1995-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1995-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (in 1995-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:21
8Battalia a 10 - Sonata. Allegro
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Concentus Musicus Wien (in 1965-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1965-03)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Palais Schönburg in Wieden, Wien (Vienna), Austria (in 1965-03)
recording of:
Battalia à 10: I. Sonata (in 1965-03)
composer:
Heinrich Ignaz Franz von Biber (composer)
part of:
Battalia à 10
Heinrich Ignaz Franz von Biber0:59
9Oratorio di Natale BWV 248
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch (engineer) and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:19
10Sonata op. 1 n. 4 "Il trillo del diavolo" in sol min. - Allegro
producer:
Us Van Der Meulen
piano:
Riccardo Castagnone (pianist, harpsichordist and composer) (from 1956-07-16 until 1956-07-19)
violin:
Arthur Grumiaux (Belgian violinist) (from 1956-07-16 until 1956-07-19)
recorded at:
Bachzaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1956-07-16 until 1956-07-19)
recording of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo": II. Allegro (from 1956-07-16 until 1956-07-19)
composer:
Giuseppe Tartini (Italian composer)
part of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo" (four-movement version)
Giuseppe Tartini2:55
11Concerto per due trombe archi e clavicembalo in do magg. RV 537
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
editor:
Manfred Bartel and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Maurits Sillem (in 1976-05)
organ:
Hedwig Bilgram (harpsichordist and organist)
trumpet:
Maurice André (French trumpeter) (in 1976-05)
orchestra:
English Chamber Orchestra (in 1976-05)
conductor:
Charles Mackerras (Australian conductor) (in 1976-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1976-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1976-05)
recording of:
Concerto for Two Trumpets in C major, RV 537: I. Allegro (in 1976-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi3:04
12Orfeo ed Euridice - Danza degli spiriti beati
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (from 1983-09-28 until 1983-09-30)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:46
13Toccata e Fuga "Dorica" BWV 538 - Toccata
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
pipe organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1983-06)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1983-06)
recording of:
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (in 1983-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata and Fugue in D minor "Dorian", BWV 538
Johann Sebastian Bach5:18
14Concerto per tromba e orchestra d'archi in re magg. - Allegro
producer:
Rudolf Werner (producer at Deutsche Grammophon)
organ:
Hedwig Bilgram (harpsichordist and organist)
trumpet:
Maurice André (French trumpeter) (in 1976-09)
orchestra:
English Chamber Orchestra (in 1976-09)
conductor:
Charles Mackerras (Australian conductor) (in 1976-09)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1976-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-09)
recording of:
Trumpet Concerto in D major "Estienne Roger 188": I. Allegro (in 1976-09)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Trumpet Concerto in D major "Estienne Roger 188"
Giuseppe Torelli2:34
15Sinfonia in si bem magg. - Allegro
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Symphony no. 1 in B-flat major, op. 2 no. 1: III. Allegro
composer:
William Boyce (English baroque composer)
part of:
Symphony no. 1 in B-flat major, op. 2 no. 1
William Boyce1:58
16Magnificat BWV 243 - Coro: "Magnificat"
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor), Michel Glotz and Hans Hirsch (producer at Deutsche Grammophon)
editor:
Jürgen Bulgrin (sound engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1975-02-21 until 1979-02-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-02-21 until 1979-02-21)
conductor:
Herbert von Karajan (conductor) (from 1975-02-21 until 1979-02-21)
chorus master:
Walter Hagen-Groll (chorus master) (from 1975-02-20 until 1975-02-21)
balance engineer:
Cord Garben (pianist and conductor), Michel Glotz and Günter Hermanns (producer/engineer) (from 1975-02-21 until 1979-02-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-02-21 until 1979-02-21)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1975-02-21 until 1979-02-21)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:14
17Concerto op. 10 n. 3 per flauto "Il gardellino" in re magg. RV 428 - Cantabile
recorded in:
Vevey, Vaud (Canton of Vaud), Switzerland (in 1968-06)
flute:
Severino Gazzelloni (flutist) (in 1968-06)
orchestra:
I Musici (in 1968-06)
recording of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: II. Cantabile (in 1968-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”
Antonio Vivaldi2:49
18La Poule
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Nouvelles Suites de Pièces de Clavecin: La Poule
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor
Jean‐Philippe Rameau2:58
19Sonata da concerto per tromba, archi e clavicembalo in re magg. - Moderato e grazioso
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
editor:
Manfred Bartel and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Maurits Sillem (in 1976-09)
trumpet:
Maurice André (French trumpeter) (in 1976-09)
orchestra:
English Chamber Orchestra (in 1976-09)
conductor:
Charles Mackerras (Australian conductor) (in 1976-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (in 1976-09)
recording of:
Concerto-Sonata in D major for Trumpet, Strings and Harpsichord: I. Moderato e grazioso (in 1976-09)
composer:
Georg Philipp Telemann (composer)
part of:
Sonata for trumpet, 2 violins, viola & continuo in D major "Sonate spirituosa", TWV 44:DA3 (Arrangement by Michel Rondeau)
Georg Philipp Telemann3:19
20Partita per violino solo n. 2 in re min. BWV 1004 - Ciaccona
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1967-07)
recorded at:
Théâtre municipal de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (in 1967-07)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach14:21
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1Musica per il funerale della Regina Maria - Marcia per il funerale della regina (processione)
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
Baroque Brass of London (in 1992-06)
conductor:
David Hill (British organist and conductor) (in 1992-06)
recorded at:
Winchester Cathedral in Winchester, Hampshire, England, United Kingdom (in 1992-06)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (in 1992-06)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell52:25
2Toccata e fuga in re min. - Toccata. Fuga
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
compilation of:
Toccata and Fugue in D minor, BWV 565: I. Toccata, Adagio by Simon Preston (organist, conductor, composer) and Toccata and Fugue in D minor, BWV 565: II. Fugue by Simon Preston (organist, conductor, composer)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach8:24
3Suite in re magg. HWV 349 - Alla Hornpipe
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1990-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1990-12)
concertmaster:
Guillermo Figueroa (in 1990-12)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1990-12)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1990-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel2:44
4Concerto "Alla rustica" in sol magg. RV 151 - Presto
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1985-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: I. Presto (in 1985-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi11:07
5Wache auf, ruft uns die Stimme BWV 140 - Corale (tenore) "Zion hört die Wächter singen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:59
6Abdelazer - Rondò
engineer:
Philip Wade (engineer)
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1974-03)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1974-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:37
7Concerto per clavicembalo e orchestra in sol min. - Vivace
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Simon Standage (English violinist and conductor)
recording of:
Concerto no. 5 in G minor: III. Vivace
composer:
Thomas Arne (composer)
part of:
Concerto no. 5 in G minor
Thomas Arne4:31
8Nulla in mundo pax sincera RV 630
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
partial recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi2:49
9Concerto per oboe in re min. - Adagio
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
orchestra:
I Musici (in 1986-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (in 1986-07)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello4:24
10Suite inglese n. 2 in la min. BWV 807
engineer:
Stanley Goodall (engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1988-01-04 until 1988-01-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1988)
recorded at:
University of Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-01-04 until 1988-01-08)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (from 1988-01-04 until 1988-01-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VI. Bourrée II - Bourrée I da capo (from 1988-01-04 until 1988-01-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
Johann Sebastian Bach4:04
11Les elémens - Suite per orchestra - Tambourins I & II
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1994-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1994-01)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1994-01)
recording of:
Les Élémens: VII. Tambourins I & II (in 1994-01)
composer:
Jean‐Féry Rebel (or Jean-Ferry Rebel, French Baroque composer and violinist) (in 1737)
part of:
Les Élémens
Jean‐Féry Rebel1:42
12Le carillon Cithère
harpsichord:
George Malcolm (English harpsichordist, conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 7. Le Carillon de Cythère
composer:
François Couperin (French composer of the Baroque era) (in 1722)
part of:
Quatorzième ordre de clavecin en ré majeur
François Couperin2:21
13Concerto per violoncello archi e basso con3tinuo in la magg. WQ 172 - Largo con sordini, mesto
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
cello:
Matt Haimovitz (cellist) (in 1989-03)
harpsichord:
Robert Aldwinckle
orchestra:
English Chamber Orchestra (in 1989-03)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (in 1989-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1989-03)
recording of:
Cadenza to CPE Bach’s Cello Concerto in A major: II. Largo (in 1989-03)
composer:
Matt Haimovitz (cellist)
is based on:
Cello Concerto in A major, Wq. 172, H. 439: II. Largo con sordini, mesto
part of:
Cadenzas to CPE Bach’s Cello Concerto in A major
recording of:
Cello Concerto in A major, Wq. 172, H. 439: II. Largo con sordini, mesto (in 1989-03)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1753)
arrangement of:
Keyboard Concerto in A major, Wq. 29, H. 437: II. Largo. Mesto
part of:
Cello Concerto in A major, Wq. 172, H. 439
Carl Philipp Emanuel Bach7:37
14Quintetto per archi in mi magg. G 281
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-03)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (in 1992-03)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1992-03)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:22
15Invenzione a tre voci BWV 787-801 - Invenzione n. 2 in do min.
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1983-09-12 until 1983-09-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-09-12 until 1983-09-25)
recording of:
Sinfonia Nr. 2 c-Moll, BWV 788 (from 1983-09-12 until 1983-09-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 2) and Bach-Werke-Verzeichnis (number: BWV 788)
Johann Sebastian Bach2:12
16Le quattro stagioni op. 8 concerto RV 315 in sol min. "L'estate" - Presto (Tempo impetuoso d'estate)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (in 1980-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:46
17Zadok the priest (Inno d'incoronazione n. 1 HWV 258) - "Zadok the Priest", "And all the people rejoic'd", "God save the King"
choir vocals:
Geraint Jones Singers
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Georg Friedrich Händel6:04
18Concerto brandeburghese n. 2 in fa magg. BWV 1047 - Allegro
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:26
19Gloria per soli, coro e orchestra in re magg. RV 589 - "Gloria in excelsis Deo" (Allegro)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
choir vocals:
The English Concert Choir (in 1992-12)
orchestra:
The English Concert (in 1992-12)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1992-12)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1992-12)
recorded at:
Basilica di Santa Maria Maggiore in Roma (Rome), Roma, Lazio, Italy (in 1992-12)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:21

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ASIN:DE: B001JZ9BP0 [info]