Blue Note: ’Round Midnight (A Story of Jazz)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1’Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:12
2Love for Sale
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Love for Sale (on 1958-03-09)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Cannonball Adderley4.57:04
3Maiden Voyage
recording engineer:
Rudy van Gelder (on 1965-03-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
bass:
Ron Carter (US jazz double-bassist) (on 1965-03-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-03-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-03-17)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1965-03-17)
trumpet:
Freddie Hubbard (on 1965-03-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-17)
recording of:
Maiden Voyage (on 1965-03-17)
composer:
Herbert J. Hancock (Herbie Hancock, US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:55
4You Don’t Know What Love Is
producer:
Richard Bock (record producer)
double bass:
Carson Smith (on 1955-03-07)
drums (drum set):
Bob Neel (on 1955-03-07)
piano:
Russ Freeman (pianist) (on 1955-03-07)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1955-03-07)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1955-03-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-03-07)
recording of:
You Don’t Know What Love Is (on 1955-03-07)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chet Baker4:53
5Brazilian Suite #3
engineer:
Tom Swift (engineer)
producer:
Eric Kressmann and Michel Petrucciani (FR | jazz)
mixer:
David Merrill (recording engineer at Master Sound Astoria; also bass player)
bass:
Anthony Jackson (US bassist)
drums (drum set):
Omar Hakim
percussion:
Steve Thornton (percussionist)
piano and synthesizer:
Michel Petrucciani (FR | jazz)
arranger:
Michel Petrucciani (FR | jazz)
recording of:
Brazilian Suite 3
composer:
Michel Petrucciani (FR | jazz)
publisher:
Eden Joy Music (publishing)
Michel Petrucciani2:35
6I’m Old Fashioned
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
John Coltrane7:59
7These Foolish Things (live)
Gerry Mulligan Quartet3:31
8Don’t Explain
recording engineer:
Rudy van Gelder (on 1962-08-29)
producer:
Alfred Lion (in 1962)
bass:
Butch Warren (on 1962-08-29)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-08-29)
piano:
Sonny Clark (on 1962-08-29)
tenor saxophone:
Dexter Gordon (on 1962-08-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-08-29)
instrumental cover recording of:
Don’t Explain (on 1962-08-29)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Dexter Gordon6:07
9Along Came Betty
Art Blakey6:11
10My Funny Valentine
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-05-14)
piano:
Bill Evans (pianist) (on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York, New York, United States (on 1962-05-14)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1962-05-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Bill Evans & Jim Hall5:23
11Infant Eyes
recording engineer:
Rudy van Gelder (on 1964-12-24)
producer:
Michael Cuscuna (task: 1999 reissue) and Alfred Lion
double bass:
Ron Carter (US jazz double-bassist) (on 1964-12-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-12-24)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-12-24)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1964-12-24)
trumpet:
Freddie Hubbard (on 1964-12-24)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-12-24)
recording of:
Infant Eyes (on 1964-12-24)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter6:53
12Cheek to Cheek
Paolo Fresu7:19
13Poor Butterfly
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-14)
drums (drum set):
Art Blakey (on 1957-04-14)
piano:
Horace Silver (on 1957-04-14)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-04-14)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-04-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-14)
instrumental recording of:
Poor Butterfly (on 1957-04-14)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
Sonny Rollins6:06
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