| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | All Shook Up | 3.65 | 1:59 |
| 2 | Rip It Up | | 1:55 |
| 3 | Shake Rattle and Roll- cover recording of:
- Shake, Rattle and Roll (am 1956-02-03)
- zusätzlicher Texter:
- Daryl Bosteels
- Verfasser(in):
- Charles Calhoun und Jesse Stone
- publisher:
- Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music , Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
- recording of:
- Shake, Rattle and Roll
- zusätzlicher Texter:
- Daryl Bosteels
- Verfasser(in):
- Charles Calhoun und Jesse Stone
- publisher:
- Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music , Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
| | 2:30 |
| 4 | Blue Suede Shoes | | 2:02 |
| 5 | Is It So Strange | | 2:31 |
| 6 | Ready Teddy | | 1:58 |
| 7 | You’re a Heartbreaker | | 2:14 |
| 8 | Hound Dog- cover recording of:
- Hound Dog
- Texter:
- Jerry Leiber (am 1952-08-12)
- Komponist(in):
- Mike Stoller (am 1952-08-12)
- vorher zugeschrieben zu:
- Johnny Otis
- publisher:
- Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. , MCA Music Ltd., MCA Music Publishing , Sony/ATV Songs LLC, Universal Music Publishing , Universal/MCA Music , Williamson Music Company und Williamson Music, Inc.
| | 2:18 |
| 9 | Good Rockin’ Tonight- Techniker(in) und Produzent(in):
- Sam Phillips
- Bass:
- Bill Black (in 1954, von 1954-09-12 bis 1954-09-16)
- E-Gitarre:
- Scotty Moore (von 1954-09-12 bis 1954-09-16)
- Gitarre:
- Scotty Moore (in 1954) und Elvis Presley (in 1954, von 1954-09-12 bis 1954-09-16)
- vocals:
- Elvis Presley (von 1954-09-12 bis 1954-09-16)
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1954) und BMG Entertainment (in 1955)
- aufgenommen bei:
- Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
- cover recording of:
- Good Rockin’ Tonight (am 1954-09-10)
- Texter und Komponist(in):
- Roy Brown (in 1947-07)
- publisher:
- Brown Angel Music Publishing , Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music , Trio Music Co., Inc. und Wixen Music UK Ltd.
| 5 | 2:15 |
| 10 | I Got a Woman | | 2:26 |
| 11 | Playing for Keeps | | 2:53 |
| 12 | Tutti Frutti | | 2:00 |
| 13 | Blue Moon of Kentucky- Techniker(in) und Produzent(in):
- Sam Phillips
- Bass:
- Bill Black (am 1954-07-05, am 1954-07-07)
- E-Gitarre:
- Scotty Moore (am 1954-07-05, am 1954-07-07)
- Gitarre:
- Elvis Presley (am 1954-07-05, am 1954-07-07)
- vocals:
- Elvis Presley (am 1954-07-05, am 1954-07-07)
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1954)
- aufgenommen bei:
- Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
- Teil von:
- Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
- cover recording of:
- Blue Moon of Kentucky (am 1954-07-05)
- Texter und Komponist(in):
- Bill Monroe (in 1946)
- publisher:
- APRS , Peer International Corporation , Southern Music Publishing , Southern Music Publishing Company Limited und ピアーミュージック
- cover recording of:
- Blue Moon of Kentucky (am 1954-07-07)
- Texter und Komponist(in):
- Bill Monroe (in 1946)
- publisher:
- APRS , Peer International Corporation , Southern Music Publishing , Southern Music Publishing Company Limited und ピアーミュージック
| 2.65 | 2:05 |
| 14 | Long Tall Sally | | 1:54 |
| 15 | Party | 3.45 | 1:30 |
| 16 | We’re Gonna Move | | 2:30 |
| 17 | Hard Headed Woman | | 1:55 |
| 18 | Lawdy Miss Clawdy | | 2:11 |
| 19 | Mystery Train | | 2:20 |