| As an Unperfect Actor (Sonnet No. 23) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 5:37 | instrument |
| How Like a Winter (Sonnet No. 97) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 5:18 | instrument |
| Let Me Not to the Marriage of True Minds (Sonnet No. 116) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 4:41 | instrument |
| Mine Eye Hath Played the Painter (Sonnet No. 24) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 4:36 | instrument |
| My Mistress’ Eyes (Sonnet No. 130) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 4:37 | instrument |
| Sin of Self-Love (Sonnet No. 62) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 5:23 | instrument |
| Splitting Wood, for flugelhorn/trumpet, cello, bass clarinet, and fender rhodes piano: I. hit the soft | Jörg Brinkmann, Martin Fondse, Wim Van Hasselt, Claudio Puntin | | | 3:08 | instrument |
| Splitting Wood, for flugelhorn/trumpet, cello, bass clarinet, and fender rhodes piano: II. once opened, never be closed | Jörg Brinkmann, Martin Fondse, Wim Van Hasselt, Claudio Puntin | | | 7:43 | instrument |
| Tired With All These (Sonnet No. 66) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 3:14 | instrument |
| When in Disgrace (Sonnet No. 29) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 4:40 | instrument |
| When Most I Wink (Sonnet No. 43) | Birgit Minichmayr, Quadro Nuevo & Bernd Lhotzky | | | 3:31 | instrument |
