| ¡Ay triste que vengo! | Isabel Martin, David Mayoral, Taracea | | | 5:43 | Instrument |
| ¡Oh, qué bien que baila Gil! | [anonymous] | | | 2:26 | Instrument |
| ¿Que me queréis, cavallero? | Núria Rial, José Miguel Moreno | | | 1:14 | Instrument |
| 'Conde Claros' con cierta diferencias | Toyohiko Satoh | | | 7:50 | Instrument |
| 'Conde Claros' con diferencias | Toyohiko Satoh | | | 4:58 | Instrument |
| A la guerra a la guerra | Shirley Rumsey | | | 3:22 | Instrument |
| A quand?a quand?haveva, villanesca a 4 | El Cortesano | | | 2:32 | Instrument |
| A tierras agenas | Núria Rial, José Miguel Moreno | | | 3:01 | Instrument |
| Absalon fili mi | John Potter | | | 3:33 | Instrument |
| Agnum Dei, from Missa “Surge Propera” | John Potter | | | 3:25 | Instrument |
| Agnus dei de la missa "Dezilde al cavallero", | Armonía Concertada, María Cristina Kiehr, Ariel Abramovich, Jacob Heringman, John Potter | | | 1:38 | Instrument |
| Al amor quiero vencer | Charivari Agréable | | | 1:10 | Instrument |
| Amando e desiando | Benedetto Gareth | | | 3:24 | Instrument |
| Amarilli, mia bella | Michel Godard, Taracea | | | 6:29 | Instrument |
| Anchor che col partire | Armonía Concertada, María Cristina Kiehr, Ariel Abramovich, Jacob Heringman, John Potter | | | 3:16 | Instrument |
| Angelus ad virginem | Ensemble Unicorn | | | 1:55 | Instrument (als „vihuela'd'arco”) |
| Anónimo: A los maitinis era | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:57 | Instrument |
| Anónimo: Al alva venid | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 2:42 | Instrument |
| Anónimo: L'amor, dona, ch'io te porto | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 3:17 | Instrument |
| Anónimo: Niña y viña | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:11 | Instrument |
| Anónimo: Rodrigo Martines | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:02 | Instrument |
| Antidotum Tarantulae | Atrium Musicæ de Madrid | | | 4:10 | Instrument |
| Aquel cavallero madre | Montserrat Caballé | | | 2:51 | Instrument (als „vihuela”) |
| Aquellas sierras madre, villancico a 4 | El Cortesano | | | 2:41 | Instrument |
| Arded coazon arded | Montserrat Caballé | | | 1:50 | Instrument (als „vihuela”) |
| Au joli bois (from Johannes Lupi’s Song) | Maurizio Croci, Evangelina Mascardi | | | 2:51 | Instrument |
| Ave Maria | Jonatan Alvarado, Ariel Abramovich | | | 4:20 | Instrument (als „alto vihuela”) |
| Ave maris stella | Maurizio Croci, Evangelina Mascardi | | | 2:19 | Instrument |
| Ay de mi, qu'en tierra agena | [anonymous] | | | 2:38 | Instrument |
| Ay luna que reluzes | Shirley Rumsey | | | 1:58 | Instrument |
| Batalla de Morales | Lorenzo Alpert, Sergi Casademunt, Bruce Dickey, Pedro Estevan, Roberto Gini, Paolo Grazzi, José Miguel Moreno, Paolo Pandolfo, Jordi Savall, Charles Toet, Hespèrion XXI | | | 5:26 | Instrument |
| Battaille (from Le secret des muses) | Lutz Kirchhof | | | 6:21 | Instrument |
| Baxa de contrapunto | Anthony Rooley | | | 1:27 | Instrument |
| Baxa de Contrapunto | Lutz Kirchhof | | | 1:18 | Instrument |
| Beatus ille qui procul negociis | Núria Rial, José Miguel Moreno | | | 1:01 | Instrument |
| Benedicta es | John Potter | | | 6:07 | Instrument |
| Benedicta es regina caelorum (from Josquin Des Prez’s Motet) | Maurizio Croci, Evangelina Mascardi | | | 6:29 | Instrument |
| Benedicta es regina caelorum: Duo | Maurizio Croci, Evangelina Mascardi | | | 2:05 | Instrument |
| Benedicta es regina caelorum: Tercera parte | Maurizio Croci, Evangelina Mascardi | | | 1:10 | Instrument |
| Benedictus de la missa de Mila regres, for voice & vihuela (after Morales) | Núria Rial, José Miguel Moreno | | | 1:49 | Instrument |
| Benedictus, from Missa “Surge Propera” | John Potter | | | 1:51 | Instrument |
| Bog se rodi va Betleme | Ensemble Oni Wytars | | | 3:57 | Instrument (als „vihuela'd'arco”) |
| Canción de emperador; Sobre 'Mille Regretz' de Josquin Des Prez | Toyohiko Satoh | | | 2:54 | Instrument |
| Canción del Emperador | José Miguel Moreno | | | 3:40 | Instrument |
| Cancion del emperador. Mille Regres | Lutz Kirchhof | | | 2:07 | Instrument |
| Cancion del primer Tono (after Nicolaus Gombert's Canzon) | Lutz Kirchhof | | | 1:35 | Instrument |
| Canción: Claros y frescos rios (Boscan) | Alonso Mudarra | | | 5:41 | Instrument |
| Canción: Recuerde el alma dormida (Manrique) | Alonso Mudarra | | | 4:35 | Instrument |
| Cantos de México: I. Poco Movido | Southwest Chamber Music, Tambuco, Jeff von der Schmidt | | | 1:12 | Instrument (als „vihuela chica”), Instrument (als „vihuela grande”) |
| Cantos de México: II. Lento | Southwest Chamber Music, Tambuco, Jeff von der Schmidt | | | 0:58 | Instrument (als „vihuela chica”), Instrument (als „vihuela grande”) |
| Cantos de México: III. Vivo | Southwest Chamber Music, Tambuco, Jeff von der Schmidt | | | 1:36 | Instrument (als „vihuela grande”), Instrument (als „vihuela chica”) |
| Capriccio (clavecin) | Tarquinio Merula | | | 2:30 | Instrument |
| Chacona: Una sarao de la chacona | Piffaro, The Renaissance Band | | | 1:58 | Instrument |
| Chi me dara più pace | Marchetto Cara | | | 3:53 | Instrument |
| Chi vuol ch'io m'inamori (Canzonetta spirituale) | Tarquinio Merula | | | 3:11 | Instrument |
| Chiare, fresche et dolci acque | Armonía Concertada, María Cristina Kiehr, Ariel Abramovich, Jacob Heringman, John Potter | | | 3:17 | Instrument |
| Chiave, chiave (toccata instrumental) | Hespèrion XX | | | 1:29 | Instrument (als „vihuela de mano”) |
| Chorea 1 (from Noctes Musicae) | Lutz Kirchhof | | | 2:48 | Instrument |
| Claros y frescos rios | Alonso Mudarra | | | 3:44 | Instrument |
| Claros y frescos rios, for voice & vihuela | Núria Rial, José Miguel Moreno | | | 4:03 | Instrument |
| Collinetto | Hespèrion XX | | | 3:00 | Instrument (als „vihuela de mano”) |
| Come Again, Sweet Love Doth Now Invite | David Mayoral, Taracea | | | 5:12 | Instrument |
| Come, Heavy Sleep, G. 46 (Arr. M. Fentoss & M. Ornstein) | Mike Fentross, Maarten Ornstein | | | 4:05 | Instrument |
| Componidori | Vinicio Capossela | | | 5:13 | Instrument |
| Con pavor recordó el moro | Charivari Agréable | | | 2:42 | Instrument |
| Con que la lavare | Shirley Rumsey | | | 2:52 | Instrument |
| Con que la lavaré | Montserrat Caballé | | | 1:57 | Instrument (als „vihuela”) |
| Conde Claros | Anthony Rooley | | | 2:03 | Instrument |
| Conde Claros | Toyohiko Satoh | | | 2:31 | Instrument |
| Conde Claros en doze maneras | Hopkinson Smith | | | 1:59 | Instrument |
| Courante I | Lutz Kirchhof | | | 1:29 | Instrument |
| Courante II | Lutz Kirchhof | | | 1:44 | Instrument |
| Cows With Guns | Dana Lyons | | 4 | 5:14 | Instrument |
| Credo, from Missa “Surge Propera” | John Potter | | | 10:24 | Instrument |
| Crystal Frontier | Calexico | | | ?:?? | Instrument |
| Crystal Frontier (Widescreen version) | Calexico | | | 3:59 | Instrument |
| Cuatro diferencias de Guárdame las vacas | José Miguel Moreno | | | 3:52 | Instrument |
| Cuatro diferencias sobre la Pavana | Evangelina Mascardi | | | 3:20 | Instrument |
| Cuchilleros | David Mayoral, Taracea | | | 4:53 | Instrument |
| Cumbia Navidad | Patricia Vonne | | | 3:27 | Instrument |
| De Antequera sale el moro | Shirley Rumsey | | | 3:13 | Instrument |
| De Antequera sale el moro, for voice & vihuela (after Morales) | Núria Rial, José Miguel Moreno | | | 3:01 | Instrument |
| De donde venis amore | Montserrat Caballé | | | 1:52 | Instrument (als „vihuela”) |
| De dònde venis, amore? | Núria Rial, José Miguel Moreno | | | 1:27 | Instrument |
| De los alamos vengo, madre | Montserrat Caballé | | | 2:38 | Instrument (als „vihuela”) |
| Del Enzina: Hoy comamos y bevamos | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:34 | Instrument |
| Del Enzina: Más vale trocar | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 3:52 | Instrument |
| Del Enzina: Qu'es de ti desconsolado | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 3:03 | Instrument |
| Del Enzina: Si habrá en este baldés | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:17 | Instrument |
| Descante sobre un punto | Charivari Agréable | | | 2:56 | Instrument |
| Desilde al cavallero: Desilde al cavallero I | Martha McLorinan, Lynda Sayce | | | 1:00 | Instrument |
| Desilde al cavallero: Desilde al cavallero II | Martha McLorinan, Lynda Sayce | | | 1:05 | Instrument |
| Dezilde al caballero, for voice & vihuela | Núria Rial, José Miguel Moreno | | | 2:07 | Instrument |
| Diferencias de Conde Claros, for guitar | José Miguel Moreno | | | 4:52 | Instrument |
| Diferencias sobre 'Conde Claros' | Toyohiko Satoh | | | 10:09 | Instrument |
| Diferencias sobre 'Guardame Las Vacas' | Toyohiko Satoh | | | 3:08 | Instrument |
| Diferencias sobre 'Guárdame las vacas' | Lutz Kirchhof | | | 2:34 | Instrument |
| Diferencias sobre "La Dama le demanda" | Eunice Brandão, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Jordi Savall, Hespèrion XXI | | | 3:27 | Instrument |
| Diferencias sobre "Las Vacas" | Antonio de Cabezón | | | 4:19 | Instrument |
| Diferencias Sobre "Las Vacas" | Antonio de Cabezón | | | 2:34 | Instrument |